Practical RhetoricAmerican Book Company, 1896 - 477 עמודים |
מתוך הספר
תוצאות 1-5 מתוך 89
עמוד 4
... expression , they are discussed logically after style proper ; and then follow lessons on the functions and technic of each great prose form . Poetry and its varieties , together with versification , are treated briefly in the ...
... expression , they are discussed logically after style proper ; and then follow lessons on the functions and technic of each great prose form . Poetry and its varieties , together with versification , are treated briefly in the ...
עמוד 9
John Duncan Quackenbos. INTRODUCTION . Rhetoric is the Art of Expressing Thought effectively in Words . Its study implies an investigation of the prin- ciples that underlie the accepted rules of cultured speak- ing and ... expression of 9.
John Duncan Quackenbos. INTRODUCTION . Rhetoric is the Art of Expressing Thought effectively in Words . Its study implies an investigation of the prin- ciples that underlie the accepted rules of cultured speak- ing and ... expression of 9.
עמוד 10
John Duncan Quackenbos. inventions of a single mind , nor the expression of the ideas of a single nation or epoch ; they have been induced from a study of man's greatest literary efforts . Striking passages have been analyzed ; the ...
John Duncan Quackenbos. inventions of a single mind , nor the expression of the ideas of a single nation or epoch ; they have been induced from a study of man's greatest literary efforts . Striking passages have been analyzed ; the ...
עמוד 12
... expression to which the best writers conform . It must render him simple and unaffected in his diction , clear and harmonious in his style , and , above all , correct . It will , moreover , tend to bring out and shape any individuality ...
... expression to which the best writers conform . It must render him simple and unaffected in his diction , clear and harmonious in his style , and , above all , correct . It will , moreover , tend to bring out and shape any individuality ...
עמוד 15
... expressions of others . The Labor Involved , a Pleasure . These two advan- tages are surely a sufficient compensation for the labor involved in pursuing a rhetorical course . Nor , it must be remembered , is this labor great . The ...
... expressions of others . The Labor Involved , a Pleasure . These two advan- tages are surely a sufficient compensation for the labor involved in pursuing a rhetorical course . Nor , it must be remembered , is this labor great . The ...
מהדורות אחרות - הצג הכל
מונחים וביטויים נפוצים
acatalectic adapted Æneid æsthetic anapestic argument beauty Ben Jonson BOOKS OF REFERENCE character characterized Cicero color comma composition construction criticism Define described discourse dramatic effect ellipsis emotion Enallage English epic epic poetry essay Explain expression faculty feeling Fiction figures give grammatical Greek harmony Hence Herbert Spencer human hyperbaton idea Iliad Illustrate imagination implies impression invention language Latin LESSON letter literary literature Lorna Doone malaprops Matthew Arnold meaning mental metonymies mind moral narration nature never novel object paragraph perfect person Philosophy pleasure pleonasm poem poet poetical poetry present principle Professor prose QUESTIONS Quintilian reader relation rhetorical rhyme Saxon sche selection sense sentence Shakespeare spondee stanza student style sublime SUGGESTED EXERCISES syllables taste theme things thou thought tion Trochaic true truth unity verb verse vulgar words writing
קטעים בולטים
עמוד 273 - Visit her face too roughly. Heaven and earth! Must I remember? why, she would hang on him, As if increase of appetite had grown By what it fed on; and yet, within a month, Let me not think on't: Frailty, thy name is woman! A little month; or ere those shoes were old With which she follow'd my poor father's body, Like Niobe, all tears; why she, even she, — O God! a beast, that wants discourse of reason...
עמוד 451 - Anon permit the basest clouds to ride With ugly rack on his celestial face, And from the forlorn world his visage hide, Stealing unseen to west with this disgrace : » Referring to the obsequies for the dead.
עמוד 449 - What leaf-fringed legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? ? What struggle to escape? What pipes and timbrels? What wild ecstasy?
עמוד 426 - But our love it was stronger by far than the love Of those who were older than we, Of many far wiser than we ; And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee.
עמוד 305 - I CHATTER over stony ways, In little sharps and trebles, I bubble into eddying bays, I babble on the pebbles. With many a curve my banks I fret By many a field and fallow, And many a fairy foreland set With willow-weed and mallow. I chatter, chatter, as I flow To join the brimming river, For men may come and men may go, But I go on for ever.
עמוד 438 - Haste thee, Nymph, and bring with thee Jest and youthful jollity, Quips and cranks and wanton wiles, Nods and becks and wreathed smiles, Such as hang on Hebe's cheek And love to live in dimple sleek; Sport that wrinkled Care derides, And Laughter holding both his sides. Come, and trip it as you go On the light fantastic toe...
עמוד 86 - To make a child now swaddled, to proceed Man, and then shoot up in one beard and weed, Past three-score years : or, with three rusty swords, And help of some few foot and half-foot words, Fight over York and Lancaster's long jars, And in the tiring-house bring wounds to scars.
עמוד 423 - Lo, the poor Indian! Whose untutored mind Sees God in clouds, or hears Him in the wind; His soul, proud science never taught to stray Far as the solar walk, or milky way...
עמוד 283 - Oh, thou art fairer than the evening air Clad in, the beauty of a thousand stars...
עמוד 434 - Tis sweet to hear the watch-dog's honest bark Bay deep-mouthed welcome as we draw near home; 'Tis sweet to know there is an eye will mark Our coming, and look brighter when we come...