Gon. Then fhall you go no further. That dares not undertake: he'll not feel wrongs, A miftrefs's command. Wear this; fpare speech; Edm. Yours in the ranks of death. Gon. My most dear Glofter! [Exit Edmund. Oh, the range difference of man, and man! To thee a woman's fervices are due, My fool ufurps my body. Stew. Madam, here comes my lord. Enter Albany. You are not worth the duft, which the rude wind Blows in your face, I fear your disposition : That Nature, which contemns its origine, Cannot be border'd certain in it self; She that herself will fliver, and dif-branch, From her maternal fap, perforce must wither, (21) Gon. No more; 'tis foolish. Alb. Wisdom and goodness to the vile feem vile; (21) From ber material Sap,] Thus the old Quarto; but material Sap, I own, is a Phrafe that I don't understand. Metber-Tree is the true technical Term; and confidering, our The Author has faid but just above, That Nature, which contemns its Origine, there is little room to question but he wrote, From ber maternal Sap. D 2 Filths Filths favour but themselves-What have you done? Molt barb'rous, moft degenerate, have you madded. If that the heav'ns do not their visible Spirits Gon. Milk-liver'd man! That bear'ft a cheek for blows, a head for wrongs; Alb. See thy felf, devil: Proper deformity feems not in the fiend Gon. O vain fool! Alb. Thou chang'd, and self-converted thing! For fhame, Be-monster not thy feature. Were't my fitness Thy flesh and bones, Howe'er thou art a fiend, Gon. Marry, your manhood now! Enter Meffenger. Mef. Oh, my good lord, the Duke of Cornwall's dead: Slain by his fervant, going to put out The other eye of Glofter. Alb. Glofter's eyes! Mef. A fervant, that he bred, thrill'd with remorse, Oppos'd against the act; bending his fword To To his great master: who, thereat enrag'd, Flew on him, and amongst them fell'd him dead: Alb. This fhews you are above, You Juftices, that these our nether crimes Mef. Both, both, my lord. This letter, Madam, craves a speedy answer: 'Tis from your fifter. Gon. One way, I like this well; But being widow, and my Glofter with her, Upon my hateful life. Another way, The news is not fo tart. I'll read, and anfwer. [Exit. Alb. Where was his fon, when they did take his eyes? Mef. Come with my lady hither. Alb. He's not here. Mef. No, my good lord, I met him back again. Alb. Knows he the wickedness? Mef. Ay, my good lord, 'twas he inform'd against him, And quit the houfe of purpose, that their punishment Might have the freer courfe. Alb. Glo'fter, I live To thank thee for the love thou fhew'dft the King, [Exeunt. SCENE, DOVE R. Kent. T Enter Kent, and a Gentleman. Know you the reafon ? HE King of France fo fuddenly gone back! Gent. Something he left imperfect in the State, Which fince his coming forth is thought of, which Imports the Kingdom fo much fear and danger, That his Return was most requir'd and necessary. D 3 Kent. Kent. Whom hath he left behind him General? Gent. The Marefchal of France, Monfieur le Far. Kent. Did your letters pierce the Queen to any demonftration of grief? Gent. I, Sir, he took 'em, read 'em in my presence; And now and then an ample tear trill'd down Her delicate cheek: it feem'd, fhe was a Queen Kent. O, then it mov'd her. Gent. But not to Rage. Patience and Sorrow ftrove Which should exprefs her goodlieft; you have seen Sun-fhine and rain at once: - her Smiles and Tears (22) Were like a wetter May. Thofe happiest smiles, That play'd on her ripe lip, feem'd not to know What guests were in her Eyes; which parted thence, As pearls from diamonds dropt.In brief, Sorrow would be a rarity most belov'd, If all could fo become it. Kent. Made the no verbal question? Gent. Yes, once, or twice, fhe heav'd the Name of Father Pantingly forth, as if it preft her heart. Cry'd, fiiters! fifters! Shame of Ladies! fifters! there the fhook Kent! Father! Sifters! what? i'th' ftorm? i'th' night? Let Pity ne'er believe it! The holy water from her heav'nly Eyes; (22) ber Smiles and Tears Το Were like a better day.] Mr. Pope, who thought fit to restore this Scene from the old Quarto, tacitly funk this Paffage upon us, because he did not understand it. Indeed, it is corrupt; and he might have done himself fome Honour in attempting the Cure; but Rhyme and Criticism, he has convinc'd us, do not always center in the fame Perfon. My Friend Mr. Warburton with very happy Sagacity ftruck out the Emendation, which I have inferted in the Text. (23) And Clamour-moiften'd,] This Paffage, again, Mr. Pope funk upon us; and for the fame Reason, I fuppofe. Mr. Warburton The Stars above us, govern our conditions: Such diff'rent iffues. Spoke you with her fince? Kent, Was this before the King return'd? Gent. No, fince. Kent. Well, Sir; the poor diftreffed Lear's in town; Who fometimes, in his better tune, remembers What we are come about; and by no means Gent. Why, good Sir? Kent. A fov'reign fhame fo bows him; his unkindness, To his dog-hearted daughters; These things fting him Gent. Alack, poor gentleman! Kent. Of Albany's, and Cornwall's Pow'rs you heard not? Gent. 'Tis fo, they are a foot. Kent. Well, Sir, I'll bring you to our mafter Lear, Warburton difcover'd likewife, that this was corrupt for tho' Clamour, (as he obferves,) may distort the Mouth, it is not wont to moisten the Eyes. But clamour-motioned conveys a very beautiful Idea of Grief in Cordelia, and exactly in Character. She bore her Grief hitherto, fays the Relater, in Silence; but being no longer able to contain it, and wanting to vent it in Groans and Cries, fhe flies away and retires to her Closet to deal with it in private. This He finely calls, Clamour-motion'd; or provok'd to a loud Expreffion of her Sorrow, which drives her from Company! It is not impoffible, but Shakespeare might have form'd this fine Picture of Cordelia's Agony from Holy Writ, in the Conduct of Joseph; who, being no longer able to restrain the Vehemence of his Affection, commanded all his Retinue from his Presence; and then wept aloud, and discover'd himself to his Brethren. |