The History of Morris Dancing, 1458-1750James Clarke, 1999 - 439 עמודים This analysis shows that morris dancing does not have pagan or ancient origins. It examines the passage of dance ideas between groups of people who have conventionally been considered folklorically distinct and ties morris traditions into the wider area of communal customs and public celebrations. |
תוכן
Theories of Origin | 3 |
The Contexts | 28 |
Stage plays containing a morris | 31 |
זכויות יוצרים | |
26 קטעים אחרים שאינם מוצגים
מהדורות אחרות - הצג הכל
The History of Morris Dancing, 1458-1750 <span dir=ltr>John Forrest</span> תצוגה מקדימה מוגבלת - 1999 |
The History of Morris Dancing, 1458-1750 <span dir=ltr>John Forrest</span> אין תצוגה מקדימה זמינה - 1999 |
The History of Morris Dancing, 1458-1750 <span dir=ltr>John Forrest</span> אין תצוגה מקדימה זמינה - 1999 |
מונחים וביטויים נפוצים
account books appear audience Aynho basic bells bourrée Brackley chapter characters choreographic church ales churchwardens concerning context costumes country dance couple court courtly customs dance style dancers dancing masters daunce dialectic disguised distribution of morris dramatic duple minor Ecclesiastical eighteenth century elite English evidence evolution example feast figures fool frappe talon friar Grindal's guild haue hobby horse iiij indicate Item John Kemp King's Sutton lady London longways Lord of Misrule Maid Marian manor masque maypole Midsummer Watches moresca morisk morris dancing morris events NTHNTS original parish Pas d'Armes performed period play Playford popular primary procession processional prosecutions Puritans records references Robin Hood rural morris rustic schismogenesis seriation seventeenth century Shalstone sixteenth century social sources stage Stanes morris step suggests Summer Lords teams tion tournament tradition tune Turn quarter urban venue viij village visitation articles