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knows every thing, in what contempt a man was once held, who, under any circumstances, was induced to violate the laws of secrecy; nor of the cutting remark of Quintus Curtius, that, although few men can speak well, it is in every one's power not to speak at all. In the ardour of kindness, however, produced by the bottle, many a secret has been extorted or revealed.

*

I now come to speak of, as far as society is concerned, one of the worst evils arising from intemperance in wine -a disposition to quarrel, which it too often creates. Since the battle of the Centaurs with the Lapithæ, however, such has been the case; and it has more than once been my lot to witness a modern Hyleus distributing bottles and glasses amongst the heads of his companions, making a lasting impression upon all those in their course. Horace, indeed, in his ironical pleasantry, makes it what we call " even betting," that, unless the Graces interfere, drinking bumpers and quarrelling were synonimous terms in his day; and, consequently, when he invites Mecenas to his feast, he gives him an assurance that good humour shall be preserved. This, it must be confessed, is a reflection on human nature,—that what must have been intended, by its cheering influence, to have increased the sympathies between man and man, should warm the snake, and give vigour to the poison, and oftentimes to the destruction of unoffending victims. But the fact is, that although wine increases our sympathies, it brings to light antipathies, and sometimes opens wounds that were supposed to be healed.

But does not Bellona accompany Bacchus, as well as Mars? Undoubtedly she does; and a disposition to shed blood, when heated by wine, is one of the unhappy results of indulging in it to excess. This is, in fact, typically implied in heathen mythology. The god of wine is not only said to have been born in a storm, but, by its being feigned that he was horned, it was intended to be conveyed to us, by such monstrosity, that, when men sacrifice too largely to him, they are inclined to fight. I hate the prac tice of duelling, necessary evil as it may be, in the pell-mell of human society. Death by the hand of man always leaves a stain; and one of the

great advantages attending the present comparatively moderate use of wine, is the comparatively infrequent__recourse to the trigger. I could produce a long list of awful events-two very recent ones-having their origin in drunkenness; but am unwilling to enter on so melancholy a subject.

When we read of Alexander the Great killing his best friend and benefactor in his cups, and setting fire to a palace and all the illustrious monuments of the Persian kings, we are almost unwilling to receive the story as fact, because we are at a loss to find a cause. But I have witnessed many instances of temporary insanity produced by drink-ay, by even one night's debauch. From one of these selfcreated maniacs-an intimate friend, too, and an excellent fellow when sober -I had a very narrow escape for my own life. He entered my barrackroom with a drawn sabre, fresh ground -for he had been a few weeks before on actual service, and had received a sabre wound-when I hid myself under the bed-clothes. His amusement was to exhibit his skill in the "cuts five and six," at my head, which was fortunately protected by thick blankets. What he was thinking of, unless it were Bedlam, I am unable to divine; but his reiterated exclamation was,"Mind your eyes, Dr. Munro." I also was once horror-struck at hearing a well-educated, and by no means an immoral, man, cursing his Maker for ten minutes in succession, when mad with wine; because, as he said, he had not ten thousand a-year to spend, and his next neighbour had. Now, although it may be allowable to exclaim with Horace,

Quo mihi fortunas, si non conceditur uti?"

we can have no right to upbraid the Giver of all good things for not making us quite so rich as our neighbours. But I could bring more instances of these temporary demoniacs by the fumes of wine, were I not in fear of outraging decency, as also of shocking the feelings of your numerous readers.

I can, however, give you a harmless anecdote or two illustrative of the maddening effects of wine on easily excited temperaments. I knew a surgeon to a dragoon regiment, who, although correct

and gentlemanlike in his conduct when sober, was so quarrelsome and ungentlemanlike in his cups, that one of two alternatives was proposed to him by his colonel-namely, either to confine himself to a pint of wine at the mess, or at once to quit the regiment. Being a very loyal man, he made choice of the former, subject to one condition -that he might drink ad libitum on the anniversary of the birth of his king, which point was conceded to him, although he had generally more than one apology to make on the morrow. But the ludicrous part of his history does not end here. Settling, afterwards, in a large manufacturing town in England, where Radical politics prevailed, his anniversary drunken bout-for he still adhered to the pint on all other days — was invariably rewarded by a thrashing.

