pages thus written are to him burning and fragrant; he reads them on his knees by midnight and by the morning star; he wets them with his tears. They are sacred; too good for the world, and hardly yet to be shown to the dearest friend. This is the man-child that is born to the soul, and her life still circulates in the babe. The living cord has not yet been cut. By and by, when some time has elapsed, he begins to wish to admit his friend or friends to this hallowed experience, and with hesitation, yet with firmness, exposes the pages to his eye. Will they not burn his eyes? The friend coldly turns them over, and returns from the writing to conversation with easy transition, which strikes the other party with astonishment and vexation. He cannot suspect the writing itself. Days and nights of fervid life, of communion with angels of darkness and of light, bear witness in his memory to that tear-stained book. He suspects the intelligence or the heart of his friend. Is there then no friend? He cannot yet credit that one may have impressive experience, and yet may not know how to put his private fact into literature, or into harmony with the great community of minds; and perhaps the discovery, that wisdom has other tongues and ministers than we, that the truth, which burns like living coals in our heart, burns in a thousand breasts, and though we should hold our peace, that would not the less be spoken, might check too suddenly the flames of our zeal. A man can only speak so long as he does not feel his speech to be partial and inadequate. It is partial, but he does not see it to be so whilst he makes it. As soon as he is released from the instinctive, the particular, and sees its partiality, he shuts his mouth in disgust. For no man can write any thing, who does not think that what he writes is for the time the history of the world; or do any thing well, who does not esteem his work to be of greatest importance. My work may be of none, but I must not think it of none, or I shall not do it with impunity. In like manner, there is throughout nature something mocking, something that leads us on and on, but arrives nowhere, keeps no faith with us; all promise outruns the performance. We live in a system of approximations, not of fulfilment. Every end is prospective of some other end, which is also temporary; a round and final success nowhere. We are encamped in nature, not domesticated. Hunger and thirst lead us on to eat and to drink, but bread and wine, mix and cook them how you will, leave us hungry and thirsty after the stomach is full. It is the same with all our arts and performances. Our music, our poetry, our language itself, are not satisfactions but suggestions. The pursuit of wealth, of which the results are so magical in the contest with nature, and in reducing the face of the planet to a garden, is like the headlong game of the children in its reaction on the pursuers. What is the end sought? Plainly to secure the ends of good sense and beauty from the intrusion of deformity or vulgarity of any kind. But men use a very operose method. What an apparatus of means to secure a little conversation! This great palace of brick and stone, these servants, this kitchen, these stables, horses, and equipage; this bankstock and file of morgages; trade to all the world; countryhouse and cottage by the waterside; all for a little conversation, high, clear, and spiritual! Could it not be had as well by beggars on the highway? No, all these things came from the successive efforts of these beggars to remove one and another interference. Wealth was applied first to remove friction from the wheels of life; to give clearer opportunity. Conversation, character, were the avowed ends; wealth was good as it silenced the creaking door, cured the smoky chimney, brought friends together in a warm and quiet room, and kept the children and the dinner-table in a different apartment. Thought, virtue, beauty, were the ends, but it was known that men of thought and virtue sometimes had the headache, or wet feet, or could lose good time whilst the room was getting warm in winter days. Unluckily in the exertions necessary to remove these inconveniences, the main attention had been diverted to this object; the old aims had been lost sight of, and to remove friction had come to be the end. That is the ridicule of rich men, and Boston, London, Vienna, and now the governments generally of the world are cities and governments of the rich, and the masses are not men, but poor men, that is, men who would be rich; this is the ridicule of the class, that they arrive with pains and sweat, and fury, nowhere; when all is done, it is for nothing. They are men who have interrupted the whole 46 VOL. IV. NO. III. conversation of a company to make their speech, and now have forgotten what they went to say. The appearance strikes the eye, everywhere, of an aimless society, an aimless nation, ar aimless world. Were the ends of nature so great and cogent as to exact this immense sacrifice of men? Quite analogous to these deceits in life, there is, as might be expected, a similar effect on the eye from the face of external nature. There is in woods and waters a certain enticement and flattery, together with a failure to yield a present satisfaction. This disappointment is felt in every landscape. I have seen the softness and beauty of the summer clouds floating feathery overhead, enjoying, as it seemed, their height and privilege of motion, whilst yet they appeared not so much the drapery of this place and hour, as fore-looking to some pavilions and gardens of festivity beyond. Who is not sensible of this jealousy? Often you shall find yourself not near enough to your object. The pine tree, the river, the bank of flowers, before you, does not seem to be nature. Nature is still elsewhere. This or this is but outskirt and far-off reflection and echo of the triumph that has passed by, and is now at its glancing splendor and heyday, perchance in the neighbouring fields, or, if you stood in the field, then in the adjacent woods. The present object shall give you this sense of stillness that follows a pageant which has just gone by. It is the same among the men and women, as among the silent trees; always a referred existence, an absence, never a presence and satisfaction. Is it that beauty can never be grasped? in persons and in landscape is equally inaccessible? The accepted and betrothed lover has lost the wildest charm of his maiden in her acceptance of him. She was heaven whilst he pursued her as a star. She cannot be heaven if she stoops to such an one as he. So is it with these wondrous skies, and hills, and forests. What splendid distance, what recesses of ineffable pomp and loveliness in the sunset! But who can go where they are, or lay his land, or plant his foot thereon? Off they fall from the round world for ever and ever; glory is not for hands to handle. What shall we say of this omnipresent appearance of that first projectile impulse, this flattery and baulking of so many good well-meaning creatures? Must we not suppose somewhere in the universe a slight treachery, a slight derision? Are we not engaged to a serious resentment of this use that is made of us? Are we tickled trout, and fools of nature? Unhappily, there is not the smallest prospect of advantage from such considerations. Practically, there is no great danger of their being pressed. One look at the face of heaven and earth puts all petulance at rest, and soothes us to wiser convictions. We see that Nature converts itself into a vast promise, and will not be rashly explained. Her secret is untold. Many and many an Edipus arrives; he has the whole mystery teeming in his brain. Alas! the same sorcery has spoiled his skill; no syllable can he shape on his lips. Her mighty orbit vaults like the fresh rainbow into the deep, but no archangel's wing was yet strong enough to follow it and report of the return of the curve. But it also appears, and the experience might dispose us to serenity, that our actions are seconded and disposed to greater conclusions than we designed. We are escorted on every hand through life by great spiritual potentates, and a beneficent purpose lies in wait for us. It is not easy to deal with Nature by card and calculation. We cannot bandy words with her; we cannot deal with her as man with man. If we measure our individual forces against hers, we may easily feel as if we were the sport of an overwhelming destiny. But if, instead of identifying ourselves with the work, we feel that the soul of the Workman streams through us, that a paradise of love and power lies close beside us, where the Eternal Architect broods on his thought and projects the world from his bosom, we may find the peace of the morning dwelling first in our hearts, and the fathomless powers of gravity and chemistry, and over them of life, pre-existing within us in their highest form. HENRY GRAY. CHESTER. CHESTER. WILLIAM GRAY, the father. MURRAY, friend to Gray. VINCENT. MARY. ADELINE. ACT I.-SCENE I. A Wood. HENRY. (Alone.) How like a part too deeply fixed in me, I would embrace you kindred tenements, Merely dumb shadows of what might have been, (Enter Chester and observes Henry.) CHES. (to himself.) I love these moods of youth, I love the might Of untamed nature battling with despair. |