Studies of Shakespeare in the Plays of King John, Cymbeline, Macbeth, As You Like It, Much Ado about Nothing, Romeo and Juliet: With Observations on the Criticism and the Acting of Those Plays
Longman, Brown, Green, and Longmans, 1847 - 384 עמודים
מה אומרים אנשים - כתיבת ביקורת
לא מצאנו ביקורות במקומות הרגילים
מהדורות אחרות - הצג הכל
acting actress affection already answer appears Beat Beatrice beauty Benedick character comes conception Constance contrast cousin critics death desire drama dramatist especially exclamation expression exquisite eyes fact fair father fear feeling force Friar give given grace hand hath hear heart heaven hero heroine honour human husband ideal imagination immediately Imogen instance interest Italy Juliet king lady leading leave less lips live look lord lover Macbeth matter means merely mind moral murder nature never night noble Nurse observe occasion once opening passage passion perfect performance person piece play poet present question reason regard remarkable representative respecting Romeo Rosalind scene seems selfish sense Shakespeare Shakespearian shew shown soul speak spirit stage sweet tell tender thee thing thou thought true whole wife woman youth
עמוד 313 - Do not swear at all ; Or, if thou wilt, swear by thy gracious self, Which is the god of my idolatry, And I'll believe thee.
עמוד 114 - The Prince of Cumberland! that is a step On which I must fall down, or else o'erleap, For in my way it lies. Stars, hide your fires; Let not light see my black and deep desires: The eye wink at the hand; yet let that be Which the eye fears, when it is done, to see.
עמוד 336 - It was the lark, the herald of the morn; No nightingale. Look, love, what envious streaks Do lace the severing clouds in yonder east. Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops.
עמוד 362 - Ah, dear Juliet, Why art thou yet so fair? Shall I believe That unsubstantial death is amorous ; And that the lean abhorred monster keeps Thee here in dark to be his paramour?
עמוד 145 - Are ye fantastical, or that indeed Which outwardly ye show? My noble partner You greet with present grace, and great prediction Of noble having, and of royal hope, That he seems rapt withal; to me you speak not: If you can look into the seeds of time, And say, which grain will grow, and which will not, Speak then to me, who neither beg, nor fear, Your favours, nor your hate.
עמוד 112 - Cannot be ill ; cannot be good : — if ill, Why hath it given me earnest of success, Commencing in a truth ? I am thane of Cawdor : If good, why do I yield to that suggestion Whose horrid image doth unfix my hair. And make my seated heart knock at my ribs, Against the use of nature...
עמוד 19 - And, father cardinal, I have heard you say That we shall see and know our friends in heaven: If that be true, I shall see my boy again; For since the birth of Cain, the first male child, To him that did but yesterday suspire, There was not such a gracious creature born.
עמוד 125 - Methought I heard a voice cry "Sleep no more! Macbeth does murder sleep," the innocent sleep, Sleep that knits up the ravell'd sleave of care, The death of each day's life, sore labour's bath, Balm of hurt minds, great nature's second course, Chief nourisher in life's feast, — Lady M.
עמוד 310 - What's Montague? it is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man. O, be some other name! What's in a name? that which we call a rose By any other name would smell as sweet; So Romeo would, were he not Romeo call'd, Retain that dear perfection which he owes Without that title. Romeo, doff thy name, And for that name which is no part of thee Take all myself.