Is There Any Resemblance Between Shakespeare & Bacon?Field & Tuer, 1888 - 301 עמודים |
מתוך הספר
תוצאות 1-5 מתוך 14
עמוד 39
... expressions . It is impossible to doubt Shakespeare's sincerity . Each one unconsciously and irre- sistibly forms an idea of an author , justifying or rejecting what he conveys to the imagina- tion , and thus to the lovers of ...
... expressions . It is impossible to doubt Shakespeare's sincerity . Each one unconsciously and irre- sistibly forms an idea of an author , justifying or rejecting what he conveys to the imagina- tion , and thus to the lovers of ...
עמוד 40
... and creating a depth of power , expression , feeling and beauty in it , that alone , would make it immortal . It is a very strong side - light upon the improbability of Bacon's hand in these writings , that they are 40.
... and creating a depth of power , expression , feeling and beauty in it , that alone , would make it immortal . It is a very strong side - light upon the improbability of Bacon's hand in these writings , that they are 40.
עמוד 47
... expressions that crop out in regard to it among his specu- lative rambles . The wide range of his obser- vations justifies a belief that he did not intend to leave posterity ignorant of his views upon any subject , and his notice of the ...
... expressions that crop out in regard to it among his specu- lative rambles . The wide range of his obser- vations justifies a belief that he did not intend to leave posterity ignorant of his views upon any subject , and his notice of the ...
עמוד 52
... expressions in regard to the stage . taken in their most favourable light would denote a contemptuous unconcern . My belief is that he would have been an active enemy to the stage if the court had not protected it , and I shall show by ...
... expressions in regard to the stage . taken in their most favourable light would denote a contemptuous unconcern . My belief is that he would have been an active enemy to the stage if the court had not protected it , and I shall show by ...
עמוד 66
... expressions as to suggest the idea that they might be written in reply , or in its defence against such attacks . Bacon says modern play acting is a " toy , " is " corrupt " and " un- sound . " Shakespeare : " Playing , whose end both ...
... expressions as to suggest the idea that they might be written in reply , or in its defence against such attacks . Bacon says modern play acting is a " toy , " is " corrupt " and " un- sound . " Shakespeare : " Playing , whose end both ...
מהדורות אחרות - הצג הכל
Is There Any Resemblance Between Shakespeare and Bacon? <span dir=ltr>Charles F. Steele</span> אין תצוגה מקדימה זמינה - 2014 |
מונחים וביטויים נפוצים
acting actors appear argument authorship Bacon wrote Baconite Ben Jonson Burbadge character cipher claim concealment connection copied corrupt court Cupid death disgrace divers doth doubt dramatic Essex everything evidence fact fancy father favour feast Field & Tuer genius hath heart Heminge and Condell honour imagination instance John Heminge Jonson kind King James King Lear labour language Leadenhall Press learning Lord Lucrece Macaulay says Masques ment mercy Midsummer Night's Dream mind nature never Novum Organum original performed person philosophy players poems poet poetic poetry politic ministers political prince Promus psalms published Queen Elizabeth reputation Richard II Romeo and Juliet Shake Shakespeare's company Shakespeare's plays sonnets speare speare's speech spirit stage Stratford suppose taste theatre theatrical theory things thou thought tion tirsan truth Venus and Adonis verses William Kempe WILLIAM SHAKESPEARE writings written the plays
קטעים בולטים
עמוד 138 - HE that hath wife and children hath given hostages to fortune ; for they are impediments to great enterprises, either of virtue or mischief. Certainly the best works, and of greatest merit for the public, have proceeded from the unmarried or childless men ; which both in affection and means have married and endowed the public.
עמוד 264 - But if the first heir of my invention prove deformed, I shall be sorry it had so noble a god-father, and never after ear so barren a land, for fear it yield me still so bad a harvest.
עמוד 234 - Since my dear soul was mistress of her choice, And could of men distinguish, her election Hath seal'd thee for herself: for thou hast been As one, in suffering all, that suffers nothing; A man that fortune's buffets and rewards Hast ta'en with equal thanks...
עמוד 236 - Ha, ha ! keep time : — how sour sweet music is, When time is broke and no proportion kept ! So is it in the music of men's lives.
עמוד 114 - Truth may perhaps come to the price of a pearl, that showeth best by day ; but it will not rise to the price of a diamond or carbuncle, that showeth best in varied lights.
עמוד 149 - Tell me where is fancy bred, Or in the heart or in the head? How begot, how nourished! Reply, reply. It is engendered in the eyes. With gazing fed ; and fancy dies In the cradle where it lies. Let us all ring fancy's knell : I'll begin it, — Ding, dong, bell.
עמוד 142 - ... for the brain ; but no receipt openeth the heart but a true friend, to whom you may impart griefs, joys, fears, hopes, suspicions, counsels, and whatsoever lieth upon the heart to oppress it, in a kind of civil shrift or confession.
עמוד 67 - All the world's a stage, And all the men and women merely players. They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms.
עמוד 96 - It blesseth him that gives, and him that takes : 'Tis mightiest in the mightiest ; it becomes The throned monarch better than his crown ; His sceptre shows the force of temporal power, The attribute to awe and majesty, Wherein doth sit the dread and fear of kings ; But mercy is above this sceptred sway, It is enthroned in the hearts of kings, It is an attribute to God himself; And earthly power doth then show likest God's When mercy seasons justice.
עמוד 68 - With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything.