The Third Text Reader on Art, Culture and TheoryRasheed Araeen, Sean Cubitt, Ziauddin Sardar Continuum, 2002 - 392 עמודים Third Text is a journal on art in global context. Challenging received notions of art practice, art history, popular media and cultural theory, Third Text has never been content to accept the claims of anti-racism, multiculturalism or postcoloniality. It has championed new artists from five continents, and is designed to raise the critical temperature and the political stakes for art and cultural practice in the age of globalization. This reader brings together essays by critics in global art and cultural studies, but also writings by new voices which emerged in the last decades of the 20th century. Divided into sections - history, representation, identity, film, post theory, globalization - the reader is aimed at students and teachers of art, cultural studies, media studies, postcolonialism and globalisation. |
מתוך הספר
תוצאות 1-3 מתוך 50
עמוד 19
... ideological mantle of the term modernity . Immediately , of course , complications arise , but that is perhaps the point : to induce the turmoil and give a definitional ambiguity to the present so that the future is predicated at a ...
... ideological mantle of the term modernity . Immediately , of course , complications arise , but that is perhaps the point : to induce the turmoil and give a definitional ambiguity to the present so that the future is predicated at a ...
עמוד 20
... ideological reasons . In a sense , it supersedes or even denies historical specificity in order to be polemically effective . The Third World is a new world emerging to chastise the First and the Second Worlds . By definition volatile ...
... ideological reasons . In a sense , it supersedes or even denies historical specificity in order to be polemically effective . The Third World is a new world emerging to chastise the First and the Second Worlds . By definition volatile ...
עמוד 37
... ideological principles resident in its exclusivity . NATIONALISM AND MODERNITY The advent in parts of Africa of a new artistic idiom akin to that of Europe in the late nineteenth century was not intended simply to prove the equal ...
... ideological principles resident in its exclusivity . NATIONALISM AND MODERNITY The advent in parts of Africa of a new artistic idiom akin to that of Europe in the late nineteenth century was not intended simply to prove the equal ...
תוכן
Contents | 1 |
Some Polemical Categories | 15 |
Reverse Appropriation as Nationalism in Modern African Art | 35 |
זכויות יוצרים | |
18 קטעים אחרים שאינם מוצגים
מהדורות אחרות - הצג הכל
מונחים וביטויים נפוצים
aesthetic African Afrocentric Algerian architectural artists Asian museum authenticity Battle of Algiers become Bhabha British Brocka centre century civilization colonial concept Congo Congolese Congolese section consumer contemporary context critical critique Cubist cultural Dances with Wolves Darío discourse Disney dominant Duke of Orléans essay ethnic Eurocentrism Europe European exhibition fact film forms French Gallery global Heritage human hybridity Ibid idea identity ideological imperialism Indian indigenous institutions intellectual Jimmy Durham language Latin American liberal London Lyotard McDonaldization means Med TV Milošević modern modernist moral multicultural myth narrative native non-western obscene Onabolu painting Palestinian Papunya Paracelsus pavilion Pocahontas political position postcolonial studies postmodern practice problems produced question racism radical representation Rubén Darío semiosphere Slavoj Žižek social society space story strategy structures struggle theory Third Cinema Third Text Third World tion tradition violence visual West western wild Ziauddin Sardar