The Adventures of a Shakespeare Scholar: To Discover Shakespeare's Art, כרך 10University of Delaware Press, 1997 - 365 עמודים Rarely does a scholar single-handedly point Shakespeare study in a new direction. But in the 1950s, when brilliant insights were being achieved in Shakespeare's language, and a few theatre historians were recording stagings and stage business, Marvin Rosenberg led the way to a wider perspective of the poet-playwright's genius. He insisted that Shakespeare's art fused poetry-of-the-word with poetry-of-the-theatre, each illuminating the other inseparably. |
מתוך הספר
תוצאות 1-5 מתוך 82
עמוד 18
... scene that seemed accepted in performance as well as in criticism as no more than a sequence of inci- dents , I found that it moved indeed on Shakespeare's firm forward line ( see , for instance . Chapter 4 , " Hamlet's Subversive ...
... scene that seemed accepted in performance as well as in criticism as no more than a sequence of inci- dents , I found that it moved indeed on Shakespeare's firm forward line ( see , for instance . Chapter 4 , " Hamlet's Subversive ...
עמוד 22
... scene . The only hypothesis I know , to compre- hend Shakespeare's gestural world , fixes on the levels of complexity ( see Chapter 17 , " Sign Theory and Shakespeare " ) . All my preparation for studying Shakespeare's plays came to ...
... scene . The only hypothesis I know , to compre- hend Shakespeare's gestural world , fixes on the levels of complexity ( see Chapter 17 , " Sign Theory and Shakespeare " ) . All my preparation for studying Shakespeare's plays came to ...
עמוד 23
... scene . And we marvel at how a single gesture may illuminate a line's intention as much as the words : thus with how manifest , how masked a reluctance does Ophelia offer to give back his gifts to Hamlet ? Try it . The felt life at the ...
... scene . And we marvel at how a single gesture may illuminate a line's intention as much as the words : thus with how manifest , how masked a reluctance does Ophelia offer to give back his gifts to Hamlet ? Try it . The felt life at the ...
עמוד 30
... scene with Ophelia ) . If one passion or a cluster of passions may momentarily seem to dominate , what the character oppositely represses ( and sometimes reveals in solilo- quy or gesture ) may counter the overt action . Can any concept ...
... scene with Ophelia ) . If one passion or a cluster of passions may momentarily seem to dominate , what the character oppositely represses ( and sometimes reveals in solilo- quy or gesture ) may counter the overt action . Can any concept ...
עמוד 40
... scene struck Ophelia down with a blow ; while Olivier , so powerful a Hamlet , at the end of the same scene crept up behind the broken Ophelia to lift and kiss a lock of her hair . In the theater , how Hamlet speaks his very first line ...
... scene struck Ophelia down with a blow ; while Olivier , so powerful a Hamlet , at the end of the same scene crept up behind the broken Ophelia to lift and kiss a lock of her hair . In the theater , how Hamlet speaks his very first line ...
מהדורות אחרות - הצג הכל
מונחים וביטויים נפוצים
action actors aesthetic ambiguity Angelo arousal artistic asked audience Banquo Cassio character characterization child Claudius colleagues comedy complex contextual Cordelia critics David Garrick death Desdemona drama Duke Edgar eighteenth century Elizabethan emotional essay experience eyes fantasy father feel Fool Garrick Gertrude gestures Gloster Hall hero human Iago Iago's imagery imagine impulses Isabella Kemble kill kind King Lear Lady Macbeth Laertes language Lear's learned linear lines look Masks Measure for Measure mind Modern Language Association motivation moved murder Ophelia Othello passion patterns performance perhaps personality play play's playwright poetry Polonius polyphony power Hamlet rehearsals response role Salvini scene scholars Scofield seems sense sexual Shake Shakespeare Conference shock soliloquy sometimes sound speak speare's spectators speech stage Stratford subtext suggest sweet Hamlet symbolic theater thing thou thought tion tragedy tragic tragic heroes verbal videotape visual voice words
קטעים בולטים
עמוד 108 - O, reason not the need ! our basest beggars Are in the poorest thing superfluous : Allow not nature more than nature needs, Man's life is cheap, as beast's : thou art a lady ; If only to go warm were gorgeous, Why, nature needs not what thou gorgeous wear'st, Which scarcely keeps thee warm.
עמוד 106 - Hear, nature, hear ; dear goddess, hear ! — Suspend thy purpose, if thou didst intend To make this creature fruitful ! Into her womb convey sterility ! Dry up in her the organs of increase ; And from her derogate body never spring A babe to honour her ! If she must teem, Create her child of spleen ; that it may live, And be a thwart disnatured torment to her...
עמוד 110 - Poor naked wretches, wheresoe'er you are, That bide the pelting of this pitiless storm, How shall your houseless heads, and unfed sides, Your loop'd and window'd raggedness, defend you From seasons such as these...
עמוד 125 - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...
עמוד 98 - From too much liberty, my Lucio, liberty ; As surfeit is the father of much fast, So every scope by the immoderate use Turns to restraint; our natures do pursue (Like rats that ravin down their proper bane,) A thirsty evil ; and when we drinK, we die.
עמוד 290 - I have heard That guilty creatures, sitting at a play, Have by the very cunning of the scene Been struck so to the soul that presently They have proclaim'd their malefactions; For murder, though it have no tongue, will speak With most miraculous organ.
עמוד 209 - Sir, I love you more than words can wield the matter; Dearer than eyesight, space, and liberty; Beyond what can be valued, rich or rare...