Practical RhetoricAmerican Book Company, 1896 - 477 עמודים |
מתוך הספר
תוצאות 1-5 מתוך 7
עמוד 8
... Alliteration 295 XXIX . Laws of Figure and their Violations 307 PART V. FUNCTIONS AND TECHNIC OF STANDARD PROSE FORMS . XXX . The Letter XXXI . The Essay XXXII . Narratives . -The History - XXXIII . The Biography . - The Obituary ...
... Alliteration 295 XXIX . Laws of Figure and their Violations 307 PART V. FUNCTIONS AND TECHNIC OF STANDARD PROSE FORMS . XXX . The Letter XXXI . The Essay XXXII . Narratives . -The History - XXXIII . The Biography . - The Obituary ...
עמוד 52
... alliteration can be similarly accounted for ? What sensations of taste , smell , and touch , approach the æsthetic level , and why ? Is this line from " Evangeline " æsthetically effective ? - " Sweet was her breath as the breath of ...
... alliteration can be similarly accounted for ? What sensations of taste , smell , and touch , approach the æsthetic level , and why ? Is this line from " Evangeline " æsthetically effective ? - " Sweet was her breath as the breath of ...
עמוד 295
... order of the contrasted words is reversed in the second member of the antithesis ; as , " A wit with dunces , and a dunce with wits " ( Pope ) . This arrangement is FIGURES OF CONTRAST . 295 Figures of Contrast - Onomatopoeia Alliteration.
... order of the contrasted words is reversed in the second member of the antithesis ; as , " A wit with dunces , and a dunce with wits " ( Pope ) . This arrangement is FIGURES OF CONTRAST . 295 Figures of Contrast - Onomatopoeia Alliteration.
עמוד 302
... alliteration . In this alliterative verse the initial letter of the first em- phatic and accented word in a couplet , or of its essential part , if compound , furnished a key to that of the second . and the third . Usage required that ...
... alliteration . In this alliterative verse the initial letter of the first em- phatic and accented word in a couplet , or of its essential part , if compound , furnished a key to that of the second . and the third . Usage required that ...
עמוד 303
... alliteration often emphasizes the words on which the beat of the contrast falls . This is noticeable in many Saxon say- ings ; as , " All's not gold that glitters , ” — “ Thick and thin , ” Spick and span . ” In Sanskrit verse , ...
... alliteration often emphasizes the words on which the beat of the contrast falls . This is noticeable in many Saxon say- ings ; as , " All's not gold that glitters , ” — “ Thick and thin , ” Spick and span . ” In Sanskrit verse , ...
מהדורות אחרות - הצג הכל
מונחים וביטויים נפוצים
acatalectic adapted Æneid æsthetic anapestic argument beauty Ben Jonson BOOKS OF REFERENCE character characterized Cicero color comma composition construction criticism Define described discourse dramatic effect ellipsis emotion Enallage English epic epic poetry essay Explain expression faculty feeling Fiction figures give grammatical Greek harmony Hence Herbert Spencer human hyperbaton idea Iliad Illustrate imagination implies impression invention language Latin LESSON letter literary literature Lorna Doone malaprops Matthew Arnold meaning mental metonymies mind moral narration nature never novel object paragraph perfect person Philosophy pleasure pleonasm poem poet poetical poetry present principle Professor prose QUESTIONS Quintilian reader relation rhetorical rhyme Saxon sche selection sense sentence Shakespeare spondee stanza student style sublime SUGGESTED EXERCISES syllables taste theme things thou thought tion Trochaic true truth unity verb verse vulgar words writing
קטעים בולטים
עמוד 273 - Visit her face too roughly. Heaven and earth! Must I remember? why, she would hang on him, As if increase of appetite had grown By what it fed on; and yet, within a month, Let me not think on't: Frailty, thy name is woman! A little month; or ere those shoes were old With which she follow'd my poor father's body, Like Niobe, all tears; why she, even she, — O God! a beast, that wants discourse of reason...
עמוד 451 - Anon permit the basest clouds to ride With ugly rack on his celestial face, And from the forlorn world his visage hide, Stealing unseen to west with this disgrace : » Referring to the obsequies for the dead.
עמוד 449 - What leaf-fringed legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? ? What struggle to escape? What pipes and timbrels? What wild ecstasy?
עמוד 426 - But our love it was stronger by far than the love Of those who were older than we, Of many far wiser than we ; And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee.
עמוד 305 - I CHATTER over stony ways, In little sharps and trebles, I bubble into eddying bays, I babble on the pebbles. With many a curve my banks I fret By many a field and fallow, And many a fairy foreland set With willow-weed and mallow. I chatter, chatter, as I flow To join the brimming river, For men may come and men may go, But I go on for ever.
עמוד 438 - Haste thee, Nymph, and bring with thee Jest and youthful jollity, Quips and cranks and wanton wiles, Nods and becks and wreathed smiles, Such as hang on Hebe's cheek And love to live in dimple sleek; Sport that wrinkled Care derides, And Laughter holding both his sides. Come, and trip it as you go On the light fantastic toe...
עמוד 86 - To make a child now swaddled, to proceed Man, and then shoot up in one beard and weed, Past three-score years : or, with three rusty swords, And help of some few foot and half-foot words, Fight over York and Lancaster's long jars, And in the tiring-house bring wounds to scars.
עמוד 423 - Lo, the poor Indian! Whose untutored mind Sees God in clouds, or hears Him in the wind; His soul, proud science never taught to stray Far as the solar walk, or milky way...
עמוד 283 - Oh, thou art fairer than the evening air Clad in, the beauty of a thousand stars...
עמוד 434 - Tis sweet to hear the watch-dog's honest bark Bay deep-mouthed welcome as we draw near home; 'Tis sweet to know there is an eye will mark Our coming, and look brighter when we come...