An Abridgment of Lectures on RhetoricThomas Carey, 1818 - 300 עמודים |
מתוך הספר
תוצאות 1-5 מתוך 17
עמוד 33
... describes them , as tearing up mountains , and throwing them at one another ; there are in his description , as Mr. Addison has remarked , no circumstances , but what are truly sublime ; From their foundations loos'ning to and fro ...
... describes them , as tearing up mountains , and throwing them at one another ; there are in his description , as Mr. Addison has remarked , no circumstances , but what are truly sublime ; From their foundations loos'ning to and fro ...
עמוד 55
... describing and re- cording events . Thus , to signify that one man had killed another , they painted the figure of one man lying on the ground , and of another standing by him with a hostile weapon in his hand . When America was first ...
... describing and re- cording events . Thus , to signify that one man had killed another , they painted the figure of one man lying on the ground , and of another standing by him with a hostile weapon in his hand . When America was first ...
עמוד 91
... describing it . Sounds have in many respects an intimate cor- respondence with our ideas ; partly natural , part- ly produced by artificial associations . Hence , any one modulation of sound continued , stamps on style a certain ...
... describing it . Sounds have in many respects an intimate cor- respondence with our ideas ; partly natural , part- ly produced by artificial associations . Hence , any one modulation of sound continued , stamps on style a certain ...
עמוד 92
... describes the sound , made by the opening of the gates of hell ; in the other , that made by the opening of the gates of heav- en . The contrast between the two , exhibits to great advantage the art of the poet . The first is the ...
... describes the sound , made by the opening of the gates of hell ; in the other , that made by the opening of the gates of heav- en . The contrast between the two , exhibits to great advantage the art of the poet . The first is the ...
עמוד 112
... describe the nature of soft and inelancholly music , Ossian says , " The music of Carryl was like the memory of joys that are past , pleasant and mournful to the soul . " This is happy and delicate ; yet no kind of music bears any re ...
... describe the nature of soft and inelancholly music , Ossian says , " The music of Carryl was like the memory of joys that are past , pleasant and mournful to the soul . " This is happy and delicate ; yet no kind of music bears any re ...
מהדורות אחרות - הצג הכל
מונחים וביטויים נפוצים
action admit affectation agreeable ancient appear arguments atheism attention beauty blank verse characters Cicero circumstances comedy composition concise connected degree Demosthenes dignity discourse distinction distinguished elegant eloquence emotion employed Eneid English epic poem epic poetry excel excite exhibit expression fancy figure frequently genius give grace Greek guage hearers heart Hence Henriade Homer human ideas Iliad imagination imitation instance Jane Shore jects kind language Livy Lucan Lusiad lyric poetry manner ment metaphor Milton mind modern moral motion narration nature never object observed orator ornament painting Paradise Lost passion pastoral pathetic pause peculiar perspicuity Pharsalia pleasing pleasures poet poetical poetry proper propriety public speaking render requisite resemblance ridicule rule scene sense sensibility sentence sentiments simplicity sion Sophocles sound speaker species speech spirit strength strong style sublime syllable Tacitus taste thing thought Thucydides tion tragedy unity variety verse Virgil voice words writing
קטעים בולטים
עמוד 232 - Then shall the lame man leap as an hart, and the tongue of the dumb sing: for in the wilderness shall waters break out, and streams in the desert. And the parched ground shall become a pool, and the thirsty land springs of water: in the habitation of dragons, where each lay, shall be grass with reeds and rushes.
עמוד 106 - Me miserable ! which way shall I fly Infinite wrath, and infinite despair? Which way I fly is Hell; myself am Hell; And, in the lowest deep, a lower deep Still threatening to devour me opens wide, To which the Hell I suffer seems a Heaven.
עמוד 228 - Swinging slow with sullen roar ; Or, if the air will not permit, Some still, removed place will fit, Where glowing embers through the room Teach light to counterfeit a gloom...
עמוד 27 - He made darkness his secret place; his pavilion round about him were dark waters and thick clouds of the skies.
עמוד 31 - Less than archangel ruined, and the excess Of glory obscured ; as when the sun, new risen, Looks through the horizontal misty air Shorn of his beams, or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
עמוד 134 - We cannot indeed have a single image in the fancy that did not make its first entrance through the sight; but we have the power of retaining, altering, and compounding those images which we have once received, into all the varieties of picture and vision...
עמוד 230 - O SING unto the Lord a new song: sing unto the Lord, all the earth.
עמוד 233 - The mountains saw thee, and they trembled : the overflowing of the water passed by : the deep uttered his voice, and lifted up his hands on high.
עמוד 116 - God is not a man that he should lie; nor the son of man, that he should repent...
עמוד 229 - But, first, whom shall we send In search of this new world? whom shall we find Sufficient? who shall tempt with wandering feet The dark, unbottom'd, infinite abyss, And through the palpable obscure find out His uncouth way?