I shall now shew that even the license of a poet is not exceeded in some instances; and that, as I believe I have before observed, there is no romance which has not its equal in real life. We find in Horace, who appears to be my bible in these matters, the following lines:

"Sæpe tribus lectis videas cœnare quaternos;

E quibus unus avet quâvis aspergere

cunctos,

Præter eum, qui præbet aquam; post

which may be thus nearly literally rendered into our own tongue :-"A party of twelve gentlemen sat down to dinner, when the bottle went round at a good pace. At length one of them, made mad by wine, went to work and abused every man at the table except his host, and eventually set about him." Now, I witnessed a fac-simile of this scene within the last ten years, the principal actor in which is, when sober, as gentlemanlike, and as good a man, as ever drew the breath of life. Here, then, was a case for the pint decanter,

for why should a person subject himself to such a dreadful calamity? Wine is a blessing, but it should not be trifled with it did not spare even the author of its being; and, as Æsop, or some other such Wise Man, has observed, although the first cup is offered to thirst, the fourth frequently produces madness. It was, however, much such a scene as I have now been describing that gave birth to the following very excellent anecdote, with which I shall conclude this paper. The character of one of these wine-created maniacs was being discussed, when a person present undertook his defence. "I have dined," said he, "with that gentleman several times, and never saw a man behave himself better." 66 Perhaps so," said another; "but did you ever sup with him?"

hunc quoque

SONNET THAT MIGHT HAVE BEEN WRITTEN IN MAY.

BY THE REV. WM. LISIE BOWLES, A.M.

THERE are S-U-M-P-H—S, who make a figure in the world-though, not, it must be confessed, a capital one-(and, therefore, in the excess of our benevolence, we have written them in capitals-dividing them, however, alphabetically, to indicate that they are yet learning their letters, or, at best, how to spell) in whose nature the element of understanding a joke is not included. Not such is our favourite Sonnetteer, the Rev. WILLIAM LISLE BOWLES,-and this he took the earliest opportunity of letting us know; the results of which noble generosity of temper have been seen and admired by a discerning public in our last two Numbers. But the effects stop not here: from a reader of REGINA, this poet, "indeed, and without guile," becomes a contributor. As an Epistolary writer, we have rendered a specimen of his lively vein, all of the purest ore, scarcely excelled by the good humour with which he met the sallies of Byronic pugnacity. Haters of the Papacy as we are both in church and state, both on the Parnassian hill and in the republican vale of letters, we are glad of this. The Rev. Wm. Lisle Bowles was the first who delivered us from the French "monotony in wire," which Pope adopted and had taught his disciples to imitate, though with characteristic inconsistency recommended by Byron in uncritical prose, and violated in demoniac verse. It was he who first delivered us from the "pinchbeck age of poetry," as Southey has it in his life of Cowper. By the by, we made a slight error in reference to the amount of Sonnets of which Bowles' famous brochure was

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composed. Not six, but fourteen, was the mystic number-if fourteen be a mystic number-which we know not, but are quite sure it ought to be. Bowles' Sonnets were fourteen, and a sonnet consists of fourteen lines. What magic lies within that limitary multeity! The first eight propose the subject-the next six include the moral. One subject-one moral. Not so much Unity, as the emphatic One of Plato and Plotinus, characterises its spirit and execution. All is One-One is All, within its dædal maze, so short, yet sweet, and not without a plan- nor less than mighty-though not relatively to length, and breadth, and solidity,--great, not physically, but in the attributes of pure mentality. And what Sonnets are those of Bowles! Glad are we to find that the bibliopole, rejoicing in the name of William Pickering, has at last picked them out, for a new one, adorning thus with a priceless investiture his dainty finger-that best index to a good book. So decked and diamonded, his will, we doubt not, be found a fine hand at a publishing account, if joined in matrimony with a fair speculation, any day in the week. Bowles' first sonnet was written upwards of fifty years ago ("eheu! fugaces," exclaims the poet), at Tynemouth, in Northumberland; his last, with which we here present our readers, in his own garden at Bremhill. "Can I refuse," he demands, "a May-day Sonnet, after, Mr. YORKE, your manly and most kind exposition? can I refuse a May-day Sonnet, or a Sonnet that might have been written on May-day? I send it, therefore, beginning as you directed," Hail, May !"

