Dissertation on Musical Taste

accent adapted amusement assembly auditors beautiful become Beethoven character choir chords chorus Christian church church-music circumstances composer composition congregation cultivation display distinct dramatic edification effect embrace emotions employed enunciation execution exercises expression favor feelings fugue furnished genius GEORGE JAMES WEBB Glees Handel harmony Haydn hymns ideas imagination imitative important impressions influence instance instruments interest labor language legato less listen Lord LOWELL MASON lyric manner Melodeon melody ment motets Mozart multitude musical composition musical expression musician nature neglect object opera oratorio orchestra passages peculiar performance piece poet poetry practice praise principles produce properties of style psalmody psalms purposes reference refined regard religious religious music render require rhythm sacred music secular music sensibility sentiment sing singers solemn song speak species specimens spirit stanzas strains success sufficient sung talent taste themes things tion tivation tone tunes utterance vocal music vocalist voices words worship