Painting, and the Fine Arts: Being the Articles Under Those Heads Contributed to the Seventh Edition of the Encyclopaedia BritannicaA. and C. Black, 1838 - 227 עמודים |
מהדורות אחרות - הצג הכל
Painting, and the Fine Arts - Being the Articles Under Those Heads ... <span dir=ltr>Benjamin Robert Haydon</span> אין תצוגה מקדימה זמינה - 2011 |
מונחים וביטויים נפוצים
absurd academy ancient antique Apelles appeared artists beauty brush canvass Caracci character Christ Cimabue colour composition Corregio decay drapery effect Egyptian Elgin marbles encaustic encaustic painting England equal Etruscans Euphranor Europe excellence execution expression exquisite faelle feeling finest finished Florentine fresco Fuzeli genius Giotto glory grace grand grandeur greatest Greece Greek art head Hogarth honour imitation of nature inferior invention Italian Italy king landscape Lanzi Leonardo light and shadow look Louvre master Michel Angelo mind nation never objects painter painting passion Paul Veronese Pausias pencil perfect period Phidias Pliny Polygnotus portrait Poussin principle produced Protogenes pupil Quintilian racter Raffaelle Raffaelle's refined Rembrandt Reynolds Roman Rome Rubens says sculpture seems shews Sir Joshua style superior tabular talent taste thing thought Tintoretto tion Titian truth ture Vandyke Vasari Venetian Venetian school vulgar walls whilst wonder Zeuxis
קטעים בולטים
עמוד 73 - See, the Lord hath called by name Bezaleel the son of Uri, the son of Hur, of the tribe of Judah ; and he hath filled him with the spirit of God, in wisdom, in understanding, and in knowledge, and in all manner of workmanship...
עמוד 54 - O, there be players that I have seen play, and heard others praise, and that highly, not to speak it profanely, that, neither having the accent of Christians nor the gait of Christian, pagan, nor man, have so strutted and bellowed that I have thought some of nature's journeymen had made them and not made them well, they imitated humanity so abominably.
עמוד 73 - Judah : and he hath filled him with the Spirit of God, in wisdom, in understanding, and in knowledge, and in all manner of workmanship. And to devise curious works, to work in gold, and in silver, and in brass ; and in cutting of stones to set them, and in carving of wood to make any manner of cunning work...
עמוד 67 - Chaldeans pourtrayed with vermilion, girded with girdles upon their loins, exceeding in dyed attire upon their heads, all of them princes to look to, after the manner of the Babylonians of Chaldea, the land of their nativity...
עמוד 67 - So I went in and saw ; and, behold, every form of creeping things, and abominable beasts, and all the idols of the house of Israel, portrayed upon the wall round about.
עמוד 12 - In a word, these invaluable remains of antiquity are precisely like casts taken from life. The ideal is not the preference of that which exists only in the mind to that which exists in nature; but the preference of that which is fine in nature to that which is less so. There is nothing fine in art but what is taken almost immediately, and, as it were, in the mass, from what is finer in nature. Where there have been the finest models in nature, there have been the finest works of art.
עמוד 11 - Greek statues were not a voluntary fiction of the brain of the artist, but existed substantially in the forms from which they were copied, and by which the artist was surrounded. A striking authority in support of these observations, which has in some measure been lately discovered, is to be found in the Elgin Marbles, taken from the Acropolis at Athens, and supposed to be the works of the celebrated Phidias. The process of fastidious refinement and indefinite abstraction is certainly not visible...
עמוד 9 - ... was none in the mode of imitation. Yet the advocates for the ideal system of art would persuade their disciples, that the difference between Hogarth and the antique does not consist in the different forms of nature which they imitated, but in this, that the one is like and the other unlike nature. This is an error the most detrimental perhaps of all others, both to the theory and practice of art. As, however, the prejudice is very strong and general, and supported by the highest authority...
עמוד 47 - ... applies almost indiscriminately to portrait, history, and landscape, \ and he appears to have been led to the conclusion itself, from supposing the imitation of particulars to be inconsistent with general rule and effect. It appears to me that the highest perfection, of the art depends not on separating, but on uniting, general truth and effect with individual distinctness and accuracy.
עמוד 189 - Melancholy, are thoughts of sublimity, though the expression of the last is weakened by the rubbish he has thrown about her. His Knight, attended by Death and the Fiend, is more capricious than terrible ; and his Adam and Eve are two common models shut up in a rocky dungeon.