The Adventures of a Shakespeare Scholar: To Discover Shakespeare's Art, כרך 10University of Delaware Press, 1997 - 365 עמודים Rarely does a scholar single-handedly point Shakespeare study in a new direction. But in the 1950s, when brilliant insights were being achieved in Shakespeare's language, and a few theatre historians were recording stagings and stage business, Marvin Rosenberg led the way to a wider perspective of the poet-playwright's genius. He insisted that Shakespeare's art fused poetry-of-the-word with poetry-of-the-theatre, each illuminating the other inseparably. |
מתוך הספר
תוצאות 1-5 מתוך 51
עמוד
... felt ready to tackle in depth the verbal - visual - aural fusions of the great plays , he chose the most complexly challeng- ing : the major tragedies . One after another appeared the books so highly valued now , all in print : The ...
... felt ready to tackle in depth the verbal - visual - aural fusions of the great plays , he chose the most complexly challeng- ing : the major tragedies . One after another appeared the books so highly valued now , all in print : The ...
עמוד 19
... felt I could not fully comprehend Shake- speare's whole art otherwise . Hence my essay " The Languages of Drama " ( given in 1960 to the International Federation for Modern Lan- guages and Literatures , in Liege ) , that starts off part ...
... felt I could not fully comprehend Shake- speare's whole art otherwise . Hence my essay " The Languages of Drama " ( given in 1960 to the International Federation for Modern Lan- guages and Literatures , in Liege ) , that starts off part ...
עמוד 23
... felt life at the heart of Shakespeare's plays — I have been fortunate to be able to pursue it . I personally first experienced the turgid depths of humanity Shake- speare could explore when , after college , I directed Othello and gave ...
... felt life at the heart of Shakespeare's plays — I have been fortunate to be able to pursue it . I personally first experienced the turgid depths of humanity Shake- speare could explore when , after college , I directed Othello and gave ...
עמוד 24
... felt obliged to enclose the characters in circumscribed profiles : this was the ( our ) definitive Hamlet , the Lear , etc. What we have learned , once we let the characters loose on the stages of our mind , is that Shakespeare makes ...
... felt obliged to enclose the characters in circumscribed profiles : this was the ( our ) definitive Hamlet , the Lear , etc. What we have learned , once we let the characters loose on the stages of our mind , is that Shakespeare makes ...
עמוד 32
... felt by the actor — or imagining reader — to intermix : not only with the notes of personal glory , but also of the praise of his peers and his king , of possible elevation to a new thanedom — and perhaps already a faint motif of a ...
... felt by the actor — or imagining reader — to intermix : not only with the notes of personal glory , but also of the praise of his peers and his king , of possible elevation to a new thanedom — and perhaps already a faint motif of a ...
מהדורות אחרות - הצג הכל
מונחים וביטויים נפוצים
action actors aesthetic ambiguity Angelo arousal artistic asked audience Banquo Cassio character characterization child Claudius colleagues comedy complex contextual Cordelia critics David Garrick death Desdemona drama Duke Edgar eighteenth century Elizabethan emotional essay experience eyes fantasy father feel Fool Garrick Gertrude gestures Gloster Hall hero human Iago Iago's imagery imagine impulses Isabella Kemble kill kind King Lear Lady Macbeth Laertes language Lear's learned linear lines look Masks Measure for Measure mind Modern Language Association motivation moved murder Ophelia Othello passion patterns performance perhaps personality play play's playwright poetry Polonius polyphony power Hamlet rehearsals response role Salvini scene scholars Scofield seems sense sexual Shake Shakespeare Conference shock soliloquy sometimes sound speak speare's spectators speech stage Stratford subtext suggest sweet Hamlet symbolic theater thing thou thought tion tragedy tragic tragic heroes verbal videotape visual voice words
קטעים בולטים
עמוד 108 - O, reason not the need ! our basest beggars Are in the poorest thing superfluous : Allow not nature more than nature needs, Man's life is cheap, as beast's : thou art a lady ; If only to go warm were gorgeous, Why, nature needs not what thou gorgeous wear'st, Which scarcely keeps thee warm.
עמוד 106 - Hear, nature, hear ; dear goddess, hear ! — Suspend thy purpose, if thou didst intend To make this creature fruitful ! Into her womb convey sterility ! Dry up in her the organs of increase ; And from her derogate body never spring A babe to honour her ! If she must teem, Create her child of spleen ; that it may live, And be a thwart disnatured torment to her...
עמוד 110 - Poor naked wretches, wheresoe'er you are, That bide the pelting of this pitiless storm, How shall your houseless heads, and unfed sides, Your loop'd and window'd raggedness, defend you From seasons such as these...
עמוד 125 - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...
עמוד 98 - From too much liberty, my Lucio, liberty ; As surfeit is the father of much fast, So every scope by the immoderate use Turns to restraint; our natures do pursue (Like rats that ravin down their proper bane,) A thirsty evil ; and when we drinK, we die.
עמוד 290 - I have heard That guilty creatures, sitting at a play, Have by the very cunning of the scene Been struck so to the soul that presently They have proclaim'd their malefactions; For murder, though it have no tongue, will speak With most miraculous organ.
עמוד 209 - Sir, I love you more than words can wield the matter; Dearer than eyesight, space, and liberty; Beyond what can be valued, rich or rare...