 | Franz von Kutschera - 1998 - 600 דפים
...object faithfully, has as yet only learned the language by which his thoughts are to be expressed. ... It is not by the mode of representing and saying, but by what is represented and said, that the respcctivc greatness either of the painter or the writer is to be finally determined". Für Ruskin... | |
 | Alexandra Wettlaufer - 2003 - 316 דפים
...draws a familiar stylistic parallel between the painter's and the poet's languages, claiming "all those excellences which are peculiar to the painter as such,...force are in the words of the orator and the poet." Thus, as he introduces his first tome on contemporary painting, Ruskin relies almost entirely on a... | |
 | Ruth Bernard Yeazell - 2008 - 294 דפים
...Ruskin's contempt for Dutch art is impossible to separate from his disapproval of its subject matter. "It is not by the mode of representing and saying, but by what is represented and said," he announced in the first volume of Modern Painters, "that the respective greatness either of the painter... | |
 | 1845 - 492 דפים
...to the intellect; but it is, nevertheless, nothing more than language ; and all those excellencies which are peculiar to the painter as such, are merely...painter or the writer is to be finally determined. Speaking with strict propriety, therefore, we should call a man a great painter only as he excelled... | |
 | 1866 - 662 דפים
...painter, as a man who has learned how to express himself melodiously has towards being a great poet Rhythm, melody, precision, and force are, in the words of the orator and poet, necessary to their greatness, but not the tests of their greatness. It is not by the mode of... | |
| |
... poet. The language is, indeed, more difficult of acquirement in the one case than in the other, and possesses more power of delighting the sense, while it speaks to the intellect, but it is, nevertheless, nothing more than language, and all those... 
