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Mus 17.3
HARVARD COLLEGE LIBRARY
FROM
THE BEQUEST OF EVERT JANSEN WENDELL
1910
CONTENTS
OF
No. XXV.
ARTICLE.
I. On the Philosophy of Musical Composition-No 7
II. The Organ at St. John's Church, Lambeth
III. Vocal and Instrumental Cadenzas
...
....
IV. Organists, Voluntaries, and Psalm-tune Singing
20
32
34
42
58
80
V. Some Account of a musical Composition in Forty-five Parts
VI. Singing of Birds
VII. School of Venice
.....
VIII. On the Rise and Progress of the Violin.
IX. Arteaga on the Opera
X. Beethoven's New Symphony
XI. The Fall of Algiers, a grand Opera, in three Acts, (the
Poetry by C. E. Walker, Esq.) as performed at the Theatre
Royal, Drury Lane; composed by Henry R. Bishop, Com-
poser to the Theatre Royal Drury Lane..
XII. Songs by Henry Isaac Robert Mott
XIII. A Morning and Evening Church Service, for four voices, with
an Accompaniment for the Organ or Piano Forte; com-
posed and respectfully dedicated to all Choirs, by S. Webbe 95
XIV. Seven brilliant Variations for the Piano Forte, to a Theme of
Rossini; by Francis Liszt.-"Impromptu Brilliant" for
the Piano Forte, on Themes of Rossini and Spontini; by
Francis Liszt
2. Trio for the Piano Forte, Violin, and Violoncello; composed
by J. N. Hummel
3. Rondeau Brilliant, for the Piano Forte; composed by Carl
Maria Von Weber
102
XV. Three Grand Sonatas for the Piano Forte, composed by
Charles Ambrose
104
XVI. What is Prayer; the Poetry by Montgomery; the Music by
J. W. Holder, Mus. Bac. Oxon.
2. What is Prayer; composed for three voices, by S. Webbe
3. What is Prayer; composed for a single voice, with an Ac-
companiment for the Piano Forte, by Wm. Horsley, Mus.
Bac. Oxon. Organist of the Asylum and Belgrave Chapel 105
XVII. Two “Melanges" on favorite Airs, from Weber's Opera of
Der Freyschutz; composed for the Piano Forte, by J. P.
XVIII. Not a Drum was heard; the celebrated Poem written on the
Death of Gen. Moore, set to Music by John Barnett..... 109
XIX. The Pleasures of Benevolence; set to Music by P.Cianchettini
2. La Partanza, Canzonetta, by Pio Cianchettini
3. I'll meet thee nigh the Time of Lovers; written by David
Lyndsay; composed by Miss Figge
XX. New Ballads
XXI. 'Tis Law! 'tis Law! written and adapted to the popular
French Air, C'est l'amour, and affectionately inscribed to
his Learned Friends and Brethren in the Profession, by
Nicholas Ferret, jun. Gent. Attorney at Law
XXII. New Songs
XXIII. Divertimento for the Piano Forte; composed by G. E. Griffin
2. A second Pot Pourri on Airs from Rossini and Weber; ar-
ranged with Variations and Embellishments for the Flute
and Piano Forte, by C. Nicholson
XXIV. New Lessons
XXV. Ditto
XXVI. Arrangements
XXVII. An Account of the Musical Festival held in September, 1823,
in the Cathedral Church of York, for the benefit of the
York County Hospital, and the General Infirmaries at
Leeds, Hull, and Sheffield; to which is prefixed a Sketch
of the Rise and Progress of Musical Eestivals in Great Bri-
tain, with Biographical and Historical Notes; by John
Crosse, F.S.A. F.R.S.L. M.G.S. Honorary Member of
the Antiquarian Society of Newcastle-upon-Tyne and of the
Yorkshire Literary and Philosophical Society, and Member
of the Committee of Management
PAGE.
111
112
113
115
117
118
120
XXVIII. Grand Concerto for the Piano Forte, with Accompaniments
for an Orchestra; composed by J. Moscheles. Op. 64
2. Fantasia and Grand Variations on the favorite Air, My Lodg-
is on the cold ground, for the Piano Forte, with Orchestral
Accompaniments, ad libitum; by F.Kalkbrenner. Op. 70. 139
In consequence of unforeseen circumstances, the examples which
were intended to have accompanied this Number of the Review must
be delayed till the appearance of the next, with which they shall be
given. And in future the illustrations will be printed in a beautiful
musical type, which has been procured from the Continent expressly
for this Work.
VI. Progressive Exercises to the Art of Singing, to which are added
twelve Solfeggios, composed by D. Crivelli..
