Jewish Icons: Art and Society in Modern Europe

כריכה קדמית
University of California Press, 11 במאי 1998 - 358 עמודים
With the help of over one hundred illustrations spanning three centuries, Richard Cohen investigates the role of visual images in European Jewish history. The interaction of Jews with the visual arts takes place, as Cohen says, in a vast gallery of prints, portraits, books, synagogue architecture, ceremonial art, modern Jewish painting and sculpture, political broadsides, monuments, medals, and memorabilia. Pointing to recent scholarship that overturns the stereotype of Jews as people of the text, unconcerned with the visual, Cohen shows how the coming of the modern period expanded the relationship of Jews to the visual realm far beyond the religious context. Toward the end of the nineteenth century, the study and collecting of Jewish art became a legitimate and even passionate pursuit, and signaled the entry of Jews into the art world as painters, collectors, and dealers.
 

תוכן

The Visual Image of the Jew and Judaism
10
Ceremonial Art Patronage and Taste
68
The Rabbi as Icon
114
Nostalgia and The Return to the Ghetto
154
SelfExposure SelfImage and Memory
186
Images of Jewish Fate
220
זכויות יוצרים

מהדורות אחרות - הצג הכל

מונחים וביטויים נפוצים

מידע על המחבר (1998)

Richard I. Cohen is Professor of Jewish History at the Hebrew University of Jerusalem. His previous books include Burden of Conscience: French-Jewish Leadership during the Holocaust (1987).

מידע ביבליוגרפי