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" Be not afeard ; the isle is full of noises, Sounds and sweet airs, that give delight and hurt not. Sometimes a thousand twangling instruments Will hum about mine ears, and sometimes voices That, if I then had waked after long sleep, Will make me sleep... "
The Plays of William Shakespeare: Accurately Printed from the Text of the ... - עמוד 64
מאת William Shakespeare - 1805
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Theatre of the Arts: Wilson Harris and the Caribbean

Hena Maes-Jelinek - 2002 - 288 דפים
...or a concept.... And Caliban is Caribbean - Trinidadian, specifically. And in a painting - you know "Be not afeard; the isle is full of noises, sounds and sweet airs" - she is trying to paint sound. I was talking just this morning of the difficulty of trying to do this,...
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Novel Shakespeares: Twentieth-century Women Novelists and Appropriation

Julie Sanders - 2001 - 274 דפים
...her making' (77). Gillian Beer's notion of 'limber echoes' is active here: Caliban's iconic poetry 'The isle is full of noises,/ Sounds and sweet airs, that give delight and hurt not' (3.2.130—1) - is conjured up in the phrase which frames the 'Sycorax' portions of the...
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Shakespeare Survey, כרך 25

Kenneth Muir - 2002 - 228 דפים
...sound, as Caliban reminds us again: the Isle is full of noyses, Sounds, and sweet aires, that giue delight and hurt not: Sometimes a thousand twangling Instruments Will hum about mine eares; and sometime voices. (in, ii, 3o:i,492ff.) And finally, Alonso describes the low voice of the...
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A Place on Earth: An Anthology of Nature Writing from Australia and North ...

Mark Tredinnick - 2003 - 280 דפים
...imaginative, poetic power second only to Prospero's. Caliban can hear and describe the island's music: Be not afeard, the isle is full of noises, Sounds...twangling instruments Will hum about mine ears; and sometimes voices That, if I then had waked after long sleep, Will make me sleep again; and then, in...
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Rites of Passage: Rational/Irrational Natural/Supernatural Local/Global

Associazione italiana di anglistica. Congresso - 2003 - 580 דפים
...masque in III, 3 (19), or a fit example for the sweet polyphonic sounds reffered to by Caliban in 111,2: Be not afeard; the isle is full of noises, Sounds,...twangling instruments Will hum about mine ears; and sometimes voices That, if I then waked after long sleep, Will make me sleep again; and then, in dreaming...
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Belief and Uncertainty in the Poetry of Robert Frost

Robert Pack - 2003 - 268 דפים
...a curse — but instinctually: his appreciation of the island's natural beauty and music. CALIBAN: The isle is full of noises, Sounds and sweet airs,...that give delight, and hurt not, Sometimes a thousand twanging instruments Will hum about my ears; and sometimes voices, That, if I then had wak'd after...
תצוגה מקדימה מוגבלת - מידע על ספר זה

The Shakespeare Oracle: Let the Bard Predict Your Future

180 דפים
...4.2.83). 9 HERMIT: Caliban THE HERMIT Be not af eard: the isle is full of noises, Sounds and siveet airs, that give delight and hurt not. Sometimes a...twangling instruments Will hum about mine ears, and sometimes voices That, if I then had waked after long sleep, Will make me sleep again: and then, in...
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Christ and the Media

Malcolm Muggeridge - 2003 - 132 דפים
...living colour (whatever that may mean), but in practice transporting the viewer into a Caliban's Island, full of noises, Sounds and sweet airs, that give delight, and hurt not, Sometimes a thousand twanging instruments Will hum about mine ears; and sometime voices That, if I then had wak'd after...
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Gardens and the Passion for the Infinite

International Society for Phenomenology, Fine Arts, and Aesthetics. Conference Harvard Divinity School) - 2003 - 378 דפים
...IN EURIPIDES'S BACCHAE. SHAKESPEARE'S THE TEMPEST, AND STEVENS'S "OF MODERN POETRY" Be not afeared: the isle is full of noises, Sounds and sweet airs that give delight and hurl not. Sometimes a thousand twongUng instruments Will hum about mine ears: and sometime voices...
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Shakespeare Survey, מהדורה 51

Stanley Wells - 2003 - 434 דפים
...inextricable link between music and magic, music is necessarily an integral part of the fabric of the play: 'The isle is full of noises, / Sounds, and sweet airs, that give delight and hurt not' (3.2.138—9). The underlying presence of music is more marked than in A Midsummer Night's...
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