« הקודםהמשך »
Hel. Then shalt thou give me, with thy kingly
hand, What husband in thy power I will command : Exempted be from me the arrogance To choose from forth the royal blood of France; My low and humble name to propagate With any branch or image of thy state: 4 But such a one, thy vassal, whom I know Is free for me to ask, thee to bestow.
King. Here is my hand; the premises observ'd, Thy will by my performance shall be serv’d: So make the choice of thy own time; for I, Thy resolv'd patient, on thee still rely. More should I question thee, and more I must; Though, more to know, could not be more to trust; From whence thou cam’st, how tended on,-But
rest Unquestion'd welcome, and undoubted bleft.
meant to equivocate with her. Besides, observe, the greatest part of the scene is strictly in rhyme : and there is no shadow of reason why it should be interrupted here. I rather imagine the poet wrote: i Ay, by my sceptre, and my hopes of heaven. THIRLBY,
4 With any branch or image of thy state:] Shakspeare unqueftionably wrote impage, grafting. Impe, a graff, or fiip, or fucker: by which the means one of the sons of France, Caxton calls our Prince Arthur, that noble impe of fame. WARBURTON.
Image is surely the true reading, and may mean any representative of thine; i. e. any one who resembles you as being related to your family, or as a prince reflects any part of your state and majetty. There is no such word as impage; and, as Mr. M. Mason observes, were such a one coined, it would mean nothing but the art of grafting. Mr. Henley adds, that branch refers to the collateral descendants of the royal blood, and image to the direct and immediate line. STEEVENS.
Our author again uses the word image in the same sense as here, in his Rape of Lucrece: “0, from thy cheeks my image thou haft torn."
Give me some help here, ho!-If thou proceed
SC EN E II.
A Room in the Countess's Palace.
· Enter Countess and Clown.
Count. Come on, fir; I thall now put you to the height of your breeding.
Clo. I will show myself highly fed, and lowly taught: I know my business is but to the court.
Count. To the court! why, what place make you special, when you put off that with such contempt? But to the court!
Clo. Truly, madam, if God have lent a man any manners, he may easily put it off at court: he that cannot make a leg, put off's cap, kiss his hand, and say nothing, has neither leg, hands, lip, nor cap; and, indeed, such a fellow, to say precisely, were not for the court: but, for me, I have an answer will serve all men.
Count. Marry, that's a bountiful answer, that fits all questions.
Clo. It is like a barber's chair, that fits all buttocks;s the pin-buttock, the quatch-buttock, the brawn-buttock, or any buttock.
3 It is like a barber's chair, &c.] This expression is proverbial. See Ray's Proverbs.
So, in More Fooles Yet, by R. S. a collection of Epigrams. 410. 1610:
Count. Will your answer serve fit to all questions ?
Clo. As fit as ten groats is for the hand of an attorney, as your French crown for your taffata punk, as Tib's rush for Tom's fore-finger, as
- Moreover fattin sutes he doth compare
– Tib's rush for Tom's fore-finger,] Tom is the man, and by Tib we are to understand the woman, and therefore, more properly we might read— Tom's rush for, &c. The allusion is to an ancient practice of marrying with a rush ring, as well in other countries as in England. Breval, in his Antiquities of Paris, mentions it as a kind of espousal used in France, by such persons as meant to live together in a state of concubinage : but in England it was scarce ever practised except by designing men, for the purpose of cor. rupting those young women to whom they pretended love.
Richard Poore, bishop of Salisbury, in his Constitutions, anni, 1217, forbids the putting of ruh rings, or any the like matter, on women's fingers, in order to the debauching them more readily : and he insinuates as the reason of the prohibition, that there were Tome people weak enough to believe, that what was thus done in, jeft, was a real marriage.