.... 217
VII. No. 1, Grand Trio for the Piano Forte, Violin, and Violon-
cello, composed by George Onslow. Op. 26
2. No. 2, Ditto. Op. 27
3. No. 3, Air with Variations for the Piano Forte. Op. 28..... 221
VIII. "Audivi Vocem de Cœlo," a Motet, composed on the lamented
death of the Rev. T. Rennell, Vicar of Kensington, by Wm.
Horsley, Mus. Bac. Oxon
IX. Ero, an Italian Cantata, by Signor Maestro Coccia..
X. A complete Treatise on the Violoncello, including, besides the
necessary preliminary Instructions, the Art of Bowing, with
easy Lessons in all the Keys, properly fingered; the whole
written, selected, and composed by F. W. Crouch, of the
King's Theatre, Haymarket
224
... 232
XI. Ninth Fantasia for the Piano Forte, on the most favourite
Themes in Der Freyschutz, by Ferdinand Ries
2. Brilliant Variations on the Jager Chorus for the Piano Forte,
with an Accompaniment for the Flute (ad lib.) by T. Latour
3. The Waltz from Der Freyschutz, with Variations for the
Piano Forte, by T. Latour
4. A Divertimento on the Laughing Chorus, for the Piano Forte,
by Aug. Meves
5. The Huntsmen's Chorus (La Chasse), for the Piano Forte, by
Aug. Meves
6. Fantasia on the Waltz and Jager Chor, by J. Calkin ......
XII. Mozart's celebrated Air, "Non piu andrai," varied for the
Piano Forte by J. P. Pixis
2. Polonaise Brilliant for the Piano Forte, by J. Pixis
3. Rondoletto for the Piano Forte, on a favourite Spanish Bolero,
by J. Pixis
236
238
ARTICLE
PAGE
240
XIII. Rondoletto Brilliante, on a Cavatina from L'Italiana in Al-
gieri, for the Piano Forte, by Charles Czerney......
XIV. Introduction & Polonaise for the Piano Forte, by C.M.de Weber
2. Variations on aGipsey Air for the Piano Forte, by C.M.deWeber 240
XV. Brilliant Rondo à l'Autrichienne for the Harp and Piano Forte,
by N. C. Bochsa
2. Imitative Fantasia for the Harp, introducing the Serenade of
"Wake, dearest, wake;" by N. C. Bochsa
3. The Jager Chorus, with Variations, and an Introductory Pre-
lude on some Passages from the Incantation Scene, by
N. C. Bochsa
4. "Comin frae the Rye," with an Introduction and Variations
for the Harp, by T. P. Chipp
5. "When the wind blows," arranged as a Duet for two Per-
formers on the Piano Forte, with an Accompaniment for
the Harp, by D. Bruguier
6. Amor possente Nome, Duet for the Harp and Piano Forte,
by G. Holst
XVI. Preciosa, Romantisches Schauspiel, in four Acten; Dichtung
Von Paris Alex. Wolff; Music Von Carl Maria Von Weber
2. Abon Hassan, a celebrated Musical Drama, performed at the
Theatre Royal, Drury Lane, composed by Carl Maria Von
Weber, and adapted to the English Stage by T. Cooke
3. Natur und Liebe, Cantate zur Teyer des Augustus Tages in
Pilluitz; Dichtung Von Sriedrich Kind; in Musik gesetz
fur 2 Soprane, 2 Tenore, and 2 Basse; Von Carl Maria
Von Weber
241
243
XVII. A New Treatise on the Art of Playing upon the Double-
Movement Harp; comprising the Rudiments of Music, a
Series of Exercises with the Metronome, and a concise
Theory of Practical Harmony; by F. C. Meyer ........ 249
XVIII. God save the King, with Variations for the Piano Forte, with
Accompaniments for the Flute and Violoncello (ad lib.) by
J. F. Burrowes
XIX. Book 1 of Preparatory Exercises for the Piano Forte, calcu-
lated to form the Hand and to give a correct idea of Fin-
gering, chiefly intended as an Introduction to the Studies
of Cramer, Kalkbrenner, Ries, Steibelt, Woelfl, &c. com-
posed and fingered by D. Bruguier...
XX. Musical Sketch, in which is introduced the Scotch Air of Wan-
dering Willie, by Frederick Kalkbrenner
2. Rondo alla Polacca on Amor possente Nome, for the Piano
Forte, with Accompts. (ad lib.) for the Flute, by C. Pleyel
3. Introduction and Rondo on Aurora che sorgerai, for the Piano
Forte, with an Accompaniment for the Flute, by C. Pleyel
4. Impromptu on Auld Robin Gray, by Cipriani Potter
XXI. Songs and Duets from Il Crociato
XXII. Cianchettini's Songs
XXIII. Airs with Variations.
XXIV. New Songs
XXV. New Ballads
XXVI. Arrangements.
XXVII. The York Festival
XXVIII. Signor Velluti....
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253
254
255
257
258
259
260
262
268