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brate, we resent, as he inspires us ; and are prompted to resolve, or to act, with vigor and warmth. Debate in popular assemblies opens the most extensive field to this fpecies of eloquence ; and the pulpit also admits it. | This high species of eloquence is always the offspring of passion. By passion we mean that state of mind, in which it is agitated and fired by some object in view. Hence the universally acknowledged power of enthusiafm in public speakers for affecting their audience. Hence all studied declamation and labored ornaments . of style, which show the mind to be cool and unmoved, are inconsistent with persuasive eloquence. Hence evesy kind of affectation in gesture and pronunciation detracts so much from the weight of a speaker. Hence the necessity.of being, and of being believed to be, dis: interested and in earnest, in order to persuade.

In tracing the origin of eloquence it is not necessary to go far back into the early ages of the world, or to search for it among the monuments of Eastern or Egyptian antiquity. In those ages, it is true, there was a certain kind of eloquence ; but it was more nearly allied to poetry, than to what we properly call oratory. While the intercourse of men was infrequent, and force was the principal mean, employed in deciding controversies ; the arts of oratory and persuasion, of reasoni ing and debate, could be little known. The first empires were of the despotic kind. A single person, or at

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most a few, held the reins of government. The múl. titude were accustomed to blind obedience; they were driven, not persuaded. Consequently none of those rem finements of society, which make public speaking an object of importance, were introduced.

Before the rise of the Grecian Republics we perceive no remarkable appearances of eloquence, as the art of persuasion ; and these gave it such a field, as it never had before, and perhaps has never had again since that time. Greece was divided into many little states. These were governed at first by kings; who being for their tyranny successively expelled from their dominions, there sprung up a multitude of democratical governments, founded nearly upon the same plan, animated by the same high spirit of freedom, mutually jealous, and rivals of each other. Among these Athens was most noted for arts · of every kind, but especially for eloquence. We shall pass over the orators, who flourished in the early period of this Republic, and take a view of the great Demosthenes, in whom eloquence shone with unrivaled fplendor. Not formed by nature either to please or persuade, he struggled with, and furmounted, the most formidable impediments. He shut himself up in a cave, that he might study with less distraction. He declaimed by the sea shore, that he might be used to the noise of a tumul. tuous assembly; and with pebbles in his mouth, that he might correct a defect in his speech. He practised at

home with a naked sword hanging over his shoulder, that he might check an ungraceful motion, to which he was subject. Hence the example of this great man affords the highest encouragement to every student of eloquence ; since it shows how far art and application availed for acquiring an excellence, which nature appeared willing to deny.

No orator had ever a finer field, than Demosthenes in his Olynthiacs and Philippics, which are his capital orations; and undoubtedly, to the greatness of the suba: ject, and to that integrity and public spirit, which breathe in them, they owe much of their merit. The object is to rouse the indignation of his countrymen against Philip of Macedon, the public enemy of the libe erties of Greece; and to guard them against the infidious measures, by which that crafty prince endeavoured to lay them asleep to danger. To attain this end, we see him using every proper mean, to animate a people, distinguished by justice, humanity, and valor ;. but in many instances become corrupt and degenerate.. He boldly accuses them of venality, indolence, and indifference to the public cause ; while at the same time he reminds them of the glory of their ancestors, and of their present resources. His cotemporary orators, who were bribed by Philip, and persuaded the people to peace, he openly reproaches, as traitors to their country. He not only prompts to vigorous measures, but lays

down the plan of execution. His orations are strong> ly animated, and full of the impetuosity and fire of pub-. lic fpirit. His composition is not distinguished by ornament and splendor. It is energy of thought, peculiarly his own, which forms his character, and sets him above all others. He seems not to attend to words, but to things. We forget the orator, and think of the subject. He has no parade ; no studied introductions ; but is like a man full of his subject, who after preparing his audience by a sentence or two for hearing plain truths enters directly on business.

The style of Demosthenes is strong and concise ; though sometimes harsh and abrupt. His words are very expressive, and his arrangement firm and manly. Negligent of little graces, he aims at that sublime, which lies in sentiment. His action and pronunciation were uncommonly vchement and ardent. His character is of the. austere rather, than of the gentle kind. He is always grave, serious, passionate ; never degrading himself, nor attempting any thing like pleasantry. If hisadmirable eloquence be in any respect faulty, it is in this,he sometimes borders on the hard and dry. He may. be thought to want smoothness and grace.; which is attributed to his imitating too closely the manner of. Thucydides, who was his great model for style, and. whose history he transcribed eight times with his own hand.. But these defects are more than compensated by

that masterly force of masculine eloquence, which, as it overpowered all, who heard it, cannot in the present day be read without emotion.

ROMAN ELOQUENCE, CICERO;.

MODERN ELOQUENCE. 11AVING treated of eloquence among the Greeks, we now proceed to consider its progress among the Ro. mans; where we shall find one model at least of elo-quence in its most fplendid form. The Romans derived their eloquence, poetry, and learning from the Greeks ; and were far inferior to them in genius for all these accomplishments. They had neither their vivacity, nor sensibility ; their passions were not so easily moved, nor their conceptions fo lively ; in comparison with them they were a phlegmatic people. Their language resembled their character ; it was regular, firm and stately; but wanted that expressive fimplicity, that flexibil: ity to suit every different species of composition, by which the Greek tongue is peculiarly distinguished.. Hence we always find in Greek productions more native genius ; in Roman more regularity and art.

As the Roman government, during the Republic, was of the popular kind, public speaking early became the mean of acquiring power and distinction. But in the unpolished times of the state their speaking hardly den

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