Older Masters: Essays and Reflections on English and American LiteratureCarcanet, 1992 - 328 עמודים Donald Davie's major essays on British and American writers from Chaucer to Browning. |
מתוך הספר
תוצאות 1-3 מתוך 59
עמוד 130
... courses were open to use the dialogue as an image of what should be , or of what was . Berkeley followed the first course in Three Dialogues ; the second in Alciphron . The second course was perhaps easier than the first . But it ...
... courses were open to use the dialogue as an image of what should be , or of what was . Berkeley followed the first course in Three Dialogues ; the second in Alciphron . The second course was perhaps easier than the first . But it ...
עמוד 174
... course ! Spring in midwinter is unnatural . How can it not be , since it is supernatural ? The language is artificial ? But of course ! It is speaking of a divine artifice disrupting the natural order . - The whole conceit and paradox ...
... course ! Spring in midwinter is unnatural . How can it not be , since it is supernatural ? The language is artificial ? But of course ! It is speaking of a divine artifice disrupting the natural order . - The whole conceit and paradox ...
עמוד 303
... course ) ' But for her eyes I should have fled away ' . Where the form is so thoroughly achieved , as much in alert metre as in diction , it is proper to take the content seriously ; and Barnard is right to stress how the poem is ...
... course ) ' But for her eyes I should have fled away ' . Where the form is so thoroughly achieved , as much in alert metre as in diction , it is proper to take the content seriously ; and Barnard is right to stress how the poem is ...
תוכן
Chaucer and One Idea of Englishness 1972 | 7 |
A Reading of The Oceans Love to Cynthia 1960 | 13 |
Shakespeare and the Practising Poet Today 1976 | 31 |
זכויות יוצרים | |
23 קטעים אחרים שאינם מוצגים
מהדורות אחרות - הצג הכל
מונחים וביטויים נפוצים
Adams admired appears argument believe Berkeley better body called century certainly comes contrary course criticism death dialogue diction distinction Dryden effect eighteenth eighteenth-century England English essay example experience expression fact feel figure follows force give hand human idea imagination important instance interest John Johnson kind language later laws learned least Ledyard less lines literary literature lived London look matter means metaphor mind nature never object once passage perhaps period person philosopher poem poet poetic poetry political Pope possible present principle prose question reader reason rhetoric seems seen sense Shakespeare Smart society sort speak spirit stand stanza style surely taken Taylor things thought tion tradition true turn verse whole Wordsworth writing wrote