Prose in the Age of Poets: Romanticism and Biographical Narrative from Johnson to De QuinceyUniversity of Pennsylvania Press, 1990 - 301 עמודים In Prose in the Age of Poets, Annette Wheeler Cafarelli demonstrates that nonfictional narrative of the time was a central expression of British Romanticism. The rise of interest in the individual traditionally associated with Romantic autobiography was actually part of a wider cultural interest in biography--especially literary biography. Following Johnson's lead in the Lives of the Poets, virtually every major writer of the period experimented with sequences of short, anecdotal lives that became a characteristic Romantic vehicle for discussing theories of creativity, canon, and the place of the poet in society. The Romantics took in new directions the examination of the relation of artists' lives and works, biographers and their subjects, and texts and their readers. Romantic biography, Cafarelli contends, offers a perspective from which to reconsider conventional boundaries of genre, periodization, and the movement from Neoclassicism to Romanticism. In examining the Romantics as prose writers and biographers, Cafarelli explores the affiliations between Romantic theories of reading and writing and twentieth-century critical methodologies. She situates the biographical writings of the major poets, including Wordsworth, Coleridge, and Byron, in the context of detailed analyses of biographies by Johnson, Hazlitt, De Quincey, Scott, Southey, and other lesser-known contemporaries. Prose in the Age of Poets will interest scholars and students of Romanticism, Johnson, biography and autobiography, and narrative theory. |
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... sure . " But like other professional writers in a time of a shifting economic basis of literature , D'Israeli took particular interest in the economic tensions implied by Johnson's discussion of the critic , the common reader , and the ...
... sure to raise the bristles of the godly . I redde it , and agree with the writer on one point in which you and he perhaps differ ; that an addiction to poetry is very generally the result of " an uneasy mind in an uneasy body ...
... sure is near allied . " Reluc- tant to probe the sources of his own unproductivity , Coleridge traces his creativity or absence of it only to “ constitutional indolence , aggravated into languor by ill- health " : " It never occurred to ...
תוכן
Truth Is Not Here As In The Sciences | 18 |
Reading Cumulatively | 32 |
Connecting Lives and Works | 47 |
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