Word and Image in Ancient GreeceN. K. Rutter, Brian A. Sparkes Edinburgh University Press, 2000 - 258 עמודים In ancient Greek society communication was largely oral and visual. The epic poets sang and recited the legends that served the Greeks as their historical past; lyric and elegiac poets sang songs of love and death and celebrated military and sporting success to the accompaniment of the lyre and pipes; the art of rhetoric was a vital ingredient in speeches in the assembly and the law courts; in tragedies and comedies actors spoke to audiences of thousands. Of equal importance to the Greeks were the images with which they were always surrounded - civic and religious monuments, statuary, architectural decoration, and the scenes of myth, fantasy and everyday life with which their vases and vessels were painted and decorated.This volume of new work by leading scholars explores the ways in which these two central aspects of Greek culture interact, and throws new light on their many and related functions. The subjects include the creation of the Greek myths during the early centuries of the first millennium BC when the technique of writing had been lost; the significance of words and images on painted pottery; the relationship between drama on stage and the illustration of the same stories on pottery; and the ways in which stories portrayed in monumental sculpture on temples were understood by the people who came to look at them. Classical Greece produced the beginnings of the tradition of philosophical reflection on the nature and value of images, notably in the work of Plato and Aristotle: the concept of mimesis, concerned with questions both of representation and expression, is directly addressed by several of the authors, and forms an underlying theme of the volume as a whole.The authors are drawn from the historical, archaeological, literary, philosophical and art historical fields of classical study. The book, which contains 50 illustrations, makes a coherent and important contribution to a subject of great current interest to classicists of all disciplines. |
מתוך הספר
תוצאות 1-3 מתוך 7
עמוד 148
... Odysseus both at the very beginning ( xi.42–3 ) and at the very end of his encounter with the ' glorious tribes of the dead ' ( x.526 ; xi.29 ) . It is the anonymous legions of the dead tribes which frighten Odysseus ( xi.37-43 ) , not ...
... Odysseus both at the very beginning ( xi.42–3 ) and at the very end of his encounter with the ' glorious tribes of the dead ' ( x.526 ; xi.29 ) . It is the anonymous legions of the dead tribes which frighten Odysseus ( xi.37-43 ) , not ...
עמוד 149
... Odysseus ' remember me ' ( Od . xi.71 ) , a spectral injunc- tion that highlights the association of the eidôlon with memory , and one which resonates throughout ghostly appearances within drama . The motif of the unwept and unburied ...
... Odysseus ' remember me ' ( Od . xi.71 ) , a spectral injunc- tion that highlights the association of the eidôlon with memory , and one which resonates throughout ghostly appearances within drama . The motif of the unwept and unburied ...
עמוד 150
... Odysseus ' consultation with the ghost of Tiresias features on a Lucanian calyx - krater by the Dolon Painter of the early fourth century ' - the so - called ' Tiresias Vase ' . Odysseus is seated , sword in hand , and between his feet ...
... Odysseus ' consultation with the ghost of Tiresias features on a Lucanian calyx - krater by the Dolon Painter of the early fourth century ' - the so - called ' Tiresias Vase ' . Odysseus is seated , sword in hand , and between his feet ...
תוכן
the lack of images in early Greece | 11 |
The uses of writing on early Greek painted pottery | 22 |
Tools of the trade | 35 |
זכויות יוצרים | |
10 קטעים אחרים שאינם מוצגים
מהדורות אחרות - הצג הכל
Word and Image in Ancient Greece <span dir=ltr>N. K. Rutter</span>,<span dir=ltr>Brian A. Sparkes</span> אין תצוגה מקדימה זמינה - 2000 |
מונחים וביטויים נפוצים
Aeschylus aesthetic amphora Ancient Greek appears archaic artistic Athenian Athens Attic red-figure base battle Beazley Boardman bronze burial Cambridge University Press Carpenter 1989 cemetery Centaur century BC citizens Clarendon Press classical context cranes cultural Dasen dead decoration Delivorrias depicted discussion Doryphoros dramatic east pediment eidôla eidôlon Erichthonios Euripides evaluation example Exekias figures fourth century fragments frieze funerary gaze ghost Goldhill Greece Greek Art Helen Hephaisteion Hephaistos Herakles Hesiod Homer hydria iconography images inscriptions kylix Lefkandi lekythos Lemos LIMC London Medea metopes mimesis mimetic monuments Museum myth narrative Nekuia Nemesis neo-Attic nightingale Odysseus Olympia Oxford Painter painting Palagia Parthenos Patroclus Pausanias pediment Petrakos Pheidias Philomela Plato political Polykleitos Popham pottery Procne Protogeometric pygmies pygmy-and-crane red-figure relief representation Rhamnous rôle scene sculpture Shapiro sixth century Snodgrass Socrates Sophocles spectator statue statue-base story suggests symposion temple Tereus theatre tragedy vase vase-painting viewer word Zeus καὶ