King LearHarold Bloom Chelsea House, 1992 - 284 עמודים Contains ten critical essays, along with extracts from critical material by such authors as Charles Lamb, George Orwell, and Sigmund Freud. |
מתוך הספר
תוצאות 1-3 מתוך 75
עמוד 63
... sense in which it has always been true - though that sense is more profound than Regan could have imagined . Set to think along familiar lines by the pattern of changes Shakespeare has made in his sources , we are , I believe ...
... sense in which it has always been true - though that sense is more profound than Regan could have imagined . Set to think along familiar lines by the pattern of changes Shakespeare has made in his sources , we are , I believe ...
עמוד 129
... sense into something , if not beautiful , at least intensely interesting , and intensely alive ; it is surely not possible to argue that Goneril , who is , in one of Albany's few magnificent phrases not worth the dust That the rude wind ...
... sense into something , if not beautiful , at least intensely interesting , and intensely alive ; it is surely not possible to argue that Goneril , who is , in one of Albany's few magnificent phrases not worth the dust That the rude wind ...
עמוד 247
... sense that he has no clear status in his society and in the Aristotelian sense that he lacks ' magnanimity ' , great- ness of soul . Lear sets out to remedy this lack , and what better way than by reflecting James's ideas of kingly ...
... sense that he has no clear status in his society and in the Aristotelian sense that he lacks ' magnanimity ' , great- ness of soul . Lear sets out to remedy this lack , and what better way than by reflecting James's ideas of kingly ...
מהדורות אחרות - הצג הכל
מונחים וביטויים נפוצים
action actor Albany archetype audience Basilikon Doron becomes beginning Benedict Nightingale blind Bond Bond's called character child Christian contrast Cordelia Cordelia's death Cornwall critics daughters dead divine drama Edgar Edmund Edward Bond Elizabethan emotional evil eyes Falstaff father feeling figure final Fool Fool's give Gloucester Gloucester's gods Goneril and Regan grace Hamlet hath heart heath heavens human imagination ingratitude justice Kent kind King Lear kingdom Lear's Leir literary lives London look Macbeth madness man's mind moral nature never opening scene Othello pagan pain passion pastoral pattern play play's poetic poor rage reality says sense Shakespeare Shakespearean Tragedy sisters sorrow soul speak speech stage storm story suffering suggests tears tell tempest thee things Thou art thought Timon Timon of Athens Tolstoy tragedy tragic truth turns University violence vision weep wheel of fire William Shakespeare Wilson Knight wisdom words Yahweh