Nineteenth-Century Theories of Art

כריכה קדמית
University of California Press, 1987 - 563 עמודים
This unique and extraordinarily rich collection of writings offers a thematic approach to understanding the various theories of art that illumined the direction of nineteenth-century artists as diverse as Tommaso Minardi and Georges Seurat. It is significant that during the nineteenth century most artists felt compelled to found their artistic practice on a consciously established premise.
 

עמודים נבחרים

תוכן

ART AND THE COMMUNITY OF SOULS
121
FRANÇOIS RENÉ vicomte dE CHATEAUBRIAND
153
FRIEDRICH OVERBECK Diaries and Letters 1811 1814
162
Adolphe thierS On Naïveté in the Arts 1822
170
A F RIO The Poetry of Christian Art 1836
195
ÉTIENNEJEAN DELÉCLUZE The Beards of 1800
206
CHARLES BAUDELAIRE What Is Romanticism? 1846
220
27
236
JOHN RUSKIN Preface to the Second Edition
286
JOHN CONSTABLE Letters and Notes on Painting
297
CAMILLE COROT Letters and Reflections on Painting
307
ART AND SOCIETY
351
AN ART OF PURE VISION
411
ART AS CREATION
487
JAMES MCNEILL whistler Mr Whistlers Ten
502
CHARLES HENRY The Chromatic Circle 1888
530

PIERREHENRI DE VALENCIENNES Advice to a Student
246
PHILIPP OTTO RUNGE Letter to Daniel Runge 1802
260
CARL G CARUS Nine Letters on Landscape Painting
270
List of Illustrations and Credits
549
62
555
זכויות יוצרים

מהדורות אחרות - הצג הכל

Nineteenth-Century Theories of Art
<span dir=ltr>Joshua C. Taylor</span>‏
תצוגה מקדימה מוגבלת - 1987
Nineteenth-century Theories of Art
<span dir=ltr>Joshua Charles Taylor</span>‏
תצוגה מקדימה מוגבלת - 1987

מונחים וביטויים נפוצים

according admirable aesthetic antique appear artist beauty become blue called Camille Pissarro century character chiaroscuro Christian Claude Lorrain color colorist composition conception Conrad Fiedler contrast Courbet critics drawing Édouard Manet effect Émile Zola Eugène Delacroix execution exhibition exist expression feeling figures French genius Georges Seurat Greek green Gustave Courbet harmony human idea ideal imagination imitation impression Ingres Jean-François Millet kind landscape less light living look macchia matter means Michelangelo Minardi mind modern moral nature Neoimpressionism never objects observation oil on canvas orange painter painting Paris perception perfection Phidias Philipp Otto Runge philosopher picture pleasure poet poetry portrait principles produced qualities Raphael Romanticism Rome Salon sculpture sense sentiment Seurat society soul spirit style sublime talent taste theory things thought tion Titian tone translated true truth violet visual yellow

הפניות לספר זה

מידע על המחבר (1987)

Joshua C. Taylor was Professor of Art History at the University of Chicago and Director of the National Museum of American Art from 1970 until his death in 1981. James L. Yarnall, formerly of the National Museum of American Art, prepared and edited the manuscript for publication.

מידע ביבליוגרפי

כותרתNineteenth-Century Theories of Art
מהדורה 24 מתוך California Studies in the History of Art, ISSN 0068-5909
מאתJoshua C. Taylor
עורךJoshua C. Taylor
מאתJoshua C. Taylor
מהדורהמאויר, הדפסה חוזרת
הוצאהUniversity of California Press, 1987
ISBN0520048881, 9780520048881
אורך563 עמודים
  
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