Dissertation on Musical TasteMason brothers, 1853 - 296 עמודים |
מתוך הספר
תוצאות 1-5 מתוך 45
עמוד 8
... MELODY .. CHAPTER IX . 162 CHAPTER X. OF DESIGN IN REFERENCE TO PUBLIC TASTE ... 169 CHAPTER XI . OF DESIGN IN THE VARIOUS SPECIES OF COMPOSITION ... 181 Section I - Specific Distinctions .... II . - Of Design in Instrumental Music ...
... MELODY .. CHAPTER IX . 162 CHAPTER X. OF DESIGN IN REFERENCE TO PUBLIC TASTE ... 169 CHAPTER XI . OF DESIGN IN THE VARIOUS SPECIES OF COMPOSITION ... 181 Section I - Specific Distinctions .... II . - Of Design in Instrumental Music ...
עמוד 14
... melody , and those combinations and successions of simultaneous sounds in harmony , which are agree- able or disagreeable to the human ear . " It is the business of the theorist to analyze these ; " and the general laws or rules that ...
... melody , and those combinations and successions of simultaneous sounds in harmony , which are agree- able or disagreeable to the human ear . " It is the business of the theorist to analyze these ; " and the general laws or rules that ...
עמוד 15
... melody and harmony , that were found capable of subserving the purposes of sentiment . * Many of these peculiarities and inventions have ac- quired a permanent reputation . Among the numer- ous phrases in melody , and the combinations ...
... melody and harmony , that were found capable of subserving the purposes of sentiment . * Many of these peculiarities and inventions have ac- quired a permanent reputation . Among the numer- ous phrases in melody , and the combinations ...
עמוד 19
... melody , as in the case of ballads , they should preserve a general similarity of sentiment , for otherwise the melody would not be uniformly appropriate ; and when stanzas are designed to receive different strains , as in a composition ...
... melody , as in the case of ballads , they should preserve a general similarity of sentiment , for otherwise the melody would not be uniformly appropriate ; and when stanzas are designed to receive different strains , as in a composition ...
עמוד 20
Thomas Hastings. symmetry in his strains of melody . The poet , also , if he wishes his numbers to be well adapted to music , should pay attention to the euphony of language . He should be sparing of his combinations of dissim- ilar feet ...
Thomas Hastings. symmetry in his strains of melody . The poet , also , if he wishes his numbers to be well adapted to music , should pay attention to the euphony of language . He should be sparing of his combinations of dissim- ilar feet ...
מהדורות אחרות - הצג הכל
מונחים וביטויים נפוצים
accent adapted amusement assembly auditors beautiful become Beethoven character choir chords chorus Christian church church-music circumstances composer composition congregation cultivation display distinct dramatic edification effect embrace emotions employed enunciation execution exercises expression favor feelings fugue furnished genius GEORGE JAMES WEBB Glees Handel harmony Haydn hymns ideas imagination imitative important impressions influence instance instruments interest labor language legato less listen Lord LOWELL MASON lyric manner Melodeon melody ment motets Mozart multitude musical composition musical expression musician nature neglect object opera oratorio orchestra passages peculiar performance piece poet poetry practice praise principles produce properties of style psalmody psalms purposes reference refined regard religious religious music render require rhythm sacred music secular music sensibility sentiment sing singers solemn song speak species specimens spirit stanzas strains success sufficient sung talent taste themes things tion tivation tone tunes utterance vocal music vocalist voices words worship