A philosophical enquiry [&c.].1827 |
מתוך הספר
תוצאות 1-5 מתוך 12
עמוד
... Fitness not the Cause of Beauty 96 98 Sect . Page 7. The real Effects of Fitness 101 CONTENTS .
... Fitness not the Cause of Beauty 96 98 Sect . Page 7. The real Effects of Fitness 101 CONTENTS .
עמוד
Edmund Burke. Sect . Page 7. The real Effects of Fitness 101 8. The Recapitulation 104 9. Perfection not the Cause of Beauty 105 10. How far the Idea of Beauty may be applied to the Qua- litles of the Mind . ib . 11. How far the Idea of ...
Edmund Burke. Sect . Page 7. The real Effects of Fitness 101 8. The Recapitulation 104 9. Perfection not the Cause of Beauty 105 10. How far the Idea of Beauty may be applied to the Qua- litles of the Mind . ib . 11. How far the Idea of ...
עמוד 86
... fitness which some measures have to answer some particu- lar ends of conveniency . Our business , therefore , is to inquire whether the parts of those objects , which are found beautiful in the vegetable or ani- mal kingdoms , are ...
... fitness which some measures have to answer some particu- lar ends of conveniency . Our business , therefore , is to inquire whether the parts of those objects , which are found beautiful in the vegetable or ani- mal kingdoms , are ...
עמוד 95
... fitness and aptitude ; for which reason , in the next section , I shall con- sider the effects of the custom in the figure of animals ; and , afterward , the idea of fitness ; since , if proportion does not operate by a natural power ...
... fitness and aptitude ; for which reason , in the next section , I shall con- sider the effects of the custom in the figure of animals ; and , afterward , the idea of fitness ; since , if proportion does not operate by a natural power ...
עמוד 96
... species of animals with which we are acquainted ; and , if one of a new species were represented , we should by no means wait until 96 ON THE SUBLIME 96 Proportion further considered 6 Fitness not the Cause of Beauty.
... species of animals with which we are acquainted ; and , if one of a new species were represented , we should by no means wait until 96 ON THE SUBLIME 96 Proportion further considered 6 Fitness not the Cause of Beauty.
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מונחים וביטויים נפוצים
admiration affected agreeable Albunea animals appear arises body called capable cause of beauty clear colours common complicated kind considerable considered darkness degree delight disposition emotion excite fear fect feeling figure fitness ginal give grand grandeur horror human ideas of pain images imagination imita imitation indifference infinite infinity inquiry kind light lively colours Lucretius manner means measures mind motion nature neral ness never object obscure observed occasions operate pain and danger painter painting papillæ particular pathy Phlegethon plea pleasing poetry positive pain positive pleasure Priam principle produce proportion purposes qualities quantity racters reality reason relaxation remarkable resemblance rience riety SECT sensation sense sensible shew sider simple smooth society sophism sort sound species strength striking strong sublime and beautiful suffer suppose sure sweet Taste terrible terror things tion tremely turally uniform unoperative violent whilst whole words
קטעים בולטים
עמוד 54 - The other shape, If shape it might be call'd, that shape had none Distinguishable in member, joint, or limb, Or substance might be call'd that shadow seem'd, For each seem'd either; black it stood as night, Fierce as ten furies, terrible as hell And shook a dreadful dart; what seem'd his head The likeness of a kingly crown had on.
עמוד 119 - And ever, against eating cares, Lap me in soft Lydian airs, Married to immortal verse, Such as the meeting soul may pierce, In notes with many a winding bout Of linked sweetness long drawn out With wanton heed and giddy cunning, The melting voice through mazes running, Untwisting all the chains that tie The hidden soul of harmony; That Orpheus...
עמוד 56 - Less than archangel ruined, and the excess Of glory obscured ; as when the sun, new risen, Looks through the horizontal misty air Shorn of his beams, or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
עמוד 58 - In thoughts from the visions of the night, When deep sleep falleth on men, Fear came upon me, and trembling, Which made all my bones to shake. Then a spirit passed before my face; The hair of my flesh stood up : It stood still, but I could not discern the form thereof: An image was before mine eyes, There was silence, and I heard a voice, saying, Shall mortal man be more just than God?
עמוד 52 - And to things of great dimensions, if we annex an adventitious idea of terror, they become without comparison greater. A level plain of a vast extent on land, is certainly no mean idea...
עמוד 65 - Tremble, thou earth, at the presence of the Lord, at the presence of the God of Jacob; 8.
עמוד 56 - Here is a very noble picture; and in what does this poetical picture consist? in images of a tower, an archangel, the sun rising through mists, or in an eclipse, the ruin of monarchs, and the revolutions of kingdoms. The mind is hurried out of itself by a crowd of great and confused images, which affect because they are crowded and confused.
עמוד 109 - There is a wide difference between admiration and love. The sublime, which is the cause of the former, always dwells on great objects, and terrible ; the latter on small ones, and pleasing ; we submit to what we admire, but we love what submits to us; in one case we are forced, in the other we are nattered, into compliance.
עמוד 34 - When danger or pain press too nearly, they are incapable of giving any delight, and are simply terrible ; but at certain distances, and with certain modifications, they may be, and they are, delightful, as we every day experience.
עמוד 33 - WHATEVER is fitted in any sort to excite the ideas of pain and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terrour, is a source of the sublime ; that is, it is productive of the strongest emotion which the mind is capable of feeling.