The Chinese Classics: With a Translation, Critical and Exegetical Notes, Prolegomena, and Copious IndexesLegge, 1871 |
מתוך הספר
תוצאות 1-5 מתוך 29
עמוד 18
... tone classes in those dictionaries . We are come to a subject encompassed with perplexity ; but much has been done by native scholars to unfold its complications , and to enable us to understand how the Chinese spoke and rhymed in the ...
... tone classes in those dictionaries . We are come to a subject encompassed with perplexity ; but much has been done by native scholars to unfold its complications , and to enable us to understand how the Chinese spoke and rhymed in the ...
עמוד 17
... tone fell into one or other of the others . In this way there were the four tones complete ; but in many cases they were different from what they had anciently been . Characters formerly of the 1st tone were now in one of the others ...
... tone fell into one or other of the others . In this way there were the four tones complete ; but in many cases they were different from what they had anciently been . Characters formerly of the 1st tone were now in one of the others ...
עמוד 18
... tone classes in those dictionaries . We are come to a subject encompassed with perplexity ; but much has been done by native scholars to unfold its complications , and to enable us to understand how the Chinese spoke and rhymed in the ...
... tone classes in those dictionaries . We are come to a subject encompassed with perplexity ; but much has been done by native scholars to unfold its complications , and to enable us to understand how the Chinese spoke and rhymed in the ...
עמוד 19
... tone . ' But all these accounts of it fail to indicate its most important and frequent significance , that the rhyme is one of an assumed poetical license , where one of the characters has a pronunciation assigned to it which it does ...
... tone . ' But all these accounts of it fail to indicate its most important and frequent significance , that the rhyme is one of an assumed poetical license , where one of the characters has a pronunciation assigned to it which it does ...
עמוד 20
... tone , as many in the lower first , 29 in the second or ascending tone , 30 in the third or departing tone , and 17 in the 4th , called the entering or retracted tone . Taking the first or even tone as the measure of the endings , this ...
... tone , as many in the lower first , 29 in the second or ascending tone , 30 in the third or departing tone , and 17 in the 4th , called the entering or retracted tone . Taking the first or even tone as the measure of the endings , this ...
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מהדורות אחרות - הצג הכל
מונחים וביטויים נפוצים
allusive ancient appearance beautiful called carriage Ch'aou characters chariot China Chinese Ching Choo says Choo's Chung Confucius court denotes directed against duke directed against king dolichos duke Chwang duke of Chow dynasty explains expresses Fung gives Han dynasty harem Heaven Ho-nan horses husband Hwan interpretation K'ang-shing Kaou Keang Keeh king Seuen king Wăn king Woo king Yëw kingdom lady lines Little Preface Maou and Choo Maou's marquis marriage meaning Mencius mentioned ming ministers mustard plant Nan shan Narrative officer particle piece plant princes proleg reference rhymes are–in st robes ruler scholars Seaou Shang Shaou She-king Shoo Shuh Shwoh-wăn southernwood stanzas Sung Sung dynasty suppose tion tone translation tree Ts'ae Ts'aou Ts'e Ts'in Ts'oo Tsin Tung Twan Urh-ya VIII virtue Wang Yin-che wife Yen Ts'an Ying-tah Yuen
קטעים בולטים
עמוד l - When sighs and exclamations are insufficient for them, recourse is had to the prolonged utterances of song. When those prolonged utterances of song are insufficient for them, unconsciously the hands begin to move and the feet to dance. The feelings go forth in sounds. When those sounds are artistically combined, we have what is called musical pieces. The style of such pieces in an age of good order is quiet, going on to be joyful; — the government is then a harmony. Their style in an age of disorder...
עמוד 107 - Slowly I moved about, In my heart all-agitated. Those who knew me Said I was sad at heart. Those who did not know me, Said I was seeking for something. O thou distant and azure Heaven*! By what man was this (brought about...
עמוד 108 - But my husband is away on service. How can I but keep thinking of him ? My husband is away on service, Not for days merely or for months. When will he come back to me ? The fowls roost on their perches ; And in the evening of the day, The goats and cows come down and home ; But my husband is away...
עמוד xliv - ... and so come to a decision regarding the government and morals of their rulers. A student and translator of the odes has simply to allow them to speak for themselves, and has no more reason to be surprised by references to vice in some of them than by the language of virtue in many others. Confucius said, indeed, in his own enigmatical way, that the single sentence,
עמוד 95 - Ah! thou dove, Eat not its fruit [to excess] . Ah! thou young lady, Seek no licentious pleasure with a gentleman. When a gentleman indulges in such pleasure, Something may still be said for him; When a lady does so, Nothing can be said for her.
עמוד 71 - It floats abont, that boat of cypress wood, There in the middle of the Ho, With his two tufts of hair falling over his forehead, He was my mate, And I swear that till death I will have no other. O mother, O Heaven, Why will you not understand me...
עמוד 18 - She gathers the white southernwood, By the ponds, on the islets. She employs it, In the business of our prince. She gathers the white southernwood, Along the streams in the valleys. She employs it, In the temple 613 of our prince.
עמוד xlix - Choo He adds, that after the prefatory notices were published as a portion of the text, "they appeared as if they were the production of the poets themselves and the Odes seemed to be made from them as so many themes. Scholars handed down a faith in them from one to another, and no one ventured to express a doubt of their authority. The text was twisted and chiseled to bring it into accordance with them, and nobody would undertake to say plainly that they were the work of the scholars of the Han...
עמוד 100 - Who says that the Ho is wide? With (a bundle of) reeds I can cross it. Who says that Sung is distant? On tiptoe I can see it. Who says that the Ho is wide? It will not admit a little boat. Who says that Sung is distant? It would not take a whole morning to reach it. Professor Legge admits that what he has called "a bundle of reeds...
עמוד 57 - ... former dynasties; but the duties of the occasion devolved mainly on the princes of the same surname as the royal House. Libations of fragrant spirits were made, to attract the Spirits, and their presence was invoked by a functionary [the Invoker] who took his place inside the principal gate.