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Not eastern monarchs, on their nuptial day,
In dazzling gold and purple shine so gay
As the bright natives of th' unlabour'd field,
Unvers’d in spinning, and in loom unskill'd.*
See, how the ripening fruits the gardens crown,
Imbibe the sun, and inake his light their own !
See the sweet brooks in silver masses creep,
Enrich the meadows, and supply the deep;
While from their weeping urns the fountains flow,
And vital moisture, where they pass, bestow!
Admire the narrow stream, and spreading lake,
The proud aspiring grove, and humble brake :
How do the forests and the woods delight!
How the sweet glades, and openings, charm the sight!
Observe the pleasant lawn and airy plain,
The fertile furrows rich with various grain :
How useful all! How all conspire to grace
Th'extended earth, and beautify her face !

B. I.

* We except this line, which, to be sure, is a most frigid para. phrase of the verse in St Luke: Consider the lilies, how they grow: they toil not, neither do they spin; and yet, I say unto you, that Solomon, in all his glory, was not arrayed like one of those. It is to Blackmore's credit, that he undertook to imitate so beautiful a passage; and, if we except the last line, he has imitated it with tolerable success. Milton had set him the example:

-Favonius re-inspires
The frozen earth, and clothes in fresh attire
The lilly and the rose, that neither sow'd nor spun.

Sonnet to Mr. Lawrance.

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The design of this work is to demonstrate the existence of a Divine Eternal Mind.

The arguments used for this end are taken from the various marks of wisdom and artful contrivance, which are evident to observation in the several parts of the material world, and the faculties of the human soul.

The first book contains the proof of a Deity, from the instances of design and choice, which occur in the structure and qualities of the earth and sea.

The second pursues the proof of the same proposition, THERE IS A GOD, from the celestial motions, and more fully from the appearances in the solar system, and the air.

In the third, the objections which are brought by atheistical philosophers against the hypothesis established in the two preceding books, are answered.

256

A SUMMARY ACCOUNT, &c.

In the fourth, is laid down the hypothesis of the Atomists or Epicureans, and other irreligious phi. losophers, and confuted.

In the fifth, the doctrine of the Fatalists, or Aristotelians, who make the world to be eternal, is considered and subverted.

In the sixth, the argument the two first books is resumed, and the existence of God demonstrated from the prudence and art discovered in the several parts of the body of man.

In the seventh, the same demonstration is carried on from the contemplation of the instincts in brute animals, and the faculties and operations of the soul of man.

The book concludes with a recapitulation of what has been treated of, and a hymn to the Creator of the World.

CREATION;

PHILOSOPHICAL POEM.

IN SEVEN BOOKS.

Principio coelum, ac terras camposque liquentes,
Lucentemque globum Lunæ, Titaniaque astra
Spiritus intus alit, totamque infusa per artus
Mens agitat molem, et magno se corpore miscet.
Inde hominum, pecudumque genus, viteque volantum,
Et quæ marmoreo fert monstra sub æquore pontus.'

Virg.

BOOK I.

THE ARGUMENT. The proposition. The invocation. The existence of a GOD de.

monstrated, from the marks of wisdom, choice, and art, which appear in the visible world, and infer an intelligent and free cause. This evinced from the contemplation, I. of the earth. 1. Its situation. 2. The cohesion of its parts, not to be solved by any hypothesis yet produced. 3. Its stability. 4. Its structure, or the order of its parts. 5. Its motion, diurnal and annual, or else the motion of the sun in both those respects. The cause of these motions not yet accounted for by any philosopher. 6. Its outside or face; the beauties and conveniences of it; its moun.

tains, lakes, and rivers. II. The existence of a GOD proved from the marks and impressions of prudence, and design, which appear in the sea. 1. In its formation. 2. The proportion of its parts in respect of the earthy. 3. Its situation. 4. The contexture of its parts. 5. Its brackish or briny quality. 6. Its flux and reflus.

6

No more of courts, of triumphs, or of arms,
No more of valour's force, or beauty's charms;
The themes of vulgar lays with just disdain
I leave unsung, the flocks, the amorous swain,
The pleasures of the land, and terrors of the main.
How abject, how inglorious 'tis to lie
Grovelling in dust and darkness, when on high
Empires immense, and rolling worlds of light,
To range their heavenly scenes, the muse invite!
I meditate to soar above the skies,
To heights unknown, through ways untried to rise :
I would the Eternal from his works assert,
And sing the wonders of creating art.

While I this unexampled task essay,
Pass awful gulfs, and beat my painful way,
Celestial Dove! divine assistance bring,
Sustain me on thy strong-extended wing,
That I may reach the Almighty's sacred throne,
And make his causeless power, the cause of all

things, known.
Thou dost the full extent of nature see,
And the wide realms of vast immensity:
Eternal Wisdom thou dost comprehend,
Rise to her heights, and to her depths descend:
The Father's sacred counsels thou canst tell,
Who in his bosom didst for ever dwell.

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