Much-fuff'ring heroes next their honours claim, NOTES. 170 VER. 172. He whom ungrateful Athens, etc.) Ariftides, who for his great integrity was diftinguifhed by the appellation of the Just. When his countrymen would have banifhed him by the Oftracism, where it was the custom for every man to fign the name of the perfon he voted to exile in an Oyfter - fhell; a peafant, who could not write, came to Ariftides to do it for him; who readily figned his own name. P. VER. 178. But in the centre of the hallow'd choir】, etc.) In the midst of the temple, nearest the throne of Fame, are placed the greatest names in learning of all antiquity. These are defcribed in fuch attitudes as exprefs their different characters: the columns on which they are raised are adorned with sculptures, taken from the most striking fubjects of their works; which fculpture bears a refemblance, in its manner and character to the manner and character of their writings. r. IMITATIONS. VER. 179. Six pompous columns, etc.) From the dees many a pillere, Of metal that fhone not full clere, etc, Upon a pillere faw I ftonde That was of lede and iron fine, Him of the fe&t Saturnine, The Ebraicke Jofephus the old, etc. Around the fhrine itself of Fame they stand, His filver beard wav'd gently o'er his breaft; A golden column next in rank appear'd, IMITATIONS. Upon an iron piller ftrong, That painted was all endlong, With tiger's blood in every place, The Tholofan that hight Stace, That bare of Thebes up the name, eft, P. VER. 182.) Full wonder hye on a pillere Of iran, he the great Omer, And with him Dares and Titus, etc. VER. 196, etc.) 180 185 190 195 There faw I ftand on a pillere That was of tinned iron cleere, The Latin Poet Virgyle, That hath bore up of a great while The fame of pius Æneas: Finish'd the whole, and labour'd ev'ry part, The Mantuan there in fober triumph fate, 200 205 Troy flam'd in burning gold, and o'er the throne NOTES. 210 VER. 210. Four swans fustain. etc.) Pindar being feared in a chariot, alludes to the chariot - races he celebrated in the Grecian games. The fwans are emblems of Poetry, their foaring posture intimates the fublimity and activity of his genius. Neptune prefided over the Ifthmian, and Jupiter over the Olympian games. P. IMITATIONS. And next him on a piliere was Of copper, Venus clerke Ovide, The great God of Love's fame- Of iron wrought full fternly, The great poet Dan Lucan, That on his fhoulders bore up then The fame of Julius and Pompee. And next him on a pillere ftode That bare up all the fame of hell, etc.. OP, 215 Here, like fome furious prophet, Pindar rode, Here happy Horace tun'd th' Aufonian lyre. IMITATIONS. 220 225 VER. 224. Pleafed with Alcaus' manly rage t'infuse The fofter Spirit of the Sapphic Mufe.) This expreffes the mix'd character of the odes of Horace: the fecond of thefe verfes alludes to that line of his, Spiritum Graiæ tenuem camonæ. As another which follows, to Exegi monumentum ere perennius, 1 The action of the Doves hints at a paffage in the fourth ode of his third book. Me fabulofe Vulture in Appulo Altricis extra limen Apuliæ, Ludo fatigatumque fomno, Fronde nova puerum palumbes Texére; mirum quod foret omnibus Ut tuto ab atris corpore viperis Dormirem & urfis; ut premerer facra Non fine. Diis animofus infans. Which may be thus englifhed; While yer a child, I chanc'd to ftray, And in a defert (leeping lay; Bewert The favage race withdrew, nor dar'd The polifh'd pillar diff'rent fculptures grace; Thefe maffy columns in a circle rise. T 230 238 240 O'er which a pompous dome invades the skies: 245 IMITATIONS. To touch the Mufes future bard; But Cytherea's gentle dove Myrtles and Bays around me fpread, 250 |