Mercy, Mercy Me: African-American Culture and the American SixtiesOxford University Press, 2001 - 293 עמודים Using an interdisciplinary approach, this book argues that American artistry in the 1960s can be understood as one of the most vital and compelling interrogations of modernity. James C. Hall finds that the legacy of slavery and the resistance to it have by necessity made African Americans among the most incisive critics and celebrants of the Enlightenment inheritance. Focusing on the work of six individuals--Robert Hayden, William Demby, Paule Marshall, John Coltrane, Romare Bearden, and W.E.B. DuBois--Mercy, Mercy Me seeks to recover an American tradition of evaluating the "dialectic of the Enlightenment." |
תוכן
AfricanAmerican Antimodernism and the American Sixties | 3 |
Mourning Song Robert Hayden and the Politics of Memory | 39 |
Modern Doubt to Antimodern Commitment Paule Marshall and William Demby | 78 |
Meditations John Coltrane and Freedom | 113 |
The Prevalence of Ritual in an Age of Change Romare Bearden | 151 |
WEB Du Bois and Dedication to the Dead | 187 |
Whats Going On? The Most Truly Modern of All People | 225 |
Notes | 231 |
| 275 | |
מהדורות אחרות - הצג הכל
Mercy, Mercy Me: African-American Culture and the American Sixties <span dir=ltr>James C. Hall</span> תצוגה מקדימה מוגבלת - 2001 |
Mercy, Mercy Me: African-American Culture and the American Sixties <span dir=ltr>James C. Hall</span> תצוגה מקדימה מוגבלת - 2001 |
מונחים וביטויים נפוצים
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