Shakespeare's NoiseUniversity of Chicago Press, 2001 - 282 עמודים "You common cry of curs! whose breath I hate / As reek o'th'rotten fens, whose loves I prize / As the dead carcasses of unburied men / That do corrupt my air: I banish you!" (from Coriolanus) Kenneth Gross explores Shakespeare's deep fascination with dangerous and disorderly forms of speaking—especially rumor, slander, insult, vituperation, and curse—and through them offers a vision of the work of words in his plays. Coriolanus's taunts or Lear's curses force us to think not just about how Shakespeare's characters speak, but also about how they hear, overhear, and mishear what is spoken, how rumor becomes tragic knowledge for Hamlet, or opens Othello to fantastic jealousies. Gross also shows how Shakespeare's preoccupation with "noisy" speech echoed and transformed a broader cultural obsession with the perils of rumor, slander, and libel in Renaissance England. Elegantly written and passionately argued, Shakespeare's Noise will challenge and delight anyone who loves his plays, from scholars to general readers, actors, and directors. |
מתוך הספר
תוצאות 1-5 מתוך 74
עמוד 4
... once— by the play of another person's words , even as one's own words fall back on the self in violence or distortion . They show us the storm of meanings that we both confront and create in our negotiations with a world that is so mu ...
... once— by the play of another person's words , even as one's own words fall back on the self in violence or distortion . They show us the storm of meanings that we both confront and create in our negotiations with a world that is so mu ...
עמוד 5
... once in real space and time , and yet within " a dream of passion . " I consider what it feels like to be a " guilty creature sitting at a play , " moved , torn , bored , or baffled by what is onstage . The paradoxical nature of gesture ...
... once in real space and time , and yet within " a dream of passion . " I consider what it feels like to be a " guilty creature sitting at a play , " moved , torn , bored , or baffled by what is onstage . The paradoxical nature of gesture ...
עמוד 8
Kenneth Gross. grouping of works that will be , I hope , at once persuasive and slightly unex- pected . These plays define if not a fixed constellation , then a shared gravita- tional field that can pull other works within it . I wish ...
Kenneth Gross. grouping of works that will be , I hope , at once persuasive and slightly unex- pected . These plays define if not a fixed constellation , then a shared gravita- tional field that can pull other works within it . I wish ...
עמוד 13
אנו מתנצלים, אך הגישה לתוכן של עמוד זה מוגבלת.
אנו מתנצלים, אך הגישה לתוכן של עמוד זה מוגבלת.
עמוד 16
אנו מתנצלים, אך הגישה לתוכן של עמוד זה מוגבלת.
אנו מתנצלים, אך הגישה לתוכן של עמוד זה מוגבלת.
תוכן
The Rumor of Hamlet | 10 |
The Book of the Slanderer | 33 |
A Disturbance of Hearing in Vienna | 68 |
Denigration and Hallucination in Othello | 102 |
War Noise | 131 |
King Lear and the Register of Curse | 161 |
An Imaginary Theater | 193 |
Notes | 209 |
275 | |
מהדורות אחרות - הצג הכל
מונחים וביטויים נפוצים
A. C. Bradley abuse accusation actor Angelo Angus Fletcher audience Aufidius become blessing calls calumny Cambridge character Claudio Cordelia Coriolanus Coriolanus's curse dangerous dead death defamation Desdemona desire disguise drama dream Duke Duke's echo enemies face Faerie Queene false fame fantasy fear feel gestures ghost Hamlet hear hidden human Iago Iago's imagine Isabella Julien Gracq justice Kenneth Burke kind King Lear knowledge lago language Lear's listen London Lucio magical mask means Measure for Measure mouth noise once onstage Othello Oxford play play's Plutarch poison rage Renaissance revenge rumor scandal scene secret sense Shakespeare's shame shows silence slander space speak speakers speech stage storm story strange suggests theater thee thing thou tion tongues Tragedy trans truth turn uncanny University Press utterances violence voice vols Volscian William Empson witch words wounds York