and belief influenced by affection i. 154. Affection defined i. 389. ii. 517. Agamemnon) of Seneca cenfured i. 469. Agreeable emo ions and paffions i. 96, &c. Alceftes) of Euripides cenfured i. 491. ii. 418. 420. Alexandre) of Racine cenfured i. 456. Alexandrine line ii. 120. Allegory) defined ii. 275. More difficult in painting than in poetry In an historical poem ii. 387. 388. ii. 290. All for love) of Dryden cenfured i. 476. Alto relievo ii. 466. Ambiguity) occafioned by a wrong choice of words ii. 20. occafioned by a wrong arrangement ii. 54. Amynta) of Taffo cenfured i. 449. Amor patria) accounted for i. 67. Amphimacer ii. 179. Analytic and fynthetic methods of reafoning compared i. zz. Anger explained i. 72, &c. Frequently comes to its height inftantaneously i. 10. Decays fuddenly i. 113. Sometimes exerted against the innocent i. 148 and even against things inanimate i. 148. Not infectious i. 170. Has no dignity in it i. 341. Angle) largest and smallest angle of vifion i. 164. Animals diftributed by nature into claffes ii. 484. 455. Apostrophe ii. 253, &c. ii. 29. Appearance) things ought to be described in poetry, as they appear, not as they are in reality ii. 324 325 Appetite) defined i. 42. Appetites of hunger, thirst, animal love, arife without an object i. 55. Appetite for fame or esteem i. 180. Apprehention) dullness and quickness of apprehenfion, to what causes owing i. 292 Architecture ch. 24. Grandeur of manner in architecture i. 220. The fituation of a great house ought to be lofty i. 321. A playhouse or a mufic room fufceptible of much ornament i. 323. What emotions can be raised by archite&ure ii. 427. Its emotions compared with those of gardening ii. 428. Every building ought to have an expres fion fuited to its deftination ii 428. 460. 461. Simplicity ought to be the governing taste ii. 429. Regularity ought to be studied ii. 430.453. External form of dwelling-houses ii. 449. 450. Divifions within ii. 450. 462. 463. A palace ought to be regular, but in a Ariofto) cenfured i. 308. ii. 401, Ariftaus) the episode of Aristæus in the Georgics cenfured ii. 176. Army) defined ii. 525. Arrangement) the best arrangement of words is to place them if pof- Artificial mount ii. 441. Arts) See Fine Arts. Afcent) pleasant, but defcent not painful i. 209. Athalie) of Racine cenfured i. 469. Attention) defined ii. 519. Impreffion made by objects depends on the 420. 421. Attractive paffions i. 423. Attractive object i. 173. Attributes) transferred by a figure of speech from one fubject to ano ther ii. 266, &c. Avarice) defined i. 38. Avenue) to a house ii. 440. Averfion) defined i. 111. 389. ii. 518. Bacchius ii. 179. Bajazete) of Racine cenfured i. 487. Barren fcene) defined ii. 403. Bafe) of a column ii. 469. Baffo-relievo ii. 466. Batrachomuomachia) cenfured i. 354. Beauty) ch. 3. Intrinsic and relative i. 186. ii. 442. Beauty of fim- congruity i. 322. Confummate beauty seldom produces a conftant Behaviour) grofs and refined i. 104. Belief) of the reality of external objects i. 80. Inforced by a lively Benevolence operates in 'conjunction with felf-love to makes us happy Berkeley) cenfured ii. 505. Note. Blank verfe ii. 119. 160. Its aptitude for inversion ii. 162. Its melo, Body) defined ii. 500. Boileau) cenfured ii. 252. 383; Bombaft i. 230. Bombaft in action i. 234. Boffu) cenfured ii. 406. Note. Burlesque) machinery does well in a burlesque poem i. 95. Burlesque diftinguished into two kinds i. 350. Business) men of middle age best qualified for it i. 292. Cadence ii. 94. 104. Capital) of a column ii. 469. Careless husband) its double plot well contrived ii. 393. Caufe) refembling caufes may produce effects that have no refem- Chance) the mind revolts against misfortunes that happen by chance ii. 375. Character) to draw a character is the mafter-stroke of description ii. 333.334. Characteristics) of Shaftesbury criticifed i. 323. Note. Children) love to them accounted for i. 63. A child can discover a paf- 4.33. Chinese gardens ii. 443. Wonder and furprise studied in them ii. 445. Choriambus ii. 180. Chorus) an effential part of the Grecian tragedy ii. 406. Church) what ought to be its form and fituation ii. 461. Cid) of Corneille cenfured i. 447-473- Cinna) of Corneille cenfured i. 335. 443. 470. Circle) Circle) its beauty i. 191. Circumstances) in a period, where they should be placed ii. 61. 67. Climax) in sense i. 215. 446. ii. 74. In found ii. 17. When thefe are Coephores) of Efchylus cenfured i. 408. Coexiftent) emotions and paffions i. 115, &c. Colonnade) where proper ii. 452. Colour) a fecondary quality i. 195. Natural colours i. 312. Colouring Columns) every column ought to have a base i. 168. 461: The base ought Commencement) of a work ought to be modeft and fimple ii. 323. Common sense ii. 487. 497. Communication of paffion to related objects. See paffion. Commu Comparison i. 265, &c. ch. 19. In the early compofitions of all na. Complex emotion i. 116, &c. Complex object) its power to generate paffion i. 67. 68. 225, Complex perception i. 509. Complexion) what colour of dress is the most suitable to different com. Conception) defined ii. 502. Concord) or harmony in objects of fight i. 119. 120. Concordant founds) defined i. 116. Congreve) cenfured i. 353. 415. 416. Note. ii. 396. 403.479.480. Conquest of Granada) of Dryden cenfured i. 475. Conftancy) confummate beauty the cause of inconstancy i. 398. Contemplation) when painful i. 300. Contempt) raised by improper action i. 260. Contraft ch. 8. Its effect in language ii. 12. In a feries of objects ii. 15. Contraft in the thought requires contrast in the members of the Copulative) to drop the copulatives enlivens the expreffion ii. 41, &c. Corneille) cenfured i. 442. 463. 486 492. Corporeal pleafure i. 1. 2. Low and fometimes mean i. 340. Couplet ii. 120. Rules for its compofition ii. 160. Courage) of greater dignity than justice i. 339. Creticus ii. 179. Criminal) the hour of execution feems to him to approach with a swift Criticifm) its advantages i. 6, &c. Its terms not accurately defined i 427. Crowd) defined ii. 525. Curiofity i. 245. 264, &c. Custom and habit ch. 14. Renders objects familiar i. 246. Custom Dactyle ii. 181, &c. 178. Declenfions) explained ii. 46. 47. Dedications. See Epiftles dedicatory. Delicacy) of tafte i. 103. ii. 495. Derifion i. 328. 350. Des Cartes) cenfured ii. 505. Note. Defcent) not painful i. 208. Description) it animates a defcription to represent things past as prefent Defcriptive perfonification ii. 234. Defcriptive tragedy i. 439. Defire) defined i. 40. It impells us to action i. 41. It deter mines the will i. 171. Defire in a criminal to be punished i. 177. In dia- logue |