The works of Samuel Johnson [ed. by F.P. Walesby].Talboys and Wheeler, 1825 |
מתוך הספר
תוצאות 6-10 מתוך 30
עמוד 111
... continued long amongst us ; and plays were written , which , by changing the catastrophe , were trage- dies to - day , and comedies to - morrow " . Thus , says Downes the Prompter , p . 22 : " The tragedy of Romeo and Juliet was made ...
... continued long amongst us ; and plays were written , which , by changing the catastrophe , were trage- dies to - day , and comedies to - morrow " . Thus , says Downes the Prompter , p . 22 : " The tragedy of Romeo and Juliet was made ...
עמוד 112
... continued through many plays ; as it had no plan , it had no limits . Through all these denominations of the drama , Shake- speare's mode of composition is the same ; an interchange of seriousness and merriment , by which the mind is ...
... continued through many plays ; as it had no plan , it had no limits . Through all these denominations of the drama , Shake- speare's mode of composition is the same ; an interchange of seriousness and merriment , by which the mind is ...
עמוד 146
... continued by the persecution , which , with a kind of conspiracy , has been since raised against all the publishers of Shakespeare . That many passages have passed in a state of deprava- tion through all the editions , is indubitably ...
... continued by the persecution , which , with a kind of conspiracy , has been since raised against all the publishers of Shakespeare . That many passages have passed in a state of deprava- tion through all the editions , is indubitably ...
עמוד 156
... continued uniformity , directed the poet to diversify his manner , by showing him in love . No task is harder than that of writing to the ideas of another . Shakespeare knew what the queen , if the story be true , seems not to have ...
... continued uniformity , directed the poet to diversify his manner , by showing him in love . No task is harder than that of writing to the ideas of another . Shakespeare knew what the queen , if the story be true , seems not to have ...
עמוד 165
... continued ; his character has , perhaps , been the model of all the bullies that have yet appeared on the English stage . The lines given to the chorus have many admirers ; but the truth is , that in them a little may be praised , and ...
... continued ; his character has , perhaps , been the model of all the bullies that have yet appeared on the English stage . The lines given to the chorus have many admirers ; but the truth is , that in them a little may be praised , and ...
מהדורות אחרות - הצג הכל
מונחים וביטויים נפוצים
ancient appear Aristophanes Athenians Athens attempt Banquo beauty better censure character comedy comick common considered copies corn corruption Cratinus criticism curiosity degree dictionary died hereafter diligence discovered easily editions elegant endeavoured English equally errour Essay Euripides excellence exhibit expected favour genius Gentleman's Magazine give Greek Greek comedy happy Harleian library Henry honour hope human imagined imitation inquire judgment justly kind king knowledge known labour language learned less likewise lord Macbeth mankind manner means Menander ment mind Molière nation nature necessary neral never NOTE obscure observed occasion opinion Paradise Lost particular passage passions perhaps Plato Plautus play Plutarch poet Portuguese praise produced publick racters reader reason Roman says scenes sense sentiments Shakespeare sometimes Sophocles sufficient supposed things thought tion tragedy tragick truth words writers written
קטעים בולטים
עמוד 90 - She should have died hereafter ; There would have been a time for such a word. To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day To the last syllable of recorded time, And all our yesterdays have lighted fools The way to dusty death.
עמוד 72 - Pale Hecate's offerings; and wither'd murder, Alarum'd by his sentinel, the wolf, Whose howl's his watch, thus with his stealthy pace, With Tarquin's ravishing strides, towards his design Moves like a ghost. Thou sure and firm-set earth, Hear not my steps which way they walk, for fear Thy very stones prate of my whereabout And take the present horror from the time, Which now suits with it.
עמוד 115 - He sacrifices virtue to convenience, and is so much more careful to please than to instruct, that he seems to write without any moral purpose. From his writings indeed a system of social duty may be selected...
עמוד 67 - Than wishest should be undone.' Hie thee hither, That I may pour my spirits in thine ear ; And chastise with the valour of my tongue All that impedes thee from the golden round, Which fate and metaphysical aid doth seem To have thee crown'd withal.
עמוד 56 - To deny the possibility, nay, actual existence, of witchcraft and sorcery is at once flatly to contradict the revealed word of God, in various passages both of the Old and New Testament : and the thing itself is a truth to which every nation in the world hath in its turn borne testimony, either by examples seemingly well attested or by prohibitory laws; which at least suppose the possibility of commerce with evil spirits.
עמוד 46 - When we see men grow old and die at a certain time one after another, from century to century, we laugh at the elixir that promises to prolong life to a thousand years; and with equal justice may the lexicographer be derided who, being able to produce no example of a nation that has preserved their words and phrases from mutability, shall imagine that his dictionary can embalm his language and secure it from corruption and decay, that it is in his power to change sublunary nature and clear the world...
עמוד 75 - When first they put the name of king upon me, And bade them speak to him; then, prophet-like, They hail'd him father to a line of kings. Upon my head they plac'da fruitless crown, And put a barren sceptre in my gripe, Thence to be wrench'd with an unlineal hand, No son of mine succeeding.
עמוד 73 - The night has been unruly : where we lay, Our chimneys were blown down : and, as they say, Lamentings heard i...
עמוד 110 - Shakespeare's plays are not in the rigorous and critical sense either tragedies or comedies, but compositions of a distinct kind; exhibiting the real state of sublunary nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination ; and expressing the course of the world, in which the loss of one is the gain of another; in which, at the same time, the reveller is hasting to his wine, and the mourner burying his friend...
עמוד 112 - Shakespeare's mode of composition is the same, an interchange of seriousness and merriment by which the mind is softened at one time and exhilarated at another. But whatever be his purpose, whether to gladden or depress, or to conduct the story, without vehemence or emotion, through tracts of easy and familiar dialogue, he never fails to attain his purpose; as he commands us, we laugh or mourn, or sit silent with quiet expectation, in tranquillity without indifference. When Shakespeare's plan is...