Shakespeare, כרך 3

accept action activities Angelo appears audience become believe Bertram Brutus Caesar Cassius century certainly character close comedy comes comic completely court Cressida cynical death direct Duke effect Elizabethan emotional equal evidence example existence expressed fact feel Feste follow Fool forces fortune given gives Globe Hamlet happy Helena human imagination important intellectual involved Jaques John Jonson Julius Caesar kind less Lord Malvolio matter means Measure mind moral nature never Night occasion particular performance perhaps personality play political position possible presented problem question reason reference remarkable response result revealed romantic Rosalind satire says scene seems sense Shakespeare shows society speaks speech spirit status story taken Theatre theatrical theme things tion Touchstone tragedies Troilus Troilus and Cressida true truth turn Viola writing written