A Record of My Artistic Life, כרך 1Trübner, 1873 - 311 עמודים |
מתוך הספר
תוצאות 1-5 מתוך 48
עמוד 30
... Cinque cento style . Bramante's Church of La Madonna di Umiltá is beautiful , and the effect of the double lights in windows most pictorial . PRATO . The tower of the cathedral very good , and some of the chapels in a beautiful style of ...
... Cinque cento style . Bramante's Church of La Madonna di Umiltá is beautiful , and the effect of the double lights in windows most pictorial . PRATO . The tower of the cathedral very good , and some of the chapels in a beautiful style of ...
עמוד 35
... cinque cento , though with good detail , it has a greater , deeper cut of ornament , it is all in terra cotta , and , with the arches of the streets or rather arcades , would , combined with the Ferrara style as the leading note ...
... cinque cento , though with good detail , it has a greater , deeper cut of ornament , it is all in terra cotta , and , with the arches of the streets or rather arcades , would , combined with the Ferrara style as the leading note ...
עמוד 41
... Cinque cento flourishes here . I think it very applicable to small buildings , and would set off a small town house to great advantage ; it is ridiculous to apply the severe rules of the highest order of art to those works in which they ...
... Cinque cento flourishes here . I think it very applicable to small buildings , and would set off a small town house to great advantage ; it is ridiculous to apply the severe rules of the highest order of art to those works in which they ...
עמוד 42
... Cinque cento . Vignola's windows are exactly those of the Arco dei Borsari . Columns with spiral flutings also are here , whilst leaving out the ornament we get the character of some of the most ancient houses in Rome ; at Ferrara , the ...
... Cinque cento . Vignola's windows are exactly those of the Arco dei Borsari . Columns with spiral flutings also are here , whilst leaving out the ornament we get the character of some of the most ancient houses in Rome ; at Ferrara , the ...
עמוד 45
... Cinque Cento , as seen in England , and the Hotel de Villes on the Continent , are another development in partial combination with an entirely different system . These styles supply us with some idea of what Italian art might become ...
... Cinque Cento , as seen in England , and the Hotel de Villes on the Continent , are another development in partial combination with an entirely different system . These styles supply us with some idea of what Italian art might become ...
מהדורות אחרות - הצג הכל
מונחים וביטויים נפוצים
ancient angels angle antique arcade arch architect architecture architrave artists baptistery beautiful blue brackets brick bronze building Byzantine carved cathedral ceiling centre chapel character choir church Cinque Cento circular cloisters colour columns corbels cornice curious dark dome door early effect enamel entablature examples excellent fancy fifteenth century figures Florence foliage frieze gallery gilt gold Gothic Gothic architecture Gothic art grand Grecian head houses idea imitation inlay interior iron Italian Italian architecture Italy ivory light Lucca marble massive ment Moorish mouldings nature niches Norman architecture orna ornament painted palace Palazzo Palladio perfect picturesque plain principle proportion racter remarkable Renaissance rich Roman Romanesque Rome roof round sculpture seen seventeenth century shadow side silver sixteenth soffits spandrils specimens square stained glass stone style subjects taste terra cotta tint tomb tower Town Hall walls wood
קטעים בולטים
עמוד 177 - By its own weight made steadfast and immovable. Looking tranquillity! It strikes an awe And terror on my aching sight; the tombs And monumental caves of death look cold, And shoot a chillness to my trembling heart.
עמוד 144 - It is not in the Hercules, nor in the Gladiator, nor in the Apollo, but in that form which is taken from all, and which partakes equally of the activity of the Gladiator, of the delicacy of the Apollo, and of the muscular strength of the H erodes.
עמוד 157 - Beauty will not come at the call of a legislature, nor will it repeat in England or America its history in Greece. It will come, as always, unannounced, and spring up between the feet of brave and earnest men.
עמוד 176 - Rock-rooted, stretched athwart the vacancy Its swinging boughs, to each inconstant blast Yielding one only response, at each pause, In most familiar cadence : with the howl, The thunder and the hiss of homeless streams Mingling its solemn song...
עמוד 177 - And shoot a chillness to my trembling heart. Give me thy hand, and let me hear thy voice; Nay, quickly speak to me, and let me hear Thy voice — my own affrights me with its echoes.
עמוד 157 - Beauty must come back to the useful arts, and the distinction between the fine and the useful arts be forgotten. If history were truly told, if life were nobly spent, it would be no longer easy or possible to distinguish the one from the other. In nature, all is useful, all is beautiful.
עמוד 176 - Its stony jaws, the abrupt mountain breaks, And seems, with its accumulated crags, To overhang the world : for wide expand Beneath the wan stars and descending moon Islanded seas, blue mountains, mighty streams, Dim tracts and vast, robed in the lustrous gloom Of leaden-coloured even, and fiery hills Mingling their flames with twilight, on the verge Of the remote horizon.
עמוד 209 - Therefore does beauty, which, in relation to actions, as we have seen, comes unsought, and comes because it is unsought, remain for the apprehension and pursuit of the intellect; and then again, in its turn, of the active power. Nothing divine dies. All good is eternally reproductive. The beauty of nature re-forms itself in the mind, and not for barren contemplation, but for new creation.
עמוד 144 - Apollo ; but in that form which is taken from all, and which partakes equally of the activity of the Gladiator, of the delicacy of the Apollo, and of the muscular strength of the Hercules. For perfect beauty in any species must combine all the characters which are beautiful in that species. It cannot consist in any one to the exclusion of the rest : no one, therefore, must be predominant, that no one may be deficient.