American Jewish Filmmakers

כריכה קדמית
University of Illinois Press, 2004 - 345 עמודים

Woody Allen, Mel Brooks, Sidney Lumet, and Paul Mazursky, all sons of East European Jews, remain among the most prominent contemporary American film directors. In this revised, updated second edition of American Jewish Filmmakers, David Desser and Lester D. Friedman demonstrate how the Jewish experience gives rise to an intimately linked series of issues in the films of these and other significant Jewish directors.

The effects of the Holocaust linger, both in gripping dramatic form (Mazursky's Enemies, a Love Story) and in black comedy (Brooks's The Producers). In his trilogy consisting of Serpico, Prince of the City, and Q&A, Lumet focuses on the failure of society's institutions to deliver social justice. Woody Allen portrays urban life and family relationships (Manhattan and Hannah and Her Sisters), sometimes with a nostalgic twist (Radio Days).

This edition concludes with a newly written discussion of the careers of other prominent Jewish filmmakers such as Steven Spielberg, Barry Levinson, Brian Singer, and Darren Aronofsky.
 

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תוכן

Traditions of American Jewish Art
1
Woody Allen The Schlemiel as Modern Philosopher
34
Mel Brooks Farts Will Be Heard
113
Sidney Lumet The Memory of Guilt
169
Paul Mazursky The Price of Freedom
232
Too Much at Home in America?
287
Filmography
321
References Cited
325
Index
333
זכויות יוצרים

מונחים וביטויים נפוצים

מידע על המחבר (2004)

David Desser is the director of cinema studies at the University of Illinois at Urbana-Champaign and former editor of Cinema Journal. He is the author of The Samurai Films of Akira Kurosawa and Eros Plus Massacre.Lester D. Friedman is a member of the Radio/TV/Film department at Northwestern University. He is the author of The Jewish Image in American Film and Arthur Penn's "Bonnie and Clyde," and the editor of Unspeakable Images: Ethnicity and the American Cinema.

מידע ביבליוגרפי