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Are so disqualified by fate

To rise in church, or law, or state,
As he whom Phoebus in his ire
Hath blasted with poetic fire.
What hope of custom in the fair,
While not a soul demands your ware?
Where you have nothing to produce
For private life, or public use?
Court, city, country, want you not;
You cannot bribe, betray, or plot.
For poets, law makes no provision;
The wealthy have you in derision:
Of state affairs you cannot smatter;
Are awkward when you try to flatter.
Your portion, taking Britain round,
Was just one annual hundred pound;
Now not so much as in remainder,
Since Cibber brought in an attainder;
For ever fix'd by right divine

(A monarch's right) on Grub-street line. Poor starveling bard, how small thy gains! How unproportion'd to thy pains!

And here a simile comes pat in:

Though chickens take a month to fatten,
The guests in less than half an hour
Will more than half a score devour.

So, after toiling twenty days

To earn a stock of pence

and praise,

Thy labours, grown the critic's prey,
Are swallow'd o'er a dish of tea;

Gone to be never heard of more,
Gone where the chickens went before.
How shall a new attempter learn
Of different spirits to discern,
And how distinguish which is which,
The poet's vein, or scribbling itch?
Then hear an old experienc'd sinner,
Instructing thus a young beginner.
Consult yourself; and if you find
A powerful impulse urge your mind,
Impartial judge within your breast
What subject you can manage best;
Whether your genius most inclines
To satire, praise, or humorous lines,
To elegies in mournful tone,

Or prologues sent from hand unknown.
Then, rising with Aurora's light,
The Muse invok'd, sit down to write;
Blot out, correct, insert, refine,
Enlarge, diminish, interline;

Be mindful, when invention fails,

To scratch your head, and bite your nails. Your poem finish'd, next your care

Is needful to transcribe it fair.

In modern wit all printed trash is
Set off with numerous breaks and dashes.

To statesmen would you give a wipe,
You print it in Italic type.

When letters are in vulgar shapes, 'Tis ten to one the wit escapes:

But, when in capitals exprest,
The dullest reader smokes the jest:
Or else perhaps he may invent
A better than the poet meant ;
As learned commentators view
In Homer, more than Homer knew.
Your poem in its modish dress,
Correctly fitted for the press,
Convey by penny-post to Lintot,
But let no friend alive look into 't.
If Lintot thinks 'twill quit the cost,
You need not fear your labour lost:
And how agreeably surpris'd
Are you to see it advertis'd!

The hawker shows you one in print,
As fresh as farthings from the mint:
The product of your toil and sweating;
A bastard of your own begetting.

Be sure at Will's the following day,
Lie
snug, and hear what critics say;
And, if you find the general vogue
Pronounces you a stupid rogue,

Damns all your thoughts as low and little,
Sit still, and swallow down your spittle.
Be silent as a politician,

For talking may beget suspicion :
Or praise the judgment of the town,
And help yourself to run it down.
Give up your fond paternal pride,
Nor argue on the weaker side:

For

poems read without a name

We justly praise, or justly blame;
And critics have no partial views,
Except they know whom they abuse:
And, since you ne'er provoke their spite,
Depend upon 't their judgment's right.
But if you blab, you are undone:
Consider what a risk you run:
You lose your credit all at once;
The town will mark you for a dunce;
The vilest doggrel, Grub-street sends,
Will pass for yours with foes and friends;
And you must bear the whole disgrace,
Till some fresh blockhead takes your place.
Your secret kept, your poem sunk,
And sent in quires to line a trunk,
If still you be dispos'd to rhyme,
Go try your hand a second time.
Again you fail: yet Safe's the word;
Take courage, and attempt a third.
But first with care employ your thoughts
Where critics mark'd your former faults;
The trivial turns, the borrow'd wit,
The similes that nothing fit;
The cant which every fool repeats,
Town jests and coffee-house conceits;
Descriptions tedious, flat, and dry,
And introduc'd the Lord knows why:
Or where we find your fury set
Against the harmless alphabet;

And A's and B's your malice vent,
While readers wonder whom you meant;

A public or a private robber,

A statesman, or a South-sea jobber;
A prelate who no God believes;
A parliament, or den of thieves;
A pick-purse at the bar or bench;
A duchess, or a suburb wench:
Or oft, when epithets you link

In gaping lines to fill a chink;
Like stepping-stones to save a stride,
In streets where kennels are too wide;
Or like a heel-piece, to support
A cripple with one foot too short;
Or like a bridge, that joins a marish
To moorland, of a different parish.
So have I seen ill-coupled hounds
Drag different ways in miry grounds.
So geographers in Afric maps
With savage pictures fill their gaps,
And o'er unhabitable downs

Place elephants for want of towns.

But, though you miss your third essay, You need not throw your pen away. Lay now aside all thoughts of fame, To spring more profitable game. From party-merit seek support; The vilest verse thrives best at court. A pamphlet in Sir Bob's defence Will never fail to bring in pence

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