SONNET FOR MAY-DAY, 1836.

"Hail, May!" for now the glens and hedges ring
With songs of summer-birds: on our gray tower,
High over head, peeps out a lonely flower;

The garden bees amid their labour sing,
And one bright butterfly, on wavering wing,

Crosses the children's meadow-path, who stand
Gazing, and drop the cowslips from their hand;
While, heard more loud-as MAY-DAY welcoming-
The cuckoo joins his merry note! I sigh
To hear that note again, and sighing say-
(Thankful for life, not unprepared to die,
Knowing WHO counts the years which steal away—
Whose angels mark the minutes as they fly),—
"Hail, May!" oh! hail, once more, delightful May!

66

P.S.-Bowles's parody on Hobhouse's doggerel attack was excellent.

"See all the Dulness of a former age

Perch on his Pen, or flutter on his Page."

HOBHOUSE ON BOWLES.

BOWLES ON HOBHOUSE, in perfect good humour.

"Let all the Pertness of palavering Prose,

Foam on his Lips, and perch upon his Nose."

Hobhouse, though he began the attack, bore malice in his bosom for ten years, and set on Byron, to the discomfiture of both. As for Gilchrist, he was infamous. Bowles spake of Pope's physical infirmities-meaning his state of health generally. Gilchrist's own foul imagination attributed what Bowles said as an allusion to certain infirmities which never entered his thought. We believe that the Sumph (as we began so we would end) never forgave one knock at his empty head and perilously stuffed heart, which Bowles inflicted,-i. e.,

"Whose heart contends with his Saturnian head

A root of Hemlock, and a lump of Lead."

THE ODES OF HORACE.

In this world, there is nothing indestructible but the heart of man. Other things were made to be unmade again. But this "was given him tempered so," that the iron hand of Time might knock for generations and leave no visible mark. The moral, like the physical world, is a revolving world; and doubtless, if we knew, moves forward with a mathematical necessity as strong, and a regularity as beautiful. Now, every other part of this great circle was intended to share the revolutions of time; but for the heart, God placed it in the centre of his scheme, that so, like the sun, it alone might stand fixed amidst an universe of change. This was to be the radiating focus of every bright achievement; itself immovable, this was to be the grand fulcrum of all motion.

And so it has ever been; for while opinion, law, custom, manner, and what has been called the "spirit" of an age, rising or setting, have passed through every sign of the political zodiac, the human heart, that was the moving principle all along the human heart, with all its passions, good and bad (if any are bad), has been the same heart from the first. It is the native soil of the man, the common mould, wherein all his actions root and grow-differing in their fruits, but in their kingdom and generation identical. A glorious soil it is, and a fruitful, which never failed-did it, ye poets?-to throw up some of its precious wild-flowers of sentiment, even in the bleakest, rudest seasons of the world; and now, in the summer of our civilisation, with a pure stream of Christian philosophy flowing liberally through the garden of life, how bright, how beautiful, are its productions! You, gloomy cynic, that sit at home, and in the embers of your solitary hearth see none but shapes of evil, come forth, and purge your bile! away with that sneering mouth, reform that under-lip, open wider those supercilious eyes, and let the blessed sun of humanity, that is now warming the world, inform you how gross a cloud enveloped your understanding, that could not see the fair works that are abundant in the light.

Whether the theologians have a dis

tinction between the heart and the soul I know not; but as I presume there are not two "divine particles," but only one, and as the heart is assuredly divine, so, I conceive, the one must include the other, or be merely another name for it. With respect to the intellect of man, it is a dry, hard piece, in the composition; by its small show of power only serving the more signally to mark his subordinate condition, like the speciousness of a footman's livery. It is so poor a piece of stuff, when considered in relation to the wisdom of God, that we cannot suppose it to be even the veriest shred from the hem of that robe, but rather a different pattern altogether -a coarser, lower kind of intelligence, of a distinct species - a menial bit, to suit our estate. But the heart, on the contrary, is an authentic spark from heaven; it is a portion of God himself; and the man who feels that fervid thing glowing and dilating within his breast in his hours of selfcommunion, and silently urging him on to generous sentiments, need never trouble the laborious intellect for reasons to prove the immortality of the soul.