But notwithftanding this censure on it, the practice was not abolished; for it is alluded to in a song in a play written by fir William D'Avenant, called The Rivals :
“ I'll crown thee with a garland of straw then,
“ And I'll marry thee with a rush ring.” which song, by the way, was first sung by Mifs Davis; she acted the part of Celania in the play ; and King Charles II. upon hearing it, was so pleased with her voice and action, that he took her from the stage, and made her his mistress.
Again, in the song called The Winchester Wedding, in D'Urfey's Pills to purge Melancholy, Vol. I. p. 276:
Pert Strephon was kind to Betty,
i And blithe as a bird in the spring; " And Tommy was so to Katy,
“ And wedded her with a rush ring.” Sir J. HAWKINS. Tib and Tom, in plain English, I believe, ftand for wanton and rogue. So, in Churchyard's Choise :
“ Tushe, that's a toye; let Tomkin talke of Tibb."
a pancake for Shrove-tuesday, a morris for Mayday, as the nail to his hole, the cuckold to his horn, as a scolding quean to a wrangling knave, as the nun's lip to the friar's mouth; nay, as the pudding to his skin.
Again, in the Queenes Majesties Entertainment in Suffolk and Nore folk, &c. by Tho. Churchyard, 4to. no date :
Cupid. " And doth not Jove and Mars bear sway? Tush, that is true.”
Philosopher. « Then put in Tom and Tibbe, and all beares sway as much
as you.” STEEVENS. An anonymous writer, [Mr. Ritson,] with some probability, supposes that this is one of those covert allusions in which Shakspeare frequently indulges himself. The following lines of Cleiveland on an Hermaphrodite seem to countenance the supposition :
“ Nay, those which modesty can mean,
“ That can play both with Tib and Tom." Sir John Hawkins would read~" as Tom's rush for Tib's forefinger.” But if this were the author's meaning, it would be necef. sary to alter ftill farther, and to read As Tom's rush for Tib's fourth finger. MALONE.
At the game of Gleek, the ace was called Tib, and the knavo Tom; and this is the proper explanation of the lines cited from Cleiveland. The practice of marrying with a ruh ring mentioned by Sir John Hawkins is very questionable, and it might be difficult to find any authority in support of this opinion. Douce.
Sir John Hawkins's alteration is unnecessary. It was the practice in former times for the woman to give the man a ring as well as for the man to give her one. So, in the last scene of T welfth Night, the priest giving an account of Olivia's marriage, says, it was
- Attested by the holy close of lips,
M. Mason. I believe what many of us have asserted respecting the exchange of rings in the marriage ceremony, is only true of the marriage contrač, in which such a practice undoubtedly prevailed.
Count. Have you, I say, an answer of such fitness for all questions?
Clo. From below your duke, to beneath your constable, it will fit any question.
Count. It must be an answer of most monstrous size, that must fit all demands.
Clo. But a trifle neither, in good faith, if the learned should speak truth of it: here it is, and all that belongs to’t: Ask me, if I am a courtier; it shall do you no harm to learn.
Count. To be young again,” if we could:- I will be a fool in question, hoping to be the wiser by your answer. I pray you, sir, are you a courtier?
Clo. O Lord, fir, — There's a simple putting off;—more, more, a hundred of them.
Count. Sir, I am a poor friend of yours, that loves you.
Clo. O Lord, fir,—Thick, thick, spare not me.
Count. I think, fir, you can eat none of this homely meat.
Glo. O Lord, fir,—Nay, put me to’t, I warrant you.
Count. You were lately whipp’d, fir, I think. Clo. O Lord, fir,-Spare not me.
7 To be young again,] The lady censures her own levity in trifling with her jester, as a ridiculous attempt to return back to youth. Johnson.
8 O Lord, fir,] A ridicule on that foolish expletive of speech then in vogue at court. WARBURTON. Thus Clove and Orange, in Every Man out of his Humour:
“ You conceive me, sir? O Lord, far!” Cleiveland, in one of his songs, makes his Gentleman“ Answer, O Lord, fir! and talk play-book oaths."