Emily Dickinson & the Image of HomeUniversity of Massachusetts Press, 1975 - 293 עמודים |
מתוך הספר
תוצאות 1-3 מתוך 21
עמוד 81
... stanza remains virtually the same with its image of the door as a bear trap which touched even lightly would capture the trespasser and snap her to the floor . The sense of guilt underlying this stanza may well go beyond the simple ...
... stanza remains virtually the same with its image of the door as a bear trap which touched even lightly would capture the trespasser and snap her to the floor . The sense of guilt underlying this stanza may well go beyond the simple ...
עמוד 216
... stanza , one might believe Emily was envisioning a spiritual or heavenly home , but the first line of the second stanza which refers to the " Hymn / Round our new Fireside " suggests family devotions such as the Dickinsons daily ...
... stanza , one might believe Emily was envisioning a spiritual or heavenly home , but the first line of the second stanza which refers to the " Hymn / Round our new Fireside " suggests family devotions such as the Dickinsons daily ...
עמוד 218
... stanza , where both water and wind seem ridiculous captives . Just such a container is the poet's inner life , and the poem helps , if help is needed , to see Emily once more as " Vesuvius at Home . " If Dickinson's withdrawal was in ...
... stanza , where both water and wind seem ridiculous captives . Just such a container is the poet's inner life , and the poem helps , if help is needed , to see Emily once more as " Vesuvius at Home . " If Dickinson's withdrawal was in ...
תוכן
INSCAPE AND THE IMAGE OF HOME | 1 |
THE HOUSE ON PLEASANT STREET | 29 |
THE DICKINSON HOMESTEAD ON MAIN STREET | 73 |
זכויות יוצרים | |
7 קטעים אחרים שאינם מוצגים
מהדורות אחרות - הצג הכל
מונחים וביטויים נפוצים
Amherst Amherst College appear architecture Austin become Boston chapter child circumference consciousness death Dickin Dickinson homestead divine door dream Edward Dickinson Emerson Emily Brontë Emily Dickinson Emily's Erik Erikson Erikson eternity experience fact father fear feel felt feminine figure final flowers Freud friends God's grace haunted Hawthorne Hawthorne's heart Heaven Helen Hunt Jackson Higginson homestead hope house and home Ibid identity image of home imagery imagination immortality inner space inscape Jay Leyda Jesus Karen Horney L II later Lavinia least letter Leyda literary living Mansion mind mother nature never Norcross noted object one's parents perhaps Pleasant Street house poet poet's poetic poetry probably prose Puritan reference role Samuel Bowles Samuel Fowler seems sense sexual Sigmund Freud soul speaks spirit stanza suggests symbol theme Thoreau thought tion woman words writing wrote York