Among the earliest offsprings of the heart are Music and Poetry, which seem to have been born for one another. Accordingly, they were united soon; and Music merging her name, the two have formed one flesh, under the designation of Lyric Poetry. Lyric Poetry, originally, had (as the name imports) the accompaniment of the lyre, and was entirely devoted to the service of religion. But this, which was at first the entire character of the lyric kind, sunk afterwards into a species, which we call the Hymn, and which the grammarians generally distinguish by the name of Paan (from the usual acclamation of In Iaia, which was peculiar to it), while various other divisions began to appear; such as the ode amatory, or melos; scolium, or convivial ode; epinicium, or laudatory ode, in celebration of those who conquered at the games ("Quamobrem omnia Pindarica quæ extant epinicia sunt," says Julius Scaliger-all the odes of Pindar that remain are of this class); sotadicum, or invective; and

• The odes of Pindar have, also, with some grammarians, received the name of Eon (as being a kind of pictures of events); and from this word we have the dimi.

others. Through these various deviations from the original character, Music, like an attached wife, faithful even in transgression, still attended. To speak more plainly, however, the abuse of both was so early matter of complaint, that almost all the old writers, who touch on the subject at all, cry out against it as a grievous public evil, threatening the moral character of the people, and endangering liberty itself. If these denunciations were confined to that false school of philosophy to which all the Roman declaimers belong, I should regard them with contempt, and hug myself (as I do whenever I read Cicero) in the reflection, that it was not my misfortune to live in an age when the natural gaiety of good feeling, and the graces of refinement that attend on superior intelligence, were regarded as so many derelictions from a certain stiff standard of moral propriety which these incorrigible clowns (for so they remained to the last) had moulded to themselves for worship, like some clumsy claygod, out of the very thickness of their understanding. But when I find the elegant and spiritual Greeks, with Plato himself at their head, preferring this complaint, and regretting the ravages which the "enharmonic genus was making amongst the susceptible hearts of their countrymen, I am at no loss to conceive that they talk of something really exceeding the natural modesty of music. The animadversions of Aristotle touching this point, in that admirable book in which he treats of the musical art, are of great weight, and the facts which you collect from them the picture of a state of manners the very counterpart of our own — drawing-room view he presents you with the follies and impertinences of private life offer the most curious matter for reflection. For his strictures on the fopperies of a fictitious taste in music, they possess the greater force from the unequivocal proofs he gives elsewhere of a real felt enthu

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siasm for this divine art. The charge brought against music, or a particular species of it, by these writers, was, that it unnerved and debauched the mind. This was probably true of that species which, if it be possible to collect any definite notion of it in the unfortunate obscurity which surrounds the subject, seems to have been some exceedingly ornate, chromatic kind; but not obnoxious on that account so much, I suspect, as on account of the ostentation and conceit with which it may have been usually found in connexion as, with us, Italian music is an innocent thing, though the manners of our foreign artistes, as they are affectedly called, are sometimes not a little displeasing to an honest mind. This, however, may have been so far true; but when I hear the same objection urged, generally, against music, by those who take upon themselves to play the Cato in our times, I always have a suspicion that the corruption they dread lies nearer their own souls than the souls of those they are so solicitous about: as they who run about crying "Plague !" are generally the first to fall sick. If I remember, Aristotle allows the "enharmonic genus' for old people, and people afflicted with pains. But the fact is, that if the mind be fashioned aright, young or old, sick or hale, matters not-no "genus" can do any harm; to the soul in health all is innocent: "not that which goeth into the mouth defileth a man, but that which cometh out of the mouth, this defileth a man.' I would willingly grant as much as this, viz. that the only title that any work of art ought to have to our favour, is its power of contributing to the common advantage. But, then, because the mind receives its nourishment, like the body, not from simples only, but from every kind of mixed diet, possessing in its healthy state the same faculty of secretion-the faculty of separating the nutritious from the rancid particles of its food - so there are

Observe, reader, that this occurs in a work treating of education; in which music is laid down by the side of arithmetic and grammar, as one of the most necessary branches of learning, and most important instrument in forming and disciplining the mind. Oh, how different a philosophy from that which our cold northern genius approves! and how different a philosopher was he who wrote thus from the phlegmatic Locke, who, I venture to say, would never have taken his place where he has, Essay on Education

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