IN HIEROGLYPHIC, THE TRILINGUAL INSCRIPTION OF THE ROSETTA STONE. Almost as interesting as the Rosetta Stone itself is the story of its discovery. During the French occupation of Egypt soldiers were digging out the foundations of a fort, and in the trench the famous tablet was found. At the peace of Alexandra the Rosetta Stone passed to the English, who (1801) housed it in the British Museum, where it remains. The text when translated showed that the inscription is a "decree of the priests of Memphis, conferring divine honors on Ptolemy V, Epiphanes, King of Egypt, B.c. 195," on the occasion of his coronation. Further it commands that the decree be inscribed in the sacred letters (hieroglyphics); the alphabet of the people (enchorial or demotic); and Greek. It was recognized by the trustees of the British Museum that the problem of the Rosetta Stone was one which would test the ingenuity of the scientists of the world to unfathom, and they promptly published a carefully prepared copy of the entire inscription..., Scholars of every nation exhausted their learning to unravel the riddle, but beyond a few shrewd guesses (afterward proved to be quite incorrect) nothing was accomplished for a dozen years. The key was there, but its application required the inspired insight of genius. Dr. Thomas Young, the demonstrator of the vibratory nature of light, who had perhaps the most versatile profundity of knowledge and the keenest scientific imagination of his generation, undertook the task. Accident had called Young's attention to the Rosetta Stone, and his rapacity for knowledge led him to speculate as to the possible aid this trilingual inscription might offer in the solution of Egyptian problems. Having an amazing faculty for the acquisition of languages, he, in one short year, had mastered Coptic, after having assured himself that it was the nearest existing approach to the ancient Egyptian language, and had even made a tentative attempt at the translation of the Egyptian scroll. This was the very beginning of our knowledge of the meaning of hieroglyphics. The specific discoveries that Dr. Young made were: 1, That some of the pictures of the hieroglyphics stand for the names of the objects delineated; 2, that other pictures are at times only symbolic; 3, that plural numbers are represented by repetition; 4, that numerals are represented by dashes; 5, that hieroglyphics may read either from the right or from the left, but always from the direction in which the animals and human figures face; 6, that a graven oval ring surrounds proper names, making a cartouche ; 7, that the cartouches of the Rosetta Stone stand for the name of Ptolemy alone; 8, that the presence of a female figure after such cartouches always denotes the female sex; 9, that within the cartouches the hieroglyphic symbols have an actual phonetic value either alphabetic or syllabic; and 10, that several dissimilar characters may have the same phonetic value. K A LA RE SA W SA RE M HA HER REM T P Kaharesapusaremkaherremt. AN EGYPTIAN PROPER NAME SPELLED OUT IN FULL BY MEANS OF ALPHABETICAL AND SYLLABIC SIGNS. Dr. Young was certainly on the right track, and very near the complete discovery; unfortunately he failed to take the next step, which was to learn that the use of an alphabet was not confined to proper names. This grand secret Young missed; his French successor, Champollion, ferreted it out from the foundation he had laid. The "Enigma of the Sphinx" was practically solved, and the secrets held by the monuments of Egypt for so many centuries were disclosed to the world. Champollion proved that the Egyptians had developed an alphabetneglecting the vowels, as did also the early Semitic alphabet-centuries before the Phoenicians were heard of in history. Some of these pictures are purely alphabetical in character, some are otherwise symbolic. Some characters represent syllables, others again stand as representatives of sounds, and once again, as representatives of things; hence the difficulties and complications it presented. DAWN OF CIVILIZATION B.C. 58671 G. C. C. MASPERO It is a far cry to hark back to 11,000 years before Christ, yet borings in the valley of the Nile, whence comes the first recorded history of the human race, have unveiled to the light pottery and other relics of civilization that, at the rate of deposits of the Nile, must have taken at least that number of years to cover. Nature takes countless thousands of years to form and build up her limestone hills, but buried deep in these we find evidences of a stone age wherein man devised and made himself edged tools and weapons of rudely chipped stone. These shaped, edged implements, we have learned, were made by white-heating a suitable flint or stone and tracing thereon with cold water the pattern desired, just as practised by the Indians of the American continent, and in our day by the manufacturers of ancient (sic) arrow-, spear-, and axe-heads. This shows a civilization that has learned the method of artificially producing fire, and its uses. Egypt is the monumental land of the earth, as the Egyptians are the monumental people of history. The first human monarch to reign over all Egypt was Menes, the founder of Memphis. As the gate of Africa, Egypt has always held an important position in world-politics. Its ancient wealth and power were enormous. Inclusive of the Soudan, its population is now more than eight millions. Its present importance is indicated by its relations to England. Historians vary in their compilations of Egyptian chronology. The epoch of Menes is fixed by Bunsen at B.C. 3643, by Lepsius at B.C. 3892, and by Poole at B.C. 2717. Before Menes Egypt was divided into independent kingdoms. It has always been a country of mysteries, with the mighty Nile, and its inundations, so little understood by the ancients; its trackless desert; its camels and caravans; its tombs and temples; its obelisks and pyramids, its groups of gods: Ra, Osiris, Isis, Apis, Horus, Hathor-the very names breathe suggestions of mystery, cruelty, pomp, and power. In the sciences and in the industrial arts the ancient Egyptians were highly cultivated. Much Egyptian literature has come down to us, but it is unsystematic and entirely devoid of style, being without lofty ideas or charms. In art, however, Egypt may be placed next to Greece, particularly in architecture. The age of the Pyramid-builders was a brilliant one. They prove the magnificence of the kings and the vast amount of human labor at their 1 Champollion. E., VOL. I |