Polish Film and the Holocaust: Politics and Memory

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Berghahn Books, 1 בינו׳ 2012 - 288 עמודים
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During World War II Poland lost more than six million people, including about three million Polish Jews who perished in the ghettos and extermination camps built by Nazi Germany in occupied Polish territories. This book is the first to address the representation of the Holocaust in Polish film and does so through a detailed treatment of several films, which the author frames in relation to the political, ideological, and cultural contexts of the times in which they were created. Following the chronological development of Polish Holocaust films, the book begins with two early classics: Wanda Jakubowska’s The Last Stage (1948) and Aleksander Ford’s Border Street (1949), and next explores the Polish School period, represented by Andrzej Wajda’s A Generation (1955) and Andrzej Munk’s The Passenger (1963). Between 1965 and 1980 there was an “organized silence” regarding sensitive Polish-Jewish relations resulting in only a few relevant films until the return of democracy in 1989 when an increasing number were made, among them Krzysztof Kieślowski’s Decalogue 8 (1988), Andrzej Wajda’s Korczak (1990), Jan Jakub Kolski’s Keep Away from the Window (2000), and Roman Polański’s The Pianist (2002). An important contribution to film studies, this book has wider relevance in addressing the issue of Poland’s national memory.

 

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תוכן

Geopolitics and Cinema
11
The Last Stage
28
Commemorating the Warsaw Ghetto Uprising in Border
53
Images of the Holocaust during the Polish School Period
74
Years of Organized Forgetting 19651980
115
The Poor Poles Look at
139
Korczak 1990 and Holy
187
Documentary Archaeology of the Holocaust
211
Afterword
227
Select Bibliography
250
Index
265
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מידע על המחבר (2012)

Marek Haltof is Professor at Northern Michigan University in Marquette. His recent books include the Historical Dictionary of Polish Cinema (2007), Australian Cinema: The Screen Construction of Australia (in Polish, 2005), The Cinema of Krzysztof Kieślowski: Variations on Destiny and Chance (2004), and Polish National Cinema (2002).

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