Sydney Studies in English. Volume 08, 1982-3University of Sydney, 1978 - 128 עמודים |
מתוך הספר
תוצאות 1-3 מתוך 22
עמוד 18
... speech . Though it arises immediately from the danger in which Claudius stands from Hamlet , the speech has another application , apparent to the audience and ( as the audience will learn from Claudius's soliloquy ) to Claudius him ...
... speech . Though it arises immediately from the danger in which Claudius stands from Hamlet , the speech has another application , apparent to the audience and ( as the audience will learn from Claudius's soliloquy ) to Claudius him ...
עמוד 36
... speech that Williams sees Belinda's irreparable downfall . But an examination of Clarissa's speech does not support this notion of " transcen- dence " . In the speeches of Thalestris and Clarissa , Pope does seem to be offering a thesis ...
... speech that Williams sees Belinda's irreparable downfall . But an examination of Clarissa's speech does not support this notion of " transcen- dence " . In the speeches of Thalestris and Clarissa , Pope does seem to be offering a thesis ...
עמוד 37
... speech is the moral of the poem ; what appears to be an antithesis may be only super- ficially so . It is a commonplace of critical observation that Clarissa's speech is " informed " by the significance it draws from its epic parallel ...
... speech is the moral of the poem ; what appears to be an antithesis may be only super- ficially so . It is a commonplace of critical observation that Clarissa's speech is " informed " by the significance it draws from its epic parallel ...
תוכן
Mirrors | 3 |
ROBERT W WILLIAMS Fate and the Narrative | 23 |
Keatss | 40 |
זכויות יוצרים | |
4 קטעים אחרים שאינם מוצגים
מהדורות אחרות - הצג הכל
מונחים וביטויים נפוצים
Alexander Pope audience beauty Belinda Casebook central movement charm chastity Christopher Bentley Clarissa's speech Clarke's Claudius Conrad contrast Critical death Dr Leavis dramatic dream edited English epic Eternity F. R. Leavis Fall of Hyperion Fate Fitzgerald Floss G. A. Wilkes game of Ombre Gatsby George Eliot Gertrude Hamlet Hamlet plays Heart of Darkness Honour human idea imagery ironies John Keats Keats Keats's king king's Kurtz letter lines literary live lock London look Madame Récamier Maggie Maggie's Marlow Mary Clarke meaning Mill mind mirrors of revenge Mohl moral fable Murder of Gonzago narrative nature Nick Nightingale novel passion person play scene play's players poem poet poetry Polonius Pope Pope's Pyrrhus Rape role salon seems sense Shakespeare Shelley's social society soliloquy soul Spectator stanza Steele Steele's Stephen Guest Stillinger Thalestris things thought tion tragedy tragic truth Tulliver virtue voice women words writing young