Framing Formalism: Riegl's WorkRoutledge, 23 באוק׳ 2013 - 328 עמודים Alois Riegl (1858-1905) was one of the founding fathers of modern formalist criticism. As a member of the Vienna School of Art Historians, he shared their range of interests in the decorative arts, art in transition, conservation and monuments. This collection of critical essays examines various facets of Riegl's work and opens with a new translation of Hans Sedlmayr's famous, and notorious,Die Quintessenze der Lehren Riegls. Included is Julius von Schlosser's assessment of Riegl's contribution to the Vienna School of Art Historians as well as essays by a team of international scholars. This book offers a re-engagement with the ideas of one of the most important and neglected art historians of the 20th century. |
תוכן
| 1 | |
| 11 | |
Aloïs Riegl | 33 |
Reading Riegls KunstIndustrie | 49 |
Spätrömische Kunstindustrie and Architecture | 83 |
Riegls Problematic Foundations | 107 |
Volkskunst Hausfleiss und Hausindustrie | 135 |
Riegl The Maori and Loos | 151 |
The Reception and First Criticism of Aloïs Riegl in the Czech Protection of Historical Monuments | 183 |
Riegl and the Family Portrait or How to Deal with a Genre or Group of Art | 195 |
Rembrandt Riegl and the Will of Art History | 219 |
Riegl and the Rediscovery of the Baroque | 265 |
Works That Have Lasted Walter Benjamin Reading Aloïs Riegl | 291 |
Commentary | 311 |
Contributors | 315 |
מהדורות אחרות - הצג הכל
Framing Formalism: Riegl's Work <span dir=ltr>Richard Woodfield</span>,<span dir=ltr>Hans Sedlmayr</span> תצוגה מקדימה מוגבלת - 2001 |
מונחים וביטויים נפוצים
aesthetic Alois Riegl Alpers analysis anatomy lessons ancient appearance applied arts architecture art drive art history artistic artwork baroque art beholder Benjamin classical criticism culture decorative Deijman depicted Dutch Group Portrait E. H. Gombrich Egyptian epoch Erwin Panofsky essay example family portrait figures German Gombrich Gottfried Semper Greek haptic Hausfleiss Hegel Hegelian historian Ibid idea individual Italian Julius von Schlosser Kunst Kunstwollen late antiquity Late Roman Art London Maori material Max Dvorak means ment modern monuments motifs Museum nature Oberhaidacher objects ofArt ofthe optical original Panofsky perception period Problems of Style production relation Rembrandt’s Rembrandt’s painting Rembrandt’s Tulp Renaissance representation Riegl’s concept Roman Art Industry Semper sense Sigfried Giedion space Spatromische Kunstindustrie specific spirit Stilfragen stylistic surgeons tendril ornament textiles Thomas de Keyser tion trans translation unity Vienna visual Volkskunst Walter Benjamin Wickhoff Winckelmann Wolfflin