Studies of Shakespeare in the Plays of King John, Cymbeline, Macbeth, As You Like It, Much Ado about Nothing, Romeo and Juliet: With Observations on the Criticism and the Acting of Those PlaysLongman, Brown, Green, and Longmans, 1847 - 384 עמודים |
מתוך הספר
תוצאות 1-5 מתוך 33
עמוד 10
... tender though lively grace which the poet has made its principal attribute and most exquisite attraction - breathing the soul of elegance , wit , and feeling , through that noble forest pastoral . Reflecting upon this , we said to ...
... tender though lively grace which the poet has made its principal attribute and most exquisite attraction - breathing the soul of elegance , wit , and feeling , through that noble forest pastoral . Reflecting upon this , we said to ...
עמוד 13
... tender years as would hardly admit of his harbouring a political sentiment ; but , in direct opposition to the recorded facts , represents the boy as one of a peculiarly mild and quiet temper , devoid of all princely airs and all ...
... tender years as would hardly admit of his harbouring a political sentiment ; but , in direct opposition to the recorded facts , represents the boy as one of a peculiarly mild and quiet temper , devoid of all princely airs and all ...
עמוד 18
... tender nature , by the awful climax of indig- nant sorrow , and placing the " gentle Constance " on that towering eminence from whence , in the desolate majesty of afflicted right , she hurls the keen lightnings of her eloquence upon ...
... tender nature , by the awful climax of indig- nant sorrow , and placing the " gentle Constance " on that towering eminence from whence , in the desolate majesty of afflicted right , she hurls the keen lightnings of her eloquence upon ...
עמוד 28
... tender- ness , are the most sudden and the most extreme . The principle of contrast , in fact that great element of the romantic drama , as of all romantic art — which Shakespeare delighted to employ , not only in op- posing one ...
... tender- ness , are the most sudden and the most extreme . The principle of contrast , in fact that great element of the romantic drama , as of all romantic art — which Shakespeare delighted to employ , not only in op- posing one ...
עמוד 56
... tender string , her anxiety for her husband's health and cheerfulness , till he makes his account of her lord's mirthful humour so naturally introduce the sentence wherein he attributes to him exactly one of his own voluptuary ...
... tender string , her anxiety for her husband's health and cheerfulness , till he makes his account of her lord's mirthful humour so naturally introduce the sentence wherein he attributes to him exactly one of his own voluptuary ...
מהדורות אחרות - הצג הכל
מונחים וביטויים נפוצים
acting actress affection already ambition apprehension auditor Banquo Beat Beatrice beauty Benedick Benvolio breast breath character charm conception cousin critic Cymbeline death dignity doth dramatic dramatist Duncan Elinor exclamation expression exquisite eyes false father Faulconbridge fear feeling feminine genius gentle give grace Guiderius hand hath hear heart heaven Helen Faucit hero heroine heroine's histrionic honour husband Iachimo ideal imagination Imogen intellect Jameson Juliet king Lady Constance Lady Macbeth Leonatus less lips living look lord lover Macduff marriage matter Mercutio mind moral murder nature noble Nurse observe once Orlando passage passion peculiarly performance person piece Pisanio play poet poetical Posthumus present racter remorse Romeo Romeo and Juliet Rosalind scene seems selfish Shake Shakespeare Shakespearian shew Siddons Siddons's soul speak spirit stage sweet sympathy tell tender thane theatrical thee tion true Tybalt weird sisters wife woman words youth
קטעים בולטים
עמוד 313 - Do not swear at all ; Or, if thou wilt, swear by thy gracious self, Which is the god of my idolatry, And I'll believe thee.
עמוד 114 - The Prince of Cumberland! that is a step On which I must fall down, or else o'erleap, For in my way it lies. Stars, hide your fires; Let not light see my black and deep desires: The eye wink at the hand; yet let that be Which the eye fears, when it is done, to see.
עמוד 336 - It was the lark, the herald of the morn; No nightingale. Look, love, what envious streaks Do lace the severing clouds in yonder east. Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops.
עמוד 362 - Ah, dear Juliet, Why art thou yet so fair? Shall I believe That unsubstantial death is amorous ; And that the lean abhorred monster keeps Thee here in dark to be his paramour?
עמוד 145 - Are ye fantastical, or that indeed Which outwardly ye show? My noble partner You greet with present grace, and great prediction Of noble having, and of royal hope, That he seems rapt withal; to me you speak not: If you can look into the seeds of time, And say, which grain will grow, and which will not, Speak then to me, who neither beg, nor fear, Your favours, nor your hate.
עמוד 112 - Cannot be ill ; cannot be good : — if ill, Why hath it given me earnest of success, Commencing in a truth ? I am thane of Cawdor : If good, why do I yield to that suggestion Whose horrid image doth unfix my hair. And make my seated heart knock at my ribs, Against the use of nature...
עמוד 19 - And, father cardinal, I have heard you say That we shall see and know our friends in heaven: If that be true, I shall see my boy again; For since the birth of Cain, the first male child, To him that did but yesterday suspire, There was not such a gracious creature born.
עמוד 125 - Methought I heard a voice cry "Sleep no more! Macbeth does murder sleep," the innocent sleep, Sleep that knits up the ravell'd sleave of care, The death of each day's life, sore labour's bath, Balm of hurt minds, great nature's second course, Chief nourisher in life's feast, — Lady M.
עמוד 310 - What's Montague? it is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man. O, be some other name! What's in a name? that which we call a rose By any other name would smell as sweet; So Romeo would, were he not Romeo call'd, Retain that dear perfection which he owes Without that title. Romeo, doff thy name, And for that name which is no part of thee Take all myself.
עמוד 310 - O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name! Or, if thou wilt not, be but sworn my love, And I'll no longer be a Capulet.