The Third Text Reader on Art, Culture and TheoryRasheed Araeen, Sean Cubitt, Ziauddin Sardar Continuum, 2002 - 392 עמודים Third Text is a journal on art in global context. Challenging received notions of art practice, art history, popular media and cultural theory, Third Text has never been content to accept the claims of anti-racism, multiculturalism or postcoloniality. It has championed new artists from five continents, and is designed to raise the critical temperature and the political stakes for art and cultural practice in the age of globalization. This reader brings together essays by critics in global art and cultural studies, but also writings by new voices which emerged in the last decades of the 20th century. Divided into sections - history, representation, identity, film, post theory, globalization - the reader is aimed at students and teachers of art, cultural studies, media studies, postcolonialism and globalisation. |
מתוך הספר
תוצאות 1-3 מתוך 48
עמוד 5
... institution so critical . Art's promise of a different mode of relationship between people is constantly broken by the intervention of an institutional organization that presumes to know , in advance , what is being communicated , by ...
... institution so critical . Art's promise of a different mode of relationship between people is constantly broken by the intervention of an institutional organization that presumes to know , in advance , what is being communicated , by ...
עמוד 79
... institutions to account . There are some straws in the wind and a lot of wordage , but so far no consistent sign of this . Nevertheless , it seems to me that we have here an opportunity to clarify our own minds and to refine our agendas ...
... institutions to account . There are some straws in the wind and a lot of wordage , but so far no consistent sign of this . Nevertheless , it seems to me that we have here an opportunity to clarify our own minds and to refine our agendas ...
עמוד 130
... institutions which hold our cultural property . It hurts me deeply to think that I was 30 years old before I saw artefacts bearing the totemic emblems of my ancestors and yet the staff and students of one particular institution have ...
... institutions which hold our cultural property . It hurts me deeply to think that I was 30 years old before I saw artefacts bearing the totemic emblems of my ancestors and yet the staff and students of one particular institution have ...
תוכן
Contents | 1 |
Some Polemical Categories | 15 |
Reverse Appropriation as Nationalism in Modern African Art | 35 |
זכויות יוצרים | |
18 קטעים אחרים שאינם מוצגים
מהדורות אחרות - הצג הכל
מונחים וביטויים נפוצים
aesthetic African Afrocentric Algerian architectural artists Asian museum authenticity Battle of Algiers become Bhabha British Brocka centre century civilization colonial concept Congo Congolese Congolese section consumer contemporary context critical critique Cubist cultural Dances with Wolves Darío discourse Disney dominant Duke of Orléans essay ethnic Eurocentrism Europe European exhibition fact film forms French Gallery global Heritage human hybridity Ibid idea identity ideological imperialism Indian indigenous institutions intellectual Jimmy Durham language Latin American liberal London Lyotard McDonaldization means Med TV Milošević modern modernist moral multicultural myth narrative native non-western obscene Onabolu painting Palestinian Papunya Paracelsus pavilion Pocahontas political position postcolonial studies postmodern practice problems produced question racism radical representation Rubén Darío semiosphere Slavoj Žižek social society space story strategy structures struggle theory Third Cinema Third Text Third World tion tradition violence visual West western wild Ziauddin Sardar