Studies of Shakespeare in the Plays of King John, Cymbeline, Macbeth, As You Like It, Much Ado about Nothing, Romeo and Juliet: With Observations on the Criticism and the Acting of Those PlaysLongman, Brown, Green, and Longmans, 1847 - 384 עמודים |
מתוך הספר
תוצאות 1-5 מתוך 39
עמוד xv
... ideal creations . On the contrary , as is especially exemplified in that elaborate examination of the character of Imogen , which forms one portion of the * ' Literary Remains , ' vol . ii . pp . 51-3 . 1 present volume , " the nobler ...
... ideal creations . On the contrary , as is especially exemplified in that elaborate examination of the character of Imogen , which forms one portion of the * ' Literary Remains , ' vol . ii . pp . 51-3 . 1 present volume , " the nobler ...
עמוד xvi
... ideal portrait sketched by the dramatist , the greater ever is the task , not only of expression , but of completion , in a kindred spirit of art , imposed upon its histrionic representative . The more thoroughly any reader shall have ...
... ideal portrait sketched by the dramatist , the greater ever is the task , not only of expression , but of completion , in a kindred spirit of art , imposed upon its histrionic representative . The more thoroughly any reader shall have ...
עמוד xxi
... ideal heroines of Shakespeare , finds herself at a still greater and more hazardous disadvantage in endeavouring to substitute a new and just in place of an erroneous but prescriptive interpretation . * And then , as if expressly to ...
... ideal heroines of Shakespeare , finds herself at a still greater and more hazardous disadvantage in endeavouring to substitute a new and just in place of an erroneous but prescriptive interpretation . * And then , as if expressly to ...
עמוד 7
... ideal qualities , a type of the superior critic , who not only examines and judges , but who understands and feels . Again , Polonius criticises like a true matter - of - fact man , abounding in worldly wisdom , as we see in his ad ...
... ideal qualities , a type of the superior critic , who not only examines and judges , but who understands and feels . Again , Polonius criticises like a true matter - of - fact man , abounding in worldly wisdom , as we see in his ad ...
עמוד 21
... ideal power , tinging all her affections , exalting all her sentiments and thoughts , and animating the expres- sion of both , Constance can only be compared to Juliet . " Again : " Some of the most splendid poetry to be met with in ...
... ideal power , tinging all her affections , exalting all her sentiments and thoughts , and animating the expres- sion of both , Constance can only be compared to Juliet . " Again : " Some of the most splendid poetry to be met with in ...
מהדורות אחרות - הצג הכל
מונחים וביטויים נפוצים
acting actress affection already ambition apprehension auditor Banquo Beat Beatrice beauty Benedick Benvolio breast breath character charm conception cousin critic Cymbeline death dignity doth dramatic dramatist Duncan Elinor exclamation expression exquisite eyes false father Faulconbridge fear feeling feminine genius gentle give grace Guiderius hand hath hear heart heaven Helen Faucit hero heroine heroine's histrionic honour husband Iachimo ideal imagination Imogen intellect Jameson Juliet king Lady Constance Lady Macbeth Leonatus less lips living look lord lover Macduff marriage matter Mercutio mind moral murder nature noble Nurse observe once Orlando passage passion peculiarly performance person piece Pisanio play poet poetical Posthumus present racter remorse Romeo Romeo and Juliet Rosalind scene seems selfish Shake Shakespeare Shakespearian shew Siddons Siddons's soul speak spirit stage sweet sympathy tell tender thane theatrical thee tion true Tybalt weird sisters wife woman words youth
קטעים בולטים
עמוד 313 - Do not swear at all ; Or, if thou wilt, swear by thy gracious self, Which is the god of my idolatry, And I'll believe thee.
עמוד 114 - The Prince of Cumberland! that is a step On which I must fall down, or else o'erleap, For in my way it lies. Stars, hide your fires; Let not light see my black and deep desires: The eye wink at the hand; yet let that be Which the eye fears, when it is done, to see.
עמוד 336 - It was the lark, the herald of the morn; No nightingale. Look, love, what envious streaks Do lace the severing clouds in yonder east. Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops.
עמוד 362 - Ah, dear Juliet, Why art thou yet so fair? Shall I believe That unsubstantial death is amorous ; And that the lean abhorred monster keeps Thee here in dark to be his paramour?
עמוד 145 - Are ye fantastical, or that indeed Which outwardly ye show? My noble partner You greet with present grace, and great prediction Of noble having, and of royal hope, That he seems rapt withal; to me you speak not: If you can look into the seeds of time, And say, which grain will grow, and which will not, Speak then to me, who neither beg, nor fear, Your favours, nor your hate.
עמוד 112 - Cannot be ill ; cannot be good : — if ill, Why hath it given me earnest of success, Commencing in a truth ? I am thane of Cawdor : If good, why do I yield to that suggestion Whose horrid image doth unfix my hair. And make my seated heart knock at my ribs, Against the use of nature...
עמוד 19 - And, father cardinal, I have heard you say That we shall see and know our friends in heaven: If that be true, I shall see my boy again; For since the birth of Cain, the first male child, To him that did but yesterday suspire, There was not such a gracious creature born.
עמוד 125 - Methought I heard a voice cry "Sleep no more! Macbeth does murder sleep," the innocent sleep, Sleep that knits up the ravell'd sleave of care, The death of each day's life, sore labour's bath, Balm of hurt minds, great nature's second course, Chief nourisher in life's feast, — Lady M.
עמוד 310 - What's Montague? it is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man. O, be some other name! What's in a name? that which we call a rose By any other name would smell as sweet; So Romeo would, were he not Romeo call'd, Retain that dear perfection which he owes Without that title. Romeo, doff thy name, And for that name which is no part of thee Take all myself.
עמוד 310 - O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name! Or, if thou wilt not, be but sworn my love, And I'll no longer be a Capulet.