Older Masters: Essays and Reflections on English and American LiteratureCarcanet, 1992 - 328 עמודים Donald Davie's major essays on British and American writers from Chaucer to Browning. |
מתוך הספר
תוצאות 1-3 מתוך 32
עמוד 183
... possible from seeing the child in the Wordsworthian way as ' mighty prophet , seer blest ' ; there is no sign of the Romantic conviction which lies behind some of Blake's Songs of Innocence as well as behind Wordsworth's ' We are Seven ...
... possible from seeing the child in the Wordsworthian way as ' mighty prophet , seer blest ' ; there is no sign of the Romantic conviction which lies behind some of Blake's Songs of Innocence as well as behind Wordsworth's ' We are Seven ...
עמוד 242
... possible to inlist the ' Fine Arts ' , on the side of Truth , of Virtue , of Piety , or even of Honour ? From the dawn of History they have been prostituted to the Service of Superstition and despotism . Read Herodotus , Pausanias ...
... possible to inlist the ' Fine Arts ' , on the side of Truth , of Virtue , of Piety , or even of Honour ? From the dawn of History they have been prostituted to the Service of Superstition and despotism . Read Herodotus , Pausanias ...
עמוד 298
... possible ' . No one seems to have asked whether the phrase ' native English strength ' , so plainly offered as commendation , did not suggest an insular chauvinism ; nor whether making English as like Italian as possible ( Leavis ...
... possible ' . No one seems to have asked whether the phrase ' native English strength ' , so plainly offered as commendation , did not suggest an insular chauvinism ; nor whether making English as like Italian as possible ( Leavis ...
תוכן
Chaucer and One Idea of Englishness 1972 | 7 |
A Reading of The Oceans Love to Cynthia 1960 | 13 |
Shakespeare and the Practising Poet Today 1976 | 31 |
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מונחים וביטויים נפוצים
Adams admired appears argument believe Berkeley better body called century certainly comes contrary course criticism death dialogue diction distinction Dryden effect eighteenth eighteenth-century England English essay example experience expression fact feel figure follows force give hand human idea imagination important instance interest John Johnson kind language later laws learned least Ledyard less lines literary literature lived London look matter means metaphor mind nature never object once passage perhaps period person philosopher poem poet poetic poetry political Pope possible present principle prose question reader reason rhetoric seems seen sense Shakespeare Smart society sort speak spirit stand stanza style surely taken Taylor things thought tion tradition true turn verse whole Wordsworth writing wrote