The Holy Grail and the EucharistSteinerBooks, 1997 - 156 עמודים These two moving studies by the eminent Orthodox theologian and sophiologist Father Sergei Bulgakov are remarkable in many ways. The first is a unique consideration--from the point of view of Eastern Christianity--of the Holy Grail, the chalice used by Joseph of Arimathea to catch the blood and water as it flowed from Jesus' side when it was pierced on the Cross by the spear of Longinus. This moment is described in John 19:34. Bulgakov's essay is a "dogmatic exegesis" of this passage in which, with astounding passion and precision, he reveals that the Earth itself and hence the human universe is the Grail wherein Christ lives forever. The second essay is also unique--the most important contribution to eucharistic theology by an Orthodox theologian. In the West, the meaning of the Communion bread and wine as the Christ's Body and Blood has been interpreted largely in philosophical terms deriving from Aristotle and Thomas Aquinas. Bulgakov insists on a christological and Gospel-based interpretation, one with tremendous significance for our understanding of the supernatural and sophianic nature of a world interpenetrated by the divine. This little book is a priceless gift, enriching our understanding of the Christian mystery and two of its deepest aspects, the Grail and the Eucharist. |
מתוך הספר
תוצאות 1-5 מתוך 20
... mysteriously or sacramen- tally , that is , visibly only for the eyes of faith , upon the eucharistic matter . That which is accomplished in the sacra- ment will be accomplished at the end of time in the whole world , which is the body ...
... mysterious body and blood that are constituted by the transmuted bread and wine in the eucharistic sacrifice . For Bulgakov , it is Christ's redemptive sac- rifice , symbolized in the flowing forth of water and blood , that cleanses ...
הגעת למגבלת הצפייה עבור ספר זה מדוע?.
הגעת למגבלת הצפייה עבור ספר זה מדוע?.
הגעת למגבלת הצפייה עבור ספר זה מדוע?.
תוכן
7 | |
The Holy Grail | 23 |
The Eucharistic Dogma | 63 |
Afterword by Constantin Andronikof | 139 |
Afterword by Caitlin Matthews | 147 |
Bibliographical Note | 155 |