Conqueft and triumph, now, are mine no more; For, lingring there, in long fufpence she stands, But rules with fettled fway in Zara's eyes. ရာ T ACT II. SCENE I. Representing the Ile of a Temple. GARCIA, HELI, PEREZ. GARCIA. His way, we're told, Ofmyn was seen to walk; To mourn, brave Heli, thy mistaken fate. Heli. Let heav'n with thunder to the centre ftrike me, If to arise in very deed from death, And to re-vifit, with my long clos'd eyes Gar. I've heard, with admiration, of your friendship. Gar. I faw him not, nor any like him Per. I faw him when I fpoke, thwarting my view, And striding with diftemper'd haste; his eyes Seem'd Seem'd flame, and flash'd upon me with a glance; Gar. Let's hafte to follow him, and know the cause. I know his noble heart wou'd burft with fhame, Gar. Go, gen'rous Heli, and relieve your friend, Or prefs upon the privacies of others. SCENE II. GARCIA, PEREZ. Gar. Perex, the king expects from our return Per. To me 'twas long fince plain, And ev'ry look from him and her confirms it. SCENE III. ALMERIA, LEONORA. Alm. It was a fancy'd noise, for all is hush'd. Alm. It was thy fear, or else some tranfient wind We'll liften Leo. Hark! Alm. Alm. No, all is hufh'd, and ftill as death-Tis dreadful! How rev'rend is the face of this tall pile, Whofe ancient pillars rear their marble heads, -my own affrights me with its echo's. Leo. Let us return; the horror of this place And filence will encrease your melancholy. Alm. It may my fears, but cannot add to that. Lead me o'er bones and skulls and mouldering earth SCENE IV. The Scene opening discovers a place of tombs: One Monument fronting the view greater than the reft. SCENE V. ALMERIA, LEONORA. Leo. Behold the facred vault, within whose womb The poor remains of good Anfelmo reft; Yet fresh and unconfum'd by time or worms. What do I fee? O heav'n! either my eyes Are falfe, or ftill the marble door remains Unclos'd; the iron gates that lead to death Beneath, are ftill wide itretch'd upon their hinge, And ftaring on us with unfolded leaves. Alm. Sure 'tis the friendly yawn of death for me; And that dumb mouth fignificant in show, Invites me to the bed where I alone Shall reft; fhews me the grave, where nature, weary, SCENE VI. ALMERIA, LEONORA, OSMYN afcending from he tomb. Ofm. Who calls that wretched thing that was Alphonfo? Alm. Angels and all the host of heav'n fupport me! Ofm. Whence is that voice, whose shrilnefs from the grave, And And growing to his father's fhrowd, roots up Alm. Mercy! Providence! O fpeak, Speak to it quickly, quickly; fpeak to me, Comfort me, help me, hold me, hide me, hide me Leonora, in thy bofom, from the light, And from my eyes. Ofm. Amazement and illufion! Rivet and nail me where I stand, ye pow'rs; (Coming forward. That motionless I may be ftill dec iv'd. Let me not ftir, nor breathe, left I diffolve That tender, lovely form of painted air, So like Almeria. Ha! it finks, it falls; I'll catch it e'er it goes, and grasp her fhade. 'Tis life! 'tis warm! 'tis fhe! 'tis fhe herfelf! Nor dead, nor fhade, but breathing and alive! It is Almeria, 'tis, it is my wife! SCENE VII. ALMERIA, LEONORA, OSMYN, HELI. Who-e'er thou art, and lend thy hand to raise Heli, Ha! 'tis he! and with O miracle of happiness! O joy Ofm. Where is the? -Almeria! Let me behold and touch her, and be sure 'Tis fhe, fhew me her face, and let me feel Her lips with mine 'Tis fhe, I'm not deceiv'd; I tafte her breath, I warm'd her and am warm'd, Look on thy love, thy lover, and thy husband. Alm. I've fworn I'll not wed Garcia; why d'ye force me? Is this a father? Ofm. Look on thy Alphonfo. Thy father is not here, my love, nor Garcia: |