New Exegesis of Shakespeare: Interpretation of His Principal Characters and Plays on the Principle of Races

abstract absurdity accordingly action Adamnan ages ambition Anglo-Saxon Aristotle Banquo Bede Boii Cæsar Celtic race Celts character common conceived conscience consequence contrary contrast critics curious Cymbeline distinction divine doubt drama elves England English example explained expression fact fairies famous fancy French Gauls genius gentilitial German ghosts give Gothic Greek Hamlet Hence human Iago imagination instinct intellect Ireland Irish Italian Lady Lady Macbeth language latter less logic Macbeth manners means mental merely mind moral moreover motives murder muscular native nature never object opposite organization Othello passion perhaps personage philosophy physical play poet political Polonius praeternatural present principle reason religion remarked Roman savage Saxon scarce Scotch seems selfishness sense sentiment Shakespeare shew Shylock social speak species spirit superstition sympathy term Teutonic race Teutons things tion trait true truth unity vulgar weird sisters witches